Please recommend Leslie Cheung classic movies.

Leslie Cheung Classic Film Review: Gun Road

"Guns don't kill people, only people kill people." -"Gun King"

San Seung Hoi taan

Director: Pan Wenjie

Starring: Andy Lau Leslie Cheung Quiet Wu Xingguo

"New Shanghai Beach" is another masterpiece of the lame director Pan Wenjie, and it is also a classic of Hong Kong gangster movies. The film is still set in Shanghai in the old society and tells a legendary story. The narrative technique of the film is unique and smooth, and the editing is vivid and coherent. Although the film is remake from a classic TV series, the director completely abandons the original story structure, subverts the conventional inertial thinking and reshapes the classic. Li Ding, played by Andy Lau, is a Shanghai gangster who wants to get ahead. By chance, he met Xu Wenqiang, who had a special status, by the Huangpu River in Shanghai. They became a new force after the "blood spatter" in Shanghai. In the process of ruling Shanghai, they gradually established a solid friendship, but due to their different pursuits, their friendship is also facing a test. ...

In my opinion, Leslie Cheung's "Xu Wenqiang" image is quieter and sharper than Chow Yun Fat's. In the film, Xu Wenqiang has a complicated personal background and has been living in his own spiritual world, but he has entered a place called Jianghu. Leslie Cheung's cold face and deep eyes make this character feel like a rock, without any impetuous and deliberate bitterness. In the movie, Leslie Cheung said that I was just a passer-by, and I would leave when I finished what I wanted to do. What about his own life? Is it also a hasty walker, leaving only the blood of the sunset? In this decade, from the exquisite Chen Shier to the vicissitudes of Xu Wenqiang, from a niche who escaped from love to a melancholy avenger, perhaps only the decorator knows the pain of transformation.

Heroes I and II

Director: John Woo

Starring: Tommy Tam, Chow Yun Fat and Leslie Cheung.

A legendary story of 20 years ago, a pearl of Hong Kong films, helped John Woo, Chow Yun Fat and Tommy Tam, and almost helped Leslie Cheung. The brotherhood is deep, and the brotherhood is sincere. A song "Tomorrow will be Better" sounded, evoking countless sighs and memories. Chase, chase, and one bullet will be over. A group of actors with sudden personality changes staged a film full of publicity, each role was particularly vivid, and each actor was sharp-edged. Wu Yusen wrote a male elegy from a delicate but not trivial perspective. There is no need to mention such vulgar terms as "violent aesthetics", "sports scenes" and "modern martial arts" to gild and gild the film. As long as you mourn it quietly at an unspecified moment, you will already understand why it is still so bright and dazzling after so many years. The carving of lines in "The True Color of Heroes" is commendable, full of stubbornness and arrogance.

I reject the argument that "being a hero" is being cool. What a non-realistic film can impress people is the sincere feelings in its fictional story. No one will refuse to show this emotion in the film. I can't give romanticism a complete concept, but at least I don't think romanticism is completely illusory. If I have to evaluate this film in the simplest way, it is that "True colors of heroes" perfectly interprets several passionate feelings with beautiful images! In this film, Leslie Cheung became a candle in full bloom in Chow Yun Fat and Tommy Tam. Although Pony and Hao Ge are in full swing, everyone knows that Ajie is also shining.

Used to be a thief

Director: John Woo

Starring: Chow Yun Fat, Leslie Cheung and Cherie Chung.

"I advise you to go home early, and you say you don't want to go home", whenever I hear this song "The Wind Keep Blowing"; Every time I hear this magnetic sound, I think of a movie-Crossing the Ocean and a man-Leslie Cheung. With the interpretation of Leslie Cheung, Chow Yun Fat and Cherie Chung, John Woo's film lost its murderous look and cast a romantic atmosphere. Three people * * * All right, who are you going back with? Love, friendship, constant cutting, and chaos. Let's go back to the beginning of the movie The three thieves who stole the painting succeeded in smiling at each other in the car. I know this should be a romantic beginning.

Ajan is an unruly teenager. After painting his portrait in the street, the wandering painter showed a childlike smile: My name is Ajan, and I am a thief! Then put on your helmet and go with the wind.

I'll think about it. I still remember red beans sitting in a wheelchair and dancing with Azu in the ballroom, and Azhan in a suit and tie watched. The smiling face is still as bright as a peach blossom, but the peach blossom will still bloom next year. Where can I see my brother's smile again? !

And the most classic stolen paintings of castles. With the wonderful cooperation of the two brothers, the ancient paintings drifted away. Later, Leslie Cheung and Chow Yun Fat danced with glasses in the face of the infrared trap in the room. This wonderful passage is worth remembering for a long time.

This is the third film co-produced by Leslie Cheung and Chow Yun Fat. Coincidentally, all three films were made by John Woo. Leslie Cheung's acting skills have gradually matured from the sober impulse in Heroes I, I and II to the chic maturity here. Behind the tenderness is a kind of melancholy. Even in the face of his brother with extraordinary acting skills, he did not fall in the wind.

At this time, 34-year-old Leslie Cheung retired from the music scene and won the best actor. His life is about to turn a new page.

"How many happy memories are there in the past? Why not chase them with you?" When the wind comes back, I will think of you, Leslie Cheung!

Double tap

Director: Chi-Leung Law

Starring: Leslie Cheung, Fang Zhongxin and Chen Farong.

He is an autistic gunman, and his marksmanship is like a god. He often races in games, and ordinary games can't shake his nerves. In a gun field accident, the police didn't have the confidence to save people, but they wiped out the hijackers with one shot, and their marksmanship and confidence were unparalleled. After that, he became a killer, an excellent killer, dealing with the police and professional troops alone, one by one falling under his gun. Only he is the real gun king.

He is a melancholy man, worldly, and he doesn't want to pay attention to it. He just wants to fly freely in his own world. He was born for guns, just as Ximen Chuixue was born for swords. He devoted himself to what he liked best, so he was an excellent marksman. In the cold world of bullets, he will feel warm because the real world is too cold.

Chi-Leung Law's films are so indifferent with some enthusiasm. The style of the whole movie seems a little cold and heartless, with cool colors in it, and the passion that broke out is rare. But behind the indifference, endless flames are singing, which is the obsession with guns and the persistence of dreams. Here, another excellent actor plays a dedicated and excellent policeman and a gunman, but his affection for the gun is not as good as Zhang's. The gun is just a tool for him. Leslie Cheung regards guns as his life and hope, and it has reached a state of discord between people. Who is the real gun king? The answer is self-evident.

At first, it was hard to believe that Leslie Cheung could play such a neurotic, silent and cruel villain. But after reading it, I realized that Leslie Cheung could completely break through himself and play a more challenging role, and his acting skills could not be ignored. Seeing his dead gray eyes here, his cold eyes when he looked around the world, and the dazzling light in his eyes when he saw his beloved gun, I realized that he hid himself in the world of guns and he was flying his ideals in another world.

The Sword of Leslie Cheung's Classic Film Criticism

"Anyone can be vicious, as long as you have tried what is jealousy." -"Ashes of Time"

The ashes of time.

Director: Wong Kar-wai

Starring: Leslie Cheung, Tony Leung Chiu Wai, Jacky Cheung and Tony Leung Ka Fai.

Many years later, I had a nickname called Du. We have heard this sentence too much, but I still don't mind saying it again, because the speaker can't say it again for us. In the desert full of yellow sand, Ouyang Feng, with a beard and a full face of vicissitudes, put aside the cruelty and ruthlessness in shooting sculptures and tasted loneliness alone in the silent room.

In the background of voice-over, he raised his hand, put down his sword and looked up and sneered. "Anyone can become vicious. As long as you try to avoid the furnace, I don't care what others think of me. I just don't want others to be happier than me. " Happiness and sadness are always between a line; "I know that the best way to avoid rejection is to reject others first." Acceptance and rejection are also between thoughts. In fact, Ouyang Feng is just a sensitive man. He was afraid of the pain of being abandoned, so he chose to leave himself. Looking at white camel mountain, he remembered that he once loved a woman, but turned away and hid! Tell me, who is your favorite woman? A sad woman asked, he can easily answer this time, but his heart is lonely. What is love in the world? Just a promise of life and death.

Three years ago, I thought the best movie in Wong Kar-wai was Chongqing Forest. Three years later, I thought it was the ashes of time. Wong Kar-wai's seemingly dull and thoughtful films contain too much loneliness and loneliness. Leslie Cheung's performance here is still outstanding, from the sharpness at the beginning to the indifference in the middle, and then to the true feelings in the monologue. The temperature is just right, and Ouyang Feng, a lonely, proud, regretful and painful heartbreaker, is vividly interpreted. Not inferior to Tony Leung Ka Fai, Tony Leung Chiu Wai, Maggie Cheung and others.

The 37-year-old said, "When you can't have what you have anymore, the only thing you can do is not to forget." This time, it's up to us

White-haired witches ⅰ and ⅱ

Director: Yu Rentai

Starring: Leslie Cheung Brigitte Lin

Yu Rentai's love elegy. The ups and downs of the rivers and lakes, gone with the times, killed a love! The once bitter promise vanished in an instant, and the once beautiful woman turned into snowflakes in an instant ... Jianghu. Zhuo Yihang, the charming son of a famous teacher, met a charming evil school witch to practice clothes, and they fell in love secretly until they fell in love. Sex, earth-shattering they all loved each other so much that they made their love public, so that the earth shook and they lost their minds. As a result, they were wrong after all! How can a noble and decent family exist in the world of demon religion? Killing, rivers of blood. I thought eternal love was teetering in the rain of blood. Once love is stained with blood, it becomes a cruel and hurtful monster, deeply in love and deeply hurt. Just like Leslie Cheung's Beauty and White Hair, it tells the silence and salty taste of love.

The film plays up the sincerity of love through a lot of passionate shots, and then interprets the meaning of love and hate with extremely cruel contrast. The color of the film is sometimes gorgeous and sometimes gloomy. Leslie Cheung once again met this character who dared to love but didn't get angry after "Rouge Kou". Of course, he played it with ease. Every smile reveals the character's own personality, and the loneliness, beauty, self-pity and painful struggle are reflected in the corner of his eye in a flash. In contrast, Brigitte Lin, the "white-haired witch" in the movie, is much inferior in performance, lacking a sense of despair and tragedy, and only knows to roar at the top of her lungs. Unfortunately, Leslie Cheung won the Golden Horse Award for "Best Movie Song" only by virtue of the song "White-haired Beauty", which is natural to the film.

From East to West

Director: Liu Zhenwei

Starring: Tony Leung Chiu Wai, Tony Leung Ka Fai, Maggie Cheung, Zhong Zhentao and Leslie Cheung.

"The film's star lineup was staggering and captured most of the first-line superstars in Hong Kong at that time. Everyone showed their magical powers when they crossed the sea, and their comic talent soared. Tony Leung Chiu Wai's "Xi Du" Ouyang Feng stands out as the most classic character in the film. In the movie, he plays "East Evil" Huang, but the color is bold and small. This is probably the easiest movie image in Leslie Cheung's acting career. He is neither calm nor melancholy, and his emotional entanglements are also handled in a comedy way. Maybe he played more such roles, and the result may not be like this.

"Going East and Going West" is a funny and absurd movie. This film is the original crew of Wong Kar-wai's Ashes of Time from the behind-the-scenes production team to the star in front of the screen. It is said that this film is a remedy made by director Liu Zhenwei to make up for the box office fiasco of his unknown friend Wong Kar-wai. Like Ashes of Time, the characters in the film are all derived from Mr. Jin Yong's The Legend of the Condor Heroes, but they have no intention of respecting Jin Lao's original work at all. These two films are at the poles of art and commerce. Ashes of Time is full of cinematic skills, with fragmented pictures and complicated relationships between characters. But this film is full of comedy elements, almost scratching his beard and eyebrows, and the director seems unwilling to give up anything. It can be said that the film is a master of "Hong Kong-style" funny means. Many funny scenes in the film are often copied to other Hong Kong comedies by Liu Zhenwei himself and other directors, including Stephen Chow's A Chinese Odyssey! So "Going East and Going West" was dubbed as "postmodern" by many people, and the box office income in that year was also quite rich, which made up for the commercial failure of "Things have changed" to some extent. Since then, "Wong Kar-wai is the winner, and Liu Zhenwei is the winner" has become a popular quip in Hong Kong film circles.

The film's star lineup was jaw-dropping, attracting most of the first-line superstars in Hong Kong at that time. Everyone showed their magical powers when they crossed the sea, and their comic talent soared. Tony Leung Chiu Wai's "Xi Du" Ouyang Feng stands out as the most classic character in the film. In the movie, he plays "East Evil" Huang, but the color is bold and small. This is probably the easiest movie image in Leslie Cheung's acting career. He is neither calm nor melancholy, and his emotional entanglements are also handled in a comedy way. Maybe he played more such roles, and the result may not be like this.

Ghosts in Ghost Story Ⅰ and Ghost Story Ⅱ

Director: Cheng Xiaodong

Starring: Leslie Cheung Joey Wong's afternoon horse

The film is adapted from Pu Songling's original novel Nie Xiaogan, but like many Hong Kong-made renamed films, it basically borrows the overall framework of the original story and then freely develops it. This film, directed by Tsui Hark behind the scenes, combines martial arts, monsters, thrillers, comedies and love, which is the first in Hong Kong. Although the main part of the film is a sad love between ghosts and people, it describes the dangerous and sincere love between scholar Ning and wild ghost Nie. However, at that time, the expression techniques were quite different. The peak of visual effects made this film almost lead an era of ghost films in Hong Kong, and then such films flooded in Hong Kong.

Leslie Cheung plays the role of Ning in the film, which shows his acting talent in dealing with two different emotions: happiness and sadness. In fact, it is very appropriate for Leslie Cheung to play a weak ancient scholar. Laughing and cunning can be regarded as a kind of catharsis and escape from reality, and true feelings can be regarded as a manifestation of his character outside the play. However, the commercial flavor of the film is too strong, and the topic of love is regarded as a carrier of the visual effect of the film, which makes the protagonist of the love story in the film feel sparse, thus making the hero of the film completely a supporting role in the visual effect of the film. This is also the situation faced by all Hong Kong actors, that is, no matter who they are, they can't play some roles that are very close to themselves every time. Today is a hero, tomorrow may be a killer, and it may take many days to play yourself well.

Leslie Cheung's classic films: the road to review.

"Khan soldier has slightly, ready. When the king is exhausted, how can he talk about life? " -Farewell my concubine

Farewell My Concubine

Director: Chen Kaige

Starring: Leslie Cheung, ZhangFeng yi and Gong Li.

At the end of the movie, after a song is sung, Yu Ji slowly draws out a long sword inserted at the waist of the overlord in the music. When her wrist shook, the sword was pulled out with a "choke", and a strong light was emitted from the gap between the tip of the sword and the scabbard. As soon as the picture is bright, one person falls, and Yu Ji will finally bid farewell to the overlord.

Many years later, people may forget this movie; However, for thousands of years, Yu Ji's feelings for the overlord have been cut off.

Men are afraid to run at night, while women are afraid to think of worldly things. Die Yi begins with a sentence "I am a charming girl" and looks for the overlord of her life. From the pillow on a small winter night to the chorus Farewell My Concubine, she knew that she would be a concubine all her life and stay with her overlord. So she plays in life, and life plays, so she can't live without madness. So when she solo "Drunkenness of the Imperial concubine", it was Yuhuan's body that fell on the stage, but the princess's despair was on her face.

"Khan soldier has slightly, ready. The king is exhausted and unable to make a living. " Yes, the king is exhausted, and the concubine can't live. Yuji has always been loyal to her life. Therefore, in the play and the play, Yu Ji always inevitably died in the arms of the overlord.

At the end of the movie, after a song is finished, Yu Ji slowly draws out a long sword in the music and puts it around the waist of the overlord. As soon as her wrist shook, the sword came out of its sheath, and a strong light shone from the gap between the tip of the sword and the scabbard. As soon as the picture is bright, one person falls, and Yu Ji will never be the overlord. At the last moment, Die Yi changed the prop sword into her favorite, Gu Jian, who grew up with her. The blade is like the moon and the moon is as cold as a knife. She died here and now and left her lover, but she had no regrets.

In Shana, the best movie in Chen Kaige, he tells the story of Cheng Dieyi, a man who is trapped by love and has been troubled by love all his life, with a pear garden as the background and Peking Opera as the coat. Here, the only protagonist is Leslie Cheung, and Cheng Dieyi is his incarnation. His voice, figure and sleeves all tell us what a real player is. The role of Butterfly Clothes belongs to Leslie Cheung completely, and it is also his most classic role, which others can't surpass. I remember that one of the judges of the Xia 'na Film Festival once rated Leslie Cheung as the best actress, which shows one of the charms of this role.

At the age of 36, Leslie Cheung began to wash away the dust, entered another stage of his life and began to play more roles.

However, now he has chosen to leave this world, just like Butterfly Clothes. Come to think of it, he has many similarities with his butterfly suit.

Guo Rong isn't here. Where's Dieyi? When love is in the past, don't mention it again!

Rouge

Director: Guan

Starring: Leslie Cheung Anita Mui

The female manifesto, Guan's deep affection, and the amazing combination with Anita Mui made this film visible in many international film festivals that year.

In the romantic world of Hong Kong in the 1930s, a prostitute in a brothel, Ruhua, fell in love with a dude named Shierxiao, Chen Zhenbang, and they started to talk about marriage. Due to the disparity in status, this marriage was opposed by the Chen family. In order to be with Ruhua, twelve teenagers left home to live with Ruhua. They made a promise with Rouge and decided to swallow opium together for double suicide. I've been waiting in hell for fifty years, but I still haven't seen a dozen flowers. Only when I looked for it among the dead, did I find that the twelve children were not dead, but had lived on the earth for fifty years. For example, the flower heart is cold, the rouge is exchanged, and I go back to hell alone ... The whole movie "Rouge" is dark and desolate, and Leng Yan is gorgeous, but the ending is mixed, which makes people sad.

This film is the highest performance of Leslie Cheung. He vividly depicts a spoony but cowardly rich boy "Twelve Little", and his role exudes noble temperament, which makes people stay away from him. At the end of the film, Leslie Cheung's appearance can be described as shocking four seats. Twelve eyes were full of tears, staring back at the flowers on the earth, and their eyes revealed unspeakable complex emotions, including regret, panic, shame, embarrassment, helplessness and even anger. Leslie Cheung was nominated for the best actor in the Hong Kong Film Awards for the third time with this film, but he lost to Sammo Hung inexplicably in Seven Little Happiness, which really surprised people. Since then, the nobility of Twelve Boys has become the external representation of Leslie Cheung's real life. It seems that he is really a "deeply involved" actor.

Wind and moon

Director: Chen Kaige

Starring: Leslie Cheung Gong Li

Fourteen-year-old Zhongliang once had to make his sister swallow arsenic and become a vegetable. A few years later, Zhong Liang became a charming "white party" who was good at blackmailing women's money, but he still cared about his sister as before ... Yue Feng made profound ethical thinking through a taboo love story. However, compared with Farewell My Concubine, Yue Feng obviously lacks an unforgettable catharsis. The predecessor of the screenplay is Ye's novel Flower Shadow, which was carved by Wang Anyi, then directed by Chen Kaige, photographed by Du Kefeng artists and starring Leslie Cheung Gong Li ... The strength of the lineup is clear at a glance, but it is not a perfect film. Although the film reproduces the process of the erosion and decline of wealthy families in that era, the story is quite hypocritical. The film touches on various bad habits of the old society in an attempt to reproduce the sinking society.

Leslie Cheung's "Yu Zhongliang" is a close character, mysterious and complicated. In decadence, I keep my heart alone, which is the warmest emotion. In the beautiful lens of Du Kefeng, it looks particularly gloomy and empty. With this role, Leslie Cheung was nominated for the "Best Actor" in the 33rd Taiwan Film Golden Horse Award.

Midnight song

Director: Yu Rentai

Starring: Leslie Cheung, Jacklyn Wu and Huang Lei.

Singing at Midnight is a remake of the movie of the same name in 1930s. Yu Rentai didn't change the plot in principle, but only weakened the strong struggle theme in the original work, and focused on describing the appeal of art and love.

The story happened in the 1920s and 1930s. Singer Song Danping is very popular in the small town, and he loves avant-garde and progressive stage plays. He fell in love with the girl Du Yunyan, but Du Yunyan's father disagreed and forced her to marry a powerful man. Du Yunyan secretly met Song Danping, so the powerful Zhao Gongzi set fire to the theater, but from then on, ghostly midnight songs began to appear in the theater. Ten years later, the arrival of a small troupe revealed the truth and staged a touching love tragedy.

The film has made great efforts in narrative and scene, stripping a horrible story into a sad love layer by layer, and doing a good job in the atmosphere. Because this is a remake of an old film, it is very important to deal with the atmosphere. The film not only grasps the subtlety of the drama plot, but also inherits and innovates the stage performance, which makes the film have a modern atmosphere, and the theme song sung by Leslie Cheung is also very touching under the atmosphere.

In temperament, Leslie Cheung is very suitable for the artist who plays this kind of tragedy. His talent, performance and voice are very tense, and even the unique destiny color of that era is written on his face. At the same time, Jacklyn Wu and Huang Lei, a newcomer from the mainland at that time, performed well.

a time to remember

Director: Ye Daying

Starring: Leslie Cheung Mei Ting

The Red Lovers is a revolutionary film in Chinese mainland, which is directed by the cutting-edge director Ye Daying and is quite controversial. The controversy lies in the image of underground party member in the film, which is different from the previous image of underground party member. In The Red Lover, party member Jin, an intellectual underground, not only shows the revolutionary spirit, but also depicts his emotional world with great pen and ink, which, to a certain extent, is a breakthrough in the image of party member in the revolutionary period, and naturally brings controversy.

The film describes Jin He, the leader of the underground party organization in Shanghai in the 1930s, who secretly engaged in party work in Shanghai in the name of husband and wife. Kim was injured, and the shrapnel left in his skull caused him to be intermittently manic and hallucinate. When he was ill, he thought Qiu Qiu was his dead wife. Qiu Qiu was moved by his feelings and fell in love with him. Payne, an American who likes Qiu Qiu, is also moved by their career and feelings and is determined to help the couple. Qiu Qiu was trapped by his father. Jin went to the government for exchange and was finally killed. Qiu Qiu also died in childbirth after giving birth to a daughter. Payne returned to America with their daughter. The film's breakthrough in the performance of underground party member is still positive, and it is even more flesh and blood. As a play bone, emotional play is also very touching. Although Ye Daying's skills are insufficient, the film's expressive force is not bad.

Another controversy in this film is that it plays Kim in the film and appears in Mandarin with a Hong Kong accent. But basically, Leslie Cheung grasped this role and let people know the other side of the heroic image of the producer. As a matter of fact, Leslie Cheung, a figure in the 1930s, has performances in Nocturne, New Shanghai Beach and Romantic Moon, but the characters in Nocturne and New Shanghai Beach all have revolutionary aspects, which should not be surprising for The Red Lover.

Happy together

Director: Wong Kar-wai

Actors: Leslie Cheung, Tony Leung Chiu Wai and Zhang zhen.

It can be said that this is the best gay movie in Chinese movies, and it is also the most acclaimed movie in Wong Kar-wai, with a detached love attitude.

This film tells the story of a pair of gay men, Li Yaohui and He Baorong, who wander to Argentina. They went to look for the Great Waterfall together. In Buenos Aires, they were on and off, and interpreted a story without an ending with the deadly sentence "It's better to start over". In this film which is endowed with too much meaning, a pure love is described in detail. Wong Kar-wai deliberately throws away other factors and makes Tony Leung Chiu Wai and Leslie Cheung experience suspicion, quarrel, entanglement, liberation, desire, sadness and willfulness on the other side of the globe ... making people forget that this is a gay movie, although the film boldly depicts some sexual scenes. The whole movie shows a full depressive state of mind under the dark light and shadow. Until the appearance of the Great Waterfall, it was empty. Perhaps too much personal temperament influenced this extremely beautiful movie.

Wong Kar-wai won the Best Director Award at Cannes Film Festival for A Spring Festival, and Tony Leung Chiu Wai won the Best Actor Award at the Hong Kong Film Awards. Only Leslie Cheung seems to have been forgotten. In fact, "Early Spring" should be said to be the most concise role of Leslie Cheung, with a bone-eroding truth, and it can also be said to be the return of ingenuity. Of course, it doesn't matter to him whether he wins the prize or not.

Moonlight Express.

Director: Li Rengang

Actor: Leslie Cheung Takako Tokiwa

A car accident separated a happy couple. She watched her lover fall in a pool of blood and came to Hong Kong sadly. One day in the elevator, she met a man who was very similar to his lover. She passed him by and he met her. On the surface, he is a gangster, but in fact, he is an undercover policeman. Dual identity, full of dangers, he hides himself behind his strength. For his own destiny, he came together with her, and he also found himself very similar to her former lover, and a subtle feeling began to spread. They run together, run together, can they stay together like this?

In Li Rengang's films, few are in color, but many are in black and white. His films have their own unique style, from the helpless tragedy in "94 New One-armed Knife" to the strange emotion in "Moonlight Express". Two people with similar appearance, two people with different personalities and two equally real emotions are combined in a seemingly ordinary movie.

Leslie Cheung played two roles in this film. At the beginning, businessmen were very enthusiastic and had a past. Later, the policeman was a bit wild and unruly, just like the real him. His performance is still so intense and effortless.

Seeing this movie, I remembered an old song "It seems that an old friend is coming" for no reason, in which the heroine can meet another person who looks like her lover after her lover comes back; After our death in Leslie Cheung, can we see this old friend who has been with us for a long time again?

"Moonlight Express", Leslie Cheung's flight has finally become a fairy tale, hanging in the sky, turning into stars and the moon, shining on the land where he once lived. "Have you ever remembered an old friend's past life? Happiness, sadness, old age, illness, life and death are not legends. " He turned his life into an eternal legend. However, every time I hear this song again, I feel like an old friend is coming. Tonight, I will come. Are you coming or not?

Love Okinawa

Director: Chen Jiashang

Actors: Tony Leung Ka Fai, Faye Wong and Leslie Cheung.

A thief, a policeman and a woman met in the sunshine of Okinawa. He likes her, and he likes her, but which one will she like? Cats catching mice or having an affair are all games and dreams. Accompanied by the light music at the beginning of the film, a pair of feet dancing on the ground, moving back and forth, are all the charms of Leslie Cheung. In Okinawa, Japan, a young man with glasses, like twenty years ago, bid farewell to white clothes and started chasing the pink Philippines. The entanglement of three people, you come and I go, one after another.

This is another Chen Jiashang movie, a very fresh feeling, a jumping love sketch, which began to overflow in the bright sunshine of Okinawa. Continuing the wonderful cooperation of Chen Jiashang, Tony Leung Ka Fai and Leslie Cheung in Bright Future six years ago, this time there is an elf singer and actor-Faye Wong. Needless to say, Tony Leung Ka Fai's acting skills, Faye Wong's acting skills had its own unique play as early as "Chongqing Forest", where she once again showed her acting talent, and an ethereal woman appeared, while "The Thief of Leslie Cheung" had already stepped out of the slightly immature shadow of "Crossing the World" before, and her acting skills were more skilled and natural. Three excellent actors and an excellent director are destined to be a good play.

In front of the open-air shop by the sea, the sea breeze is blowing gently, and an unknown English song is floating in the air, which is very affectionate. Fei walked slowly behind the counter and stood proudly in front, and the atmosphere was somewhat romantic.

Looking at the three figures on the movie poster, Faye Wong and Tony Leung Ka Fai lean on one side, while Leslie Cheung's face on the other side faces in the other direction, while Faye Wong's hand secretly holds Leslie Cheung's hand. Three people, all flying, walking against the trend, smiling.

I suddenly feel that I don't like you, and I don't know why. Faye Wong said in the movie that things in the world often have no reason.

"Things in the world are often expected.