Luc besson's Film Style

In fact, Besson's film road has basically taken shape since the first film, and the characters in his films can not be summarized into two categories: guns.

This killer is not too cold poster

The delicate appearance of girls or girls is in sharp contrast with gun violence, which is an important part of Bayes' film aesthetics. Another kind of character is a lonely hero facing reality, which is another kind of character with split personality. If we do some simple psychological analysis, these are actually the yin and yang sides of Besson's character: the man with strong appearance and the woman with weak appearance and strong heart. Every film he wrote and directed, the story is built around such a psychological formula. The final "Angel Angela" is a summary of Bayes' psychology: the helpless boy hides under the shell of a seemingly bold rogue, waiting for the help of a woman (angel). Although the film is black and white, it can't escape Besson's study.

Fifth element poster

In the usual advertising aesthetic shooting method, Paris presented in the film is postcard-like, while the hero and heroine are the continuation of Bayesian characters. From this, the viewer can find Besson's wonderful combination: the businessman's mind plus childish psychology plus a little sadness.

The secret of the success of Besson Products is actually very simple, that is, using culture to get rid of the director's egoism, the characters' lines are simple, taking the story as the starting point, with more actions, less dialogue and fast pace. Indeed, the best-selling movie does not mean making the best movie, but don't think that Bollywood in India, Hollywood in the United States and Europa in Besson are too stupid to understand this truth. They just accept the reality of the market more.