Zheng De Zheng-Master of Arts and Crafts

First, concentrate on creation and constantly introduce new ideas.

I have been engaged in carving art since 197 1, and I can constantly learn and explore carving techniques, and intensively read China ancient art and culture, carving inheritance techniques and so on. Therefore, it has opened up the connotation of its own carving art, and combined with its own carving experience, it has integrated into the essence of Chinese and foreign cultures, making artistic creation closer to life and society and achieving the harmonious unity of humanities and ideas.

In the creation of works, he can correctly handle the relationship between inheritance and innovation, and is good at using natural wood, natural roots, wood and stone and other materials to perform artistic expression according to their materials. With the ingenious combination of nature and labor, the traditional skills and modern aesthetics are perfectly combined to create a series of products such as "Stone Story". Over the past forty years, he has created many excellent works. Among them, the root carving works "Fly to the Peak and Grab Beauty", "Grinding Scissors" are permanently collected by China Arts and Crafts Museum, and "Farewell My Concubine" is permanently collected by Fujian Arts and Crafts Museum. The woodcarving work Empty was collected by the Organizing Committee of China (Dongyang) International Woodcarving Art Grand Prix. The mahogany dragon and phoenix sedan chair designed and created for Chiayi County, Taiwan Province Province has won unanimous appreciation from all walks of life on both sides of the Taiwan Strait. Pay attention to improving artistic taste, and many works have won provincial and ministerial awards. Among them, 9 works such as Farewell My Concubine, Haoran Zhengqi and Free Guanyin won gold medals. 13 works, such as Pathetique and Dawu, won the silver prize, 10 works, such as Born from the same Root and Collection of Canon, won the bronze prize, and 8 works, such as Ode to Winter, won the excellent prize. Four works were selected for the exhibition, and a total of works 10 were collected to spread the wood carving art in Huian. At the same time, it also makes Huian sculpture art more integrated into the world.

Second, seriously and actively promote the inheritance and development of Huian sculpture art.

Growing up in the hometown of sculpture, I am destined to do my duty for Huian's wonderful sculpture art. In his spare time, he deeply felt the importance of the inheritance of sculpture art in Hui 'an, and attached great importance to the inheritance and development of sculpture art. So 1999 and the Sculpture Professional Committee of China Arts and Crafts Society jointly held a sculpture training class in Hui 'an, and invited many famous artists, experts and scholars from China sculpture industry to give lectures in our county, which greatly improved the theoretical level of the people in our county, laid a solid foundation for the rapid development of sculpture in Hui 'an, and offered suggestions and suggestions for holding the Hui 'an International Sculpture Competition. At the same time, we pay attention to the mentoring relationship. Over the years, we have trained more than 80 people with senior titles and 1000 skilled workers, some of whom have now become the heads of carving enterprises in our county. In order to let sculpture students have a better learning and training base, actively strengthen communication with Jimei University and realize the alliance smoothly, Jimei University set up a student training base in our sculpture art park, and was awarded the title of Hui 'an woodcarving skill training institution by Quanzhou intangible cultural heritage work leading group. 20 10 was hired as a special teacher of carving technology major in Kaicheng Vocational Secondary School of Fujian Province, and passed on his love and accumulation of carving art directly to the children, achieving a smooth transfer and making due contributions to promoting the industrialization of carving art in Hui 'an.

Third, the fields of innovative ideas and creative arts are constantly expanding.

The combination from practice to theory and from theory to practice is different from other sculptors. I paid great attention to theoretical study from the beginning of studying fine arts, and from 65438 to 0987, I entered the Sculpture Department of Xiamen Arts and Crafts College of Fuzhou University for further study. In 2009, he participated in the sculpture major of China Arts and Crafts Advanced Seminar. And pay attention to the combination of practice and theory, participated in the China Sculpture Forum meeting and cross-strait summit dialogue for many times, and learned from each other through exchanges. Pay attention to the accumulation of practical experience and thesis writing. Two articles, such as "Walking into the depths of spiritual wisdom-a little experience in woodcarving creation", have been published in publications such as Sculpture and participated in two scientific research projects. He also published his personal collection of Zheng's woodcarving art .. and dedicated his personal experience and practice to Hui 'an carving industry selflessly.

In actual creation, China sculpture art is constantly integrated into environmental design with keen artistic vision, and has successively designed and carved related works of Peking Opera in Beijing Meilanfang Grand Theatre, large-scale Song Ci sculpture and revolutionary theme relief in Jianyang Song Ci Cultural Square, large-scale relief design and production in lei feng memorial, Fushun, Shenyang, and traditional folk woodcarving works in Quanzhou Fujian-Taiwan Border Museum. 20 10 designed four famous works, which changed from single sculpture to overall artistic creation and reached a higher artistic level.

Fourth, cultivate one's morality and actively participate in social activities.

After creation, I can give full play to my artistic expertise, actively participate in social activities, actively participate in the discussion of state affairs, and make suggestions. He is a member of CPPCC in Nan 'an City and Hui 'an County for many times, and has put forward many valuable opinions for the inheritance, development and protection of traditional carving art in Hui 'an. From 65438 to 0997, he became a member of the Sculpture Committee of China Arts and Crafts Society, a member of China Sculpture Society, a member of the Sculpture Committee of China Folk Writers Association, a member of China Woodcarving Art Committee, a member of Quanzhou Photographers Association, and the vice president of Hui 'an Sculpture Research Association. He was hired as a judge of Quanzhou Intermediate Professional and Technical Position Qualification Jury for many times. He was hired as an academic consultant by Nan 'an Arts and Crafts Society, an academic consultant by Putian Mazu Culture, and 200 1 participated in a poor student with excellent academic performance in Longmentan Middle School, Dehua County, Quanzhou, sponsored by Quanzhou Photographers Association. After the "5. 12" Wenchuan Earthquake in 2008, he actively participated in the student aid activities organized by Quanzhou Photographers Association, and funded the students affected by the disaster in Touba Village Primary School and Maigongshan Village Primary School in Tielou Tibetan Township, Wenxian County, Gansu Province, and was enthusiastic about social welfare activities. Have a good professional ethics and a strong sense of social responsibility, and have a good reputation in the industry. In 2004, the Sculpture Committee of China Folk Artists Association awarded the title of "Master of Sculpture with Virtue and Art".