Who can teach me how to adjust the permeability of ceramics and how to shine the light of gold objects in commercial photography?

I can see that you are an ordinary photographer.

To tell you the truth,

Cloth lighting: the permeability of ceramics mainly depends on the previous shooting. Like these dishes, the surface has a layer of glaze. When the light hits, you will naturally feel that Crystal Camp is bright! It is highly reflective, so you must use softer light!

The author gave a long soft box on the front, for example, the long strip on the bowl was given by this lamp! Mainly used to show materials, so that when you look at things, it is crystal clear and smooth!

There is a hook light on the right rear side, which immediately makes the bowl round and distance itself from the background, trying to get a sense of space in the whole picture!

A soft frame at the top weakens some redundant shadows and makes the picture look clean and concise!

Tone: For example, if you think the background color is not yellow enough, you can add a yellow filter to the background, and it will be yellow!

Focus: What you said is not very clear.

Focus, depth of field, aperture problem!

As far as this painting is concerned,

You should focus on what you want to show.

For example, I think the bowl is the theme of this picture, so I will focus on the bowl!

Depth of field: for example, Canon's 24-70 lens, the clear range of dishes you shoot with 70 focal length will be larger than that with 24 focal length! When shooting with 70 focal length, your position is much farther than that of 24 focal length (the farther the distance is, the greater the depth of field, and in layman's terms, the wider the clear range before and after, the more clearly you can see your plates and bowls).

Aperture: just use 18 or 20!

Pure hands! Hope to adopt!