Traditional Culture Encyclopedia - Photography major - What schools of fashion photography are there in China now, or what styles can be summarized ~

What schools of fashion photography are there in China now, or what styles can be summarized ~

Realism, painting, naturalism, purism, impressionism, realism, expressionism, surrealism, abstraction, subjectivism, Kanpai.

Realism: a genre that gives full play to the documentary characteristics of photography. In terms of aesthetic value, cognitive and educational functions are often greater than aesthetic functions, and appeal and witness are greater than appreciation. It is the basis and main genre of photography.

Painting: Pursuing the interest of painting and standardizing your own photography creation with the principle of painting modeling.

Naturalism: The creative themes of this school are mostly natural scenery and social life.

Purism: advocating that photography should develop its own advantages, abandon the influence of painting, and advocate using pure photography technology to obtain the unique aesthetic effect of photography.

Impressionism: Drawing on the impressionism style in painting, the images in the works have no clear lines and outline boundaries, nor do they emphasize the three-dimensional sense and texture.

Realism: Expressed formal beauty with common themes, and produced strong visual impact with simple photography.

Darwinism: Contrary to tradition and reason, claiming that it has nothing to do with aesthetics. Construct works through darkroom, splicing and other technologies.

Abstraction: The essence of art is emotional catharsis, which combines abstract symbols such as point, line, surface, tone and color to express feelings.

Subjectivism: Photography should be a personalized and humanized art. No matter whether the image in the picture is concrete or abstract, it is just a form of self-expression, which is the photographer's feeling, consciousness and emotion.

Kanpai: This school of photographers advocates respecting the characteristics of photography, emphasizing truth and nature, advocating that the subject should not be manipulated or interfered when shooting, and that the instantaneous modality of the subject should be grasped in the natural state.