Urgent! There are 3 to 5 calligraphers in running script, cursive script and official script, and write the life, style, comments and appreciation of each calligrapher.

The first is the running script. Wang Xizhi, a calligrapher in the Eastern Jin Dynasty, was born in Linyi (now Shandong), Han nationality, and later moved to Huiji (now Shaoxing, Zhejiang). In his later years, he lived in seclusion in Jinting County, China, and was a calligrapher in the Eastern Jin Dynasty. Worked as a secretary, general Ningyuan, Jiangzhou secretariat. Later, he was the secretariat of Huiji, who led the right general and was called "Wang Youjun" and "Wang Huiji". His son, Wang Xianzhi, is also good at calligraphy, and the world is collectively known as the "two kings". . Since then, the Wangs' calligraphy talents have come forth in large numbers. He died in the Eastern Jin Dynasty for five years and was buried in Jinting Waterfall Mountain (also called Ziteng Mountain). The fifth house in Sun Heng is Jintingguan, and the site still exists. Wang Xizhi was born in a famous family (King Langya). He, from grandfather's uncle and Wang Lan to Wang Xiang in Twenty-four Filial Pieties, from Wang Lan to doctors, from Wang Xiang to Taibao, are all half-brothers. From my uncle Wang Dao to Qiu, my father Wang Kuang was the magistrate of Huainan? . /kloc-at the age of 0/4, the family helped Jinshi to cross the south and established Jiankang in the south of the Eastern Jin Dynasty (now Nanjing). Together with Chen Jun and Xie Jia, they are famous aristocratic families in the Eastern Jin Dynasty. There is a saying in Tang poetry that "in the old society, Wang Xietang died and flew into the homes of ordinary people". /kloc-When he was 0/6 years old, Xi Zhi was honored as the "son-in-law of the East Bed". At first, he was a doctor, and later he was recommended as General Ningyuan by General Yu Liang of the Western Expedition. He served as the general of Jiangzhou secretariat and Huiji (now Shaoxing, Zhejiang) right army and literature and history. Due to the contradiction with Yangzhou secretariat Wang Shu, he resigned. ? Wang Xizhi once lived in Gaopo, Linchuan County, known as "New City" (now Wenchang School, Linchuan District, Fuzhou City) when he was the secretariat of Jiangzhou (345-347 AD). There is a well for living and a Mo Chi for washing face for practicing calligraphy in the house. Therefore, Xun Bozi, a famous litterateur in Liu and Song Dynasties in Southern Dynasties, Xun Bozi, a famous litterateur in Linchuan Period, and a literary master in Song Dynasty wrote Linchuan Ji. The Mo Chi Collection is 285 words in length, which introduces the origin of Mo Chi and praises Wang Xizhi's hard-working spirit. During the Cultural Revolution, Mo Chi was destroyed. In June 2002, the Fuzhou Municipal Government introduced 5 million yuan of foreign capital to rebuild Mo Chi and restore its old appearance for tourists to enjoy. ? Wang Xizhi is good at calligraphy, but seldom learns from Mrs. Wei. Later, Zhang Zhi learned cursive script and Zhong You learned regular script. He learns from others and studies his own style carefully. Since the Han and Wei Dynasties, he has changed his pen style and created a fluent style. He is regarded as a "book saint". There are no original works, and all of them have been copied from generation to generation. His running script Preface to Lanting Collection, cursive script Chu Mu Tie, official script Huang Ting Jing and Le Yi Lun are the most famous. ? In Wang Xizhi's anthology, there is a Linchuan post: "Linchuan, Mo Wen, Mo You. Zi Song's son is here, and there are several envoys. I have to ask him. " Expressed concern for Linchuan. His "Mo Chi" spirit of "Mu Zhangzhi, Lin Chixue Shu, Chi Shuihei" has always inspired Linchuan students.

Working style

Wang Xizhi's representative works include: regular script Huang Tingjing, Lun, Wang Xizhi's calligraphy works (1 1 piece), cursive seventeen posts, running script, menstruation post, snow clearing post, funeral post, preface to Lanting collection, and first month post. Among them, Wang Xizhi's Preface to the Collection of Lanting (20 pieces) is highly praised by calligraphers of all ages and is known as "the best running script in the world". Wang Jian is good at following the laws of Li, Cao, Kai and Xing, carefully studying the shape, imitating the shape with his heart, learning from others' strengths, preparing everything in one furnace, getting rid of the style of writing in Han and Wei Dynasties, and becoming a family of his own, which has far-reaching influence. His calligraphy is peaceful and natural, and his brushwork is euphemistic and subtle, graceful and graceful. The world often uses Cao Zhi's Ode to the Goddess of Luo: "If you are amazed, if you are graceful, if you are in Youlong, you will be glorious and autumn, and Hua Mao will be spring pine. It seems that if the moon is covered by light clouds, it will float like the wind flowing back to snow. " Praise the beauty of Wang Xizhi's calligraphy. Legend has it that Wang Xizhi practiced calligraphy hard when he was a child. After a long time, the pool water used to clean the brush turned black. Later generations commented: "If you are floating like a cloud, you will be surprised if you are smart", "Yue Long is in the sky, and tigers are lying in the phoenix pavilion", "Nature is natural, and the gods are abundant in the world", which was praised as "the sage of books" by later generations. There is an idiom about him: smart, eager to get married. .......

Wang Xianzhi, a native of Linyi, Eastern Jin Dynasty, was born in Huiji (now Shaoxing, Zhejiang Province) and the seventh son of Wang Xizhi. He was 43 when he died. It is famous for its running script and cursive script. Wang Xianzhi studied calligraphy with his father Xi as a child, and also studied Zhang Zhi. Calligraphy is excellent, especially cursive script, which dares to innovate and has made outstanding contributions to modern calligraphy and cursive script since Wei and Jin Dynasties. Known as a "little saint" in the history of calligraphy, he is also called "two kings" with his father.

Like his father, Wang Xianzhi's study of books is not limited to the whole subject, but poor. Therefore, we can create our own unique style on the basis of "gathering the strengths of many families and the beauty of many bodies". Finally, he achieved an artistic position alongside Wang Xizhi. Book traces include Mid-Autumn Post written by Mi Fei in the Song Dynasty. ? For a century and a half from the end of Jin Dynasty to Liang Dynasty, his influence even surpassed that of his father Wang Xizhi. Until the Tang Dynasty, Emperor Taizong highly praised Wang Xizhi and belittled Wang Xianzhi. Some calligraphy critics began to think that Wang Xianzhi's calligraphy was inferior to his father Wang Xizhi. But Mi Fei, a calligrapher in Song Dynasty, mainly learned from Wang Xianzhi. Hu Xiaoshi, a famous modern scholar and calligrapher, thinks that Weeds by Zhang Xu and Huai Su was developed from Wang Xianzhi cursive script.

Yan Zhenqing (709-784, Yi Shuo 709-785), born in Wannian, Tang Jingzhao (now Xi, Shaanxi), was a calligrapher in the Tang Dynasty in China. ? An outstanding calligrapher in the middle Tang Dynasty. His "Yan Ti" regular script, together with Zhao Mengfu, Liu Gongquan and Ou Yangxun, is also called "the four masters of regular script". Also known as "strict care" with Liu Gongquan. Yan Zhenqing was admitted to imperial academy in the 22nd year of Kaiyuan (AD 734). Imperial academy for four times, moved to the temple to serve imperial academy. Rejected by Yang, the powerful minister at that time, he was demoted to the plain (now Shandong) as the satrap, which was called "Yan Plain" in history. During Su Zong's reign, Fengxiang granted the minister of constitutional affairs and moved to the imperial history. During the reign of Emperor Zong, the official went to the official department, the prince was a surname, and the Duke of Lu was named "Yan". In the fourth year of Jianzhong (783), he was framed by Prime Minister Qilu and sent to Li Xilie, the general of the Rebel Army, for advice, and was killed by Li Juan. Yan Zhenqing's calligraphy got better and better from the beginning, and later he learned to write in Zhang Xu, completely getting rid of the demeanor of the early Tang Dynasty and creating a new style of calligraphy in the times. Yan Zhenqing's original calligraphy is magnificent and dignified, and its handwriting has changed from slender in the early Tang Dynasty to square and has a centripetal force. The pen is vigorous and powerful, and the central brushwork is good. Full of bones and muscles, but also sharp. Generally, horizontal painting is slightly thinner, vertical painting, point, skimming and pressing are slightly thicker. This book is magnificent in style and momentum, and has the spirit of flourishing Tang Dynasty. His cursive script is vigorous, expressive, calm and vigorous, which opens up a complete life for the cursive script after Wang School. ? Yan Zhenqing has many works handed down from generation to generation. The famous pen and ink regular script includes Zhushantang couplet poem post and advertisement post. There are cursive scripts, such as Sacrifice to My Nephew, Liu Zhongtie and Huzhou Tie. Among them, there are still different opinions on the authenticity of other works except the "Sacrifice to a Nephew" which is recognized as an original. But it's all flowing ink. There are many inscriptions written by Yan Zhenqing in his life, among which "Duota Monument" is dignified and rigorous in structure, and "Dong Fangshuo Stone Relief Praise Monument" is distinctive and vigorous in style. "Diligence Monument" is heroic and clean. In addition, there are Ma Guxian Tan Ji, Ode to Datang and Yuanjiebei. There are also many seal cutting calligraphy posts, and his works are usually found in the middle posts collected in past dynasties, such as "Competing for a seat" and "Rentie". Ji Ming's Manuscript for Sacrificing Nephew, cursive ink, vertical? 28.2 cm, 72.3 cm,? 25 lines, ***230 words. This post is a manuscript, originally not written as a calligraphy work, but it has become a rare masterpiece because it has no intention of writing a book. His pen is clever, natural and vivid, and careless. Therefore, this post is full of spirits, horizontal posture, magnificent brushwork and great power, and is known as the first in Yan Shuxing Grass. Yuan Xianyu once rated this post as "the second running script in the world". The original is now in the National Palace Museum in Taipei.

Except cursive script, in fact, the cursive scripts written by Wang Xizhi and Wang Xianzhi are all good, so I won't go into details. Cursive script should be pushed twice, namely, Zhang Zhi and Zhang Xu.

China calligrapher of the Eastern Han Dynasty. The word boying. Dunhuang Jiuquan (now Jiuquan, Gansu) people. Born into an official family, his father, Zhang Huan, used to be too often clear. Zhang Zhi is good at cursive Cao Zhang. He changed the ancient cursive calligraphy of distinguishing characters and dividing strokes into a new writing style, which was original and influential at that time and was known as the sage of grass. Now there is no ink handed down from generation to generation, and only his August post is included in the Chunhua Pavilion post in the Northern Song Dynasty.

Zhang Zhi (AD? -about 192), the word Boying, a great calligrapher in the Eastern Han Dynasty, was called "Cao Sheng". Yuan Quan was born in Dunhuang County (now East of Anxi County, Gansu Province). Zhang Zhi's native place is "Jiuquan people in Dunhuang" in the biography of Zhang Huan in the Later Han Dynasty. The word difference has been misinformed for more than 1000 years. According to research, A Qing Qian Daxin was born in Yolanda, Dunhuang, and Yolanda is one of the six counties in Dunhuang. ? There are few historical materials about Zhang Zhi. The biography of Zhang Huan in the Later Han Dynasty only records the most famous eldest son, and my younger brother is often good at cursive writing. Wei Heng (A.D.? -291year) with "four-body book potential"? , said: "Han Xing has a cursive script, I don't know the author's name. When I arrived at Emperor Zhang, I was in harmony with each other and was praised as a masterpiece. Later, Cui Shi, Cui Yuanhe, also known as Dugong, became extremely clever because of advocating agriculture and Zhang Boying ... Zhong Wei would call them Cao Sheng. Jiang (179-252) was Wei Guanglu's doctor and a famous calligrapher at that time. He thought, "Du Shijie is strong, but his calligraphy and painting are thin. Cui Shi's law. The book is thick and the words are clever, but sometimes it is not satisfactory. Zhang Zhixi likes studying. Can be described as a saint. It can be seen that although Zhang Zhi took Du and Cui as his teachers, he came from behind and was "ahead of others and unique". Zhang Huaiguan, a famous calligrapher and critic in the early Tang Dynasty, elaborated Zhang Zhi with hundreds of words in his masterpiece Duanshu, which is an outstanding monograph in the history of calligraphy in China. Most calligraphers in past dynasties quoted and agreed with the expositions of Wei Heng, Sun Zi and Sun Zi. Since then, Zhang Zhi's position as a grass saint has stood impressively above the calligraphy circle in China and will shine forever. ?

Zhang Zhiqin's spirit of practicing calligraphy has become a historical story. Wei Heng's "Four-body Book" records: Zhang Zhi "Where clothes and silks are at home, you must write before you practice (boiling and dyeing);" Learn books in the pool, and the pool is exhausted. "Later generations called calligraphy" Linchi ",that is, from this. You Cao have the reputation of "sage of grass". At that time, people even cherished his Mo Bao to the point of "leaving every inch of paper". The evaluation is quite high, especially the cursive script.

Zhang Xu (675-750? ), word, word, Han nationality, Wu (now Suzhou, Jiangsu) in the Tang Dynasty. Changshu county magistrate Zeng Guan and the long history of Jin Wu. Good cursive script, good wine, known as the world Zhang Dian, is also one of the "eight immortals drinking." At that time, his cursive script, together with Li Bai's poems and Pei's dance, was called the "Three Wonders", and his poems were unique and good at the Seven Wonders. The Eight Immortals with Li Bai, He and others. Tang Wenzong once wrote a letter, regarding Li Bai's poems, Pei Min's sword dance and Zhang Xu's cursive script as "three unique skills". He also wrote poems, and was called "Four Gentlemen of Wuzhong" with He, Zhang and Bao Rong. There are "Stomach Pain Sticks" and "Four-character Poems" handed down from ancient times.

Zhang Xu was born in Tianbao, Emperor Xuanzong of the Tang Dynasty (675) and died in Tianbao, Emperor Xuanzong of the Tang Dynasty (750). He was first the commander-in-chief of Changshu and was named "Zhang Changshi", and later became a military attache of Jin Dynasty. His mother Lu is the niece of the calligrapher in the early Tang Dynasty, that is, the granddaughter of Yu Shinan. Lu's books have been handed down from generation to generation, which is famous in history. Zhang Xu is free and easy, generous, outstanding, brilliant and knowledgeable. Du Fu befriended Li Bai and He Hao, and was listed as the "Eight Immortals of Drinking". He is a master of cursive script with great personality. Because he is often drunk, clamoring for madness, then writing books, and even writing with his hair dipped in ink, he has the nickname "Zhang Dian". After Huai Su inherited and developed his brushwork, he also got his name from cursive script and called it "drunk". Zhang Xu is unrestrained, likes to drink, often dances after getting drunk, and then returns to the table with a pen and ink. Some people called him rude and gave him a crazy nickname. In fact, he is very careful. He believes that everything he touches in his daily life can inspire his writing. To get something occasionally is to melt it into your own calligraphy. At that time, as long as people got a piece of his paper, they all regarded it as a treasure, and it was hereditary and true. At that time, Zhang Xu had a neighbor and his family was very poor. I heard that Zhang Xu was very generous, so I wrote to Zhang Xu, hoping to get his support. Zhang Xu sympathized with his neighbor, so he said in his letter: You only need to say that this letter was written by Zhang Xu, and the asking price can be several hundred gold. Neighbors sold letters in the street according to his words and sold them out in less than half a day. The neighbors are happy to go home, and thank Zhang Xu very much.

Huai Su (725-785) was born in the Tang Dynasty. His name is Zangzhen, and his monk's name is Huai Su. His common surname is Qian, Han nationality, and he was born in Lingling, Yongzhou (Hunan). A good Buddha at an early age made a monk. He is the leader of a generation of coquettish cursive scripts in the history of calligraphy. His cursive script is called "crazy cursive script", and his pen is round and powerful, making it go round and round, unrestrained and smooth, in one go. He is as famous as Zhang Xu, another cursive writer in Tang Dynasty, and is called "Zhang Diankuang" or "Zhang Dian Zui".

Huai Su is an outstanding calligrapher in the history of China. His cursive script is called "Crazy Grass". His pen is round and powerful, making it turn like a ring, unrestrained and smooth, just like Zhang Xu. Later generations called it "Zhang Dian vegetarian" or "drunk". It can be said that it is a classical romantic art, which has a far-reaching influence on later generations. He also wrote poems and had contacts with poets such as Li Bai, Du Fu and Su Xun. Good at drinking, whenever drinking rises, regardless of walls, clothes, utensils, arbitrary writing, when people call it a "drunken monk." His cursive script was written by Zhang Zhi and Zhang Xu. Lu Tang, the general manager, said in his reading review: "Huai Su's cursive script changes at will with the help of electricity, and Huai Su's book is listed as a wonderful work in The Continuation of Books by Song and Zhu. The commentary said: "If a strong man draws his sword, the color of the gods will be moving. In the history of cursive art, Huai Su and his autobiographical notes have been talked about by calligraphy lovers for more than 1,200 years since the middle Tang Dynasty. Huai Su, a monk at the age of ten, was born in Lingling, Yongzhou (now Lingling, Hunan). When he was young, he loved calligraphy in his spare time after meditation. He is poor and has no paper or ink. He planted more than 10,000 plantains to practice calligraphy and used plantain leaves instead of paper. It's funny to call the residence "Green Temple" because the residence is all banana forests. Instead of paper, we use paint plates and boards to study hard and study hard. All the plates were written, and there were many broken pens, which were buried together and named "Pen Tomb". ? Casual, keen on cursive script, but not interested in drinking and eating meat, making friends with celebrities, Li Bai and Yan Zhenqing. Known as "weeds". There are many records about Huai Su in Tang literature. "The pen is as fast as a whirlwind, flying around, changing at will, and the statutes are available." Princes and celebrities also like to make friends with this crazy monk. Tang Renhua wrote in a poem: "The mad monk moved to Beijing the day before yesterday, rode a vassal's horse in the morning and stayed at the vassal's house at dusk. Who doesn't build a plain screen, who doesn't draw a white wall. The powder wall is shaken clear and the plain screen is frosted. I can't forget your swaying posture, the horse welcomes the seat, and the golden plate drinks bamboo leaves. Ten drinks and five drinks don't understand. After a hundred drinks, you will be crazy. ................................................................................................................................................................................. had a great influence on later generations. ? Huai Su is good at using the pure momentum of the central pen as a big grass, such as "a whirlwind of showers, full of momentum", reaching the realm of "suddenly whistling three or five times, and a thousand words are full of walls". Although the speed is fast, Huai Su can cross the grass with few mistakes. Compared with the confusion and omissions of many calligraphers, it is much better. Wild grass knows Huai Su. Although it is the first, it is ever-changing and will never leave the statutes of Wei and Jin Dynasties. This is really due to his extreme penance. There are many books handed down from Huai Su, including Thousand Words, Jing Jing, Notre Dame, Hiding the Truth, Fagong, beriberi, Self-narration, Bitter Bamboo Shoots, Eating Fish and Chapter 42. ? Studying the works of Huai Su above, we can find that their styles are not all the same, which can be roughly divided into three types: First, those who have not completely got rid of their predecessors' styles, such as Notre Dame, Eating Fish, Sorrow, Zang Zhen, Zhu Tie, etc., have retained a lot of Jin Fa, while Notre Dame has Yan Zhenqing style. Secondly, he has his own style skills, such as Pure Classics, Forty-two Chapters Classics, and Self-Narrative Posts (a standard Huai Su Book). Third, following a peaceful style of writing, such as a thousand words of grass, is quite different from his arrogant style of writing and completely changed, which can also be said to be his outstanding point.

Lishu famous figure

Cai Yong? (133- 192), born in Liu Chen (now Chenliu Town, Kaifeng City, Henan Province), was a writer and calligrapher in the Eastern Han Dynasty. When Han offered the emperor, he worshipped Zuo Zhonglang, so later generations also called him "Cai Zhonglang".

Cai Yong? Six ancestors are so yellow and old, it is an imperial edict to be Emperor Ping. At the beginning of follwed, he was awarded the honor and honesty rate. Xun sighed and said, "Han, I have made up my mind that I will return after my death. Yesterday, Ceng Zi was not given by Ji Sun. What's wrong? " Then he fled to the mountains with his family, and he was on an equal footing with Bao Xuan and Zhuo Mao, and he was not an official in the new house. On the edge of the father, there is also innocence. It is said that chastity will be determined. Cai's five farmers (Youchun, Green Water, Meditation, Sitting Sorrow) and Ji Kang's four farmers (commonly known as Changqing, Short Qing, Long Edge and Short Edge) at the end of the Three Kingdoms Wei Dynasty are collectively called Nine Farmers. Yang Di once regarded playing "Nine Farmers" as one of the conditions for taking a scholar. ? She is filial, and her mother is often ill for three years. At the age of seventy, she hasn't changed her underwear because of the cold and heat. Mother pawn, Lu is at the side tomb, and the movement is polite. There is Tutum disturbing his room, and the wood is tied together, and the distance is strange. Look more. Living with an uncle and a younger brother, three generations are rich and poor, and the industrious one is high. Less knowledge, teacher Hu Guang. Good diction, mathematics, astronomy, and excellent temperament. ?

Emperor Ling ordered workers to repair the Hongdu Department (known as Hongdu in the Eastern Han Dynasty, where imperial books were collected), and craftsmen used brooms to sweep white powder to write on the wall. Cai Yong was inspired by this and created the Book of Flying Whites. This style of writing, which is a simple sketch, seems to be written with a dry pen, and it is a unique style. Zhang Tang Huaiguan commented on Cai Yong's "Flying White Book" in the preface, saying that "flying white is wonderful and moving".

Deng (1743— 1805) was a seal engraver and calligrapher in the Qing Dynasty and the founder of Deng School. At the beginning, Yan's name was stone statue, which avoided the taboo of Emperor Jiaqing, so he used the line character, and later he was more stubborn. Because they live at the foot of Anhui Gongshan Mountain, they are also called Baishan, Youdao, Fengshui Fisherman, Longshan Qiaochang and Anhui Huaining. I have lived in Jinling Mei's house for eight years and copied all the rare epigraphy books since Qin and Han Dynasties. He became a master of four-body calligraphy, especially in seal script, with Qin Lisi and Tang Liyangbing as disciples and a little Li Yi as disciples, which is called a masterpiece. Honest and clean, travel around famous mountains and rivers, and be self-sufficient in books. There is "Wanbaishan people seal cutting occasionally".

Deng was born in a poor family. His father and his father loved painting and calligraphy, and both lived a poor life with cloth clothes. When Deng was nine years old, he studied for a year [1]. After dropping out of school, he collected firewood and sold cake bait for a living. 17? /kloc-at the age of 0/8, he began to write and engrave for a living, and his social status was low all his life. He himself said, "When I was young, I never studied and tried everything. When I was thirteen or fourteen years old, I was whispering in my heart and liked books. At the age of twenty, my grandfather took me to Shouzhou. Now I can teach me to be old. I travel around the rivers and lakes to eat. People don't treat each other like literati. " When Deng was about 30 years old, he met Liang Bi, a lecturer at the Methodist Church in Shouxian County, Anhui Province, and was introduced by Liang Bi to Jiangning, where he became a guest of Meibi, a juren. Deng spent eight years in Meishuo, a great collector in Jiangning. "I began to study ink every day. At night, the ink was used up, and the cold and heat continued." Soon, Cao Wenzhao, Jin Fuzhi and others won the prize, and the title of the book was greatly improved. In the fifty-fifth year of Qianlong (1790), on the occasion of Qianlong's eightieth birthday, Cao Wen, a senior minister of the Ministry of Finance, went to Beijing in June and invited him to go with him. In autumn, pass by Shandong, and then climb Mount Tai to see it. After entering Beijing, Deng became famous for his calligraphy. Qianlong fifty-six years (179 1), worked as an aide to Bi Yuan, the governor of the two lakes for three years. Both Bao and Bao studied calligraphy from him.

Deng was a great calligrapher of epigraphy in Qing Dynasty, who was good at four books. Li Si and Li were the first students of his seal script. Later, he studied Zen Monument, Sangong Mountain Monument, Tianbu Monument, Shi Guwen, Yi Qi Bi Fa, Hanshu and so on. He used official script as seal script, which broke through the Millennium? The barrier of the imperial seal opened up a new world for the seal script of the Qing Dynasty. His seal script is criss-crossed, and the font is micro-square, which is close to Wadang and Hanbei in Qin and Han Dynasties. The official script comes from the Han tablet, which is compact in structure, vigorous in appearance and magnificent in atmosphere, and also makes the official script of the Qing Dynasty look brand-new. Regular script takes the tablet of the Six Dynasties, and also takes the posture of Ou Yangxun and his son. The brushwork is firm and the words are tight, which makes it look vigorous and powerful. Cursive calligraphy mainly absorbs the cursive calligraphy of Jin and Tang dynasties, and its brushwork is soothing and elegant. Chinese cursive script, the weather is open and the artistic conception is boundless. Generally speaking, seal script has the greatest achievement, followed by Kai, Xing and Cao. Deng was also a seal engraver, who initiated the Deng School in Huizhou School. He entered the seal script with the small seal script and emphasized the brushwork. His style is vigorous, simple and graceful, and calligraphy and seal cutting complement each other. Deng's seal has the characteristics of "horse racing in a sparse place, but not in a secret place" ? At that time, people spoke highly of Deng's calligraphy, calling it "the four bodies are absolutely unique, ranking first in the country." His calligraphy is the most outstanding, and the achievement of seal script lies in Xiao Zhuan. Taking Si and Bing as his teachers, his seal script is a little longer, but he creatively combined the brushwork of official script and boldly raised the ups and downs with long front and soft hair, which greatly enriched the use of seal script, especially in his later years. The lines are round and boundless, creating a typical seal script in Qing dynasty, making immortal contributions to the development of seal script art, and official script has benefited a lot from the long-term immersion of Han steles. The official script that can write the meaning of seal script, combined with the strength of Wei Bei, is naturally unique in its style. Regular script didn't start in Tang Kai, but traced back to the source, directly using Wei Bei and Fang Bi. The strokes make it convey Li's meaning, and the structure does not seek meaning by the method of horizontal light and vertical weight, low left and high right. It is simple and unsophisticated, which is out of tune with the customs of the times and shows the spirit of courage to explore.

Lin Sanzhi likes painting and calligraphy since childhood. During the period of 1972, Chinese and Japanese calligraphy became famous in one fell swoop, and Zhao Puchu, Qi Gong and others called it "the three wonders of contemporary poetry and calligraphy". ? 198965438+died on February 6th at the age of 90. Lin Sanzhi is a typical "late bloomer". It is precisely because of his later fame and decades of hard study that he nourished the spirit, rhyme, meaning and interest of his book and made it reach an extraordinary height. It is precisely because of its extraordinary realm and profound and meaningful significance that the longer people in the book circle appreciate it, the more they benefit, the deeper they feel and the deeper they know. His contribution to China's modern calligraphy art can be described as "great contribution". In memory of this outstanding contemporary calligraphy master, poet and painter, later generations built memorial halls and art galleries for him.

(1898- 1989), whose real name is Lin, also known as Yilin, is called Sanchi, the second from the left and the old man. Born in Jiangpu, Jiangsu Province, Wujiang Town, Anhui Province. At the beginning of the founding of New China, Lin Sanzhi was elected as the representative of the First People's Congress of Anhui Province, and served as the deputy director of the Agricultural Committee of Jiangpu County (then Anhui Province, now renamed Pukou District) and the deputy magistrate of Jiangpu County. In the early 1960s, he joined Jiangsu Provincial Academy of Traditional Chinese Painting and became a full-time painter. He used to be a first-class artist of Jiangsu Provincial Academy of Traditional Chinese Painting and honorary chairman of the Provincial Calligraphers Association. During the period of 1972, Chinese and Japanese calligraphy became famous in one fell swoop, and Zhao Puchu, Qi Gong and others called it "the three wonders of contemporary poetry and calligraphy". 198965438+died on February 6th at the age of 90.

People's China magazine selected modern China calligraphy and introduced it to Japan. Lin's cursive script was highly praised by Guo Moruo, Zhao Puchu and other authoritative figures, ranking first, representing the highest level of modern calligraphy in China, which has important historical significance. That work can indeed be regarded as the representative work of Lin Sanzhi's calligraphy in the early stage of reform. Intentionally or unintentionally following and breaking the rules, free and easy, just right, amazing. ? However, Lin Sanzhi is not satisfied with the honor he has won. He is indifferent to more and more praises and higher social status, and goes his own way silently? He has been pursuing a higher realm of his own recognition, so that his calligraphy will fully enter the realm of transformation at the age of 80. At the age of 70, he wrote a poem: "Don't go your own way with the world, be proud of the pen and ink over the years." Write to the deepest part of the soul, I don't know if there is me. "It can be seen that his pursuit of spiritual realm is unambiguous. He regards calligraphy as a temperament and is proud of being able to "write"? The deepest part of the soul is purely the manifestation of the true spirit, and it is a realm of "heaven". ? At the age of eighty-three, he wrote a poem saying, "I would like to be an ordinary person at the end of my heart." "Xi county? Hope for saints and hope for the present, no one has no sovereignty without me. An ethereal spirit seeks not to be ignorant, and several wonderful phases realize the truth. I don't know how much fun is left. I know grass in green mountains and green waters. " This is also the voice that can only be deeply understood after entering the realm of transformation. He wrote this poem as a banner, which was impressive. The whole picture is full of charm, vigorous and unrestrained, round and square with a pen, rigid and restrained, and unpredictable. Its rising ink, thick ink but not stagnant, dry pen scattered. The thirsty place is like a smoke cloud, the glyph strokes are loose and meaningful, and the internal force is stronger. After decades of management and research, Changfeng's Yang Hao has created a unique brushwork, which has turned the front of one painting into a superb realm. ? Brush and ink painting interact with each other. He learned the wonderful method of "adding ink" from Wang Duo's calligraphy, and inherited Huang's painting methods of "thirsty for ink" and "keeping ink", and applied them to calligraphy creation at will. After the age of 80, his works are sometimes painted with thick ink, where the ink gathered is black and bright and the expression is fascinating. The dry ink has dried up and dried up, and the ink seems to have dried up, but the pen is still being wiped. Only the ink has become a virtual silk, and now there seems to be no room. Sometimes it's Su Mo, sometimes there is thick ink condensation in the ink halo, which is the true trace of the pen, and sometimes it becomes dry and light, and the meaning of the pen turns over, and it becomes moist and heavy. He made full use of the characteristics of Changfeng lanolin, such as more water storage, slow betting and convenient continuous writing. If the water in the pen hair is uneven, he can turn it over with a pen. The speed of pen rotation and transportation has produced endless light and shade, dry and wet changes. ? Because of these skills, it is difficult for Changfeng Yang Hao to make great changes in brush strokes and stippling forms, and this change has been wonderfully supplemented by the rich changes in ink and wash. The combination of brushwork and ink painting is a creative achievement provided by Lin Sanzhi's calligraphy for the treasure house of China's calligraphy techniques. And this magical skill has also become an important means of expression of his calligraphy.