The Style of marcel duchamp's Works

Duchamp's art explores irrationality and freedom, while Cezanne's art pursues rationality and order. They are two sides of the same coin, which together constitute a complete and complementary modernism.

If Dada's destruction is limited, temporary and emotional, and it is a complete vent of dissatisfaction in the war that destroyed everything, then Duchamp's firm rebellion and ridicule are deeply rooted in the bone marrow. Dada's fantasy and the havoc in the Heavenly Palace are increasingly showing the desire for quick success and instant benefit. They say this is destruction and real establishment. In Alp's words, "We regard Dada as a crusader, and the ultimate goal is to recapture the created territory." Dada only touched the spiritual level of Duchamp's opposition to all established models in a specific period or atmosphere. When the war was over and everything was ready, everyone took their positions, and some even became priests and doctors. In Duchamp's eyes, Dada is one of all movements, and various modern schools clamor for anti-tradition, from destruction to persistence to exclusion and rigidity, from liberating people to binding people. The declarations used by these movements to flaunt their uniqueness are all beautiful excuses. Some people in the group get what they want: they can easily change their ways. They take art too seriously and can't say that they deliberately dress it up differently and then write their own articles in it. Essentially different from them, Duchamp is non-utilitarian, does not engage in sports or factions, and regards art as just a part of life.

Quite a few schools think that they are related to Duchamp, as the American painter De Kuning said: "Duchamp made a movement alone-this is a truly modern movement, but in fact Duchamp has always kept a distance from it and all the movements after it, and is not a real participant in any of them." Because not only Dada can't tolerate Duchamp, but any school or movement since then has failed to jump out of Duchamp's routine, Duchamp has not been surpassed so far.

In 2004, The Fountain beat Picasso's The Maiden of avignon and andy warhol's The Golden Marilyn and was elected as the most influential work of modern art.

19 19, Duchamp added a different moustache to Leonardo da Vinci's Mona Lisa with a pencil, so the Mona Lisa with a beard became a masterpiece in the history of western painting.

His first completed work, Bicycle Wheel (19 13), is a wheel mounted on a cushion stool. This attitude of mocking aesthetic principles, praising absurd behavior and propagating anti-art has had a particularly important impact on later artistic trends of thought.

Marcel duchamp, a French artist, proved with his witty, exciting and subversive works of art that the secret of success lies in knowing how to relax properly and not to take yourself too seriously. Duchamp is regarded as one of the most important artists in the 20th century. His early works were influenced by surrealism, Dadaism and orpheus (colors are richer than cubism). The most famous works are his series of "ready-made works of art", in which daily necessities were slightly adjusted and placed in a new environment. His most famous work "Fountain" is an inverted urinal, which is displayed in a gallery with his signature on it.

After moving to new york, Duchamp, Catherine Derel, man ray and other artists began to explore the sale and collection of artworks. While creating Big Glass, he continued to create some "ready-made works of art", which is essentially a mashup of three series of works he completed eight years ago.

He is also interested in dynamic art. He cooperated with Lei to complete some works, such as Vere's rotating plaque and optical precision, and branded a mechanical sculpture as a "moving object". Duchamp also dressed herself up as a woman named Ross Sulawi and worked as a model in Ray's photography.

Duchamp constantly challenged the definition of art and turned many strange ideas into works of art. His advice to Peggy Guggenheim, MoMA director Alfred Barr and James Jonson Sweeney had a direct impact on the art collection of contemporary museums. As an advocate of "paradox" and a long-term practitioner of "anti-art", Duchamp finally decided to leave the art field and devote himself wholeheartedly to chess. He even signed a contract with John Cage to let him manipulate chess pieces to make noise during the performance.