What are the highlights of the cartoon "Make a scene in Heaven"?

Hello, everyone. As early as the 1960s and 1980s, China was at the top level in the world. At that time, there was no such thing as country romance, and cartoons were generally called "art films". The most representative is "Make a scene in Heaven", which is still the insurmountable peak of animation industry in China and even the world.

In the middle of last century, the world animation was still in the primary stage of development, and the appearance of "Make a scene in Heaven" caused a sensation in the whole animation industry. At that time, the American media commented on "Make a scene in Heaven" in this way: "Make a scene in Heaven" is the best animation.

"Noisy Heaven" combines the performances of China traditional operas, and takes Beijing Opera as the background music. The story script, characters and dialogues all show strong China cultural elements. The role of the Monkey King alone was revised four times, and finally the Monkey King, the "peach heart face", was determined.

The design of costumes and expressions, the fluency of movements, and the performance of various characters' details are all excellent, and the complexity is also difficult to surpass today's technical level.

There is no computer production for "Make a scene in Heaven". The main actions are drawn by the original painting members, and then supplemented by the original painting at the next level. Each action will probably be supplemented by 3~7 pictures. In other words, "Make a scene in Heaven" is painted in brush strokes.

In the production process, the whole film takes the form of key subcontracting, and each main creation is divided into several independent creations. The director just grasps the overall situation and conveys the intention. How much and how to draw each paragraph is controlled by the master. In the section "Monkey King Ren Bi Marvin goes to heaven", Yan Dingxian painted more than 500 shots in just over 30 seconds. Free and unrestrained, it shows the Monkey King's freedom and carefree in a coherent and smooth way, and the effect far exceeds the director's expectation.

The Monkey King's image design has both form and spirit, drawing on many elements of Peking Opera. All is silent once asked the Monkey King to have the characteristics of monkey, god and man, and both are indispensable. In characterization, film studios not only absorb the advantages of various dramas, but also give necessary exaggeration and imagination.

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