How many versions of "Four Beauties" in ancient China?

Speaking of the "four beauties" in the history of China, you must be familiar with them. However, from ancient times to now, people have different opinions about the four beauties, but the most familiar and recognized versions should be: Shi in the Spring and Autumn Period, Wang Zhaojun in the Western Han Dynasty, Di Xin in the Three Kingdoms Period and Tang Dynasty, but there are other versions. So what are the versions of the four ancient beauties?

In fact, there was such a version earlier, which vividly described four beautiful women "selected" at that time according to the Simitu unearthed in Heishui City, the site of Xixia, so it was also considered that these four were once recognized as the four beautiful women in Han and Jin Dynasties. The four beauties in the painting are: Ban Ji, Zhao, Wang Zhaojun and Lvzhu.

In everyone's discussion, such a version appeared. They are the stories of Shi, Zhao and Di Xin. There is no Wang Zhaojun in this version, only Zhao Yanfei. Three of these four beauties have their own allusions. Among them, "sinking fish and falling geese" is the beauty of description. Shi himself has the appearance of "sinking fish" and is a woman who washes gauze. The story of Dixin's own allusion is "Yue Bai, the story of Dixin", a singer of Stuart Wang Yun in the late Eastern Han Dynasty. She is very beautiful, with a really beautiful appearance, also called "Moon Pass". The last one is our Yang Yuhuan, Yang Guifei, and the imperial concubine of Li Longji, Emperor Xuanzong of Tang Dynasty. She is gorgeous in appearance, good at singing and dancing, and has a smooth melody.

The four great beauties in ancient China were Wang Zhaojun, Diophantine and Diophantine, among which they were the embodiment and pronoun of beauty and enjoyed a certain reputation in the world. For thousands of years, people have described the stories of Shi, Wang Zhaojun, Diusim and Yang Guifei with "sinking fish and falling geese, closing the moon and feeling ashamed of flowers", which are vivid and implicit, leaving people with sufficient imagination space. These eight words alone contain four short stories with romanticism, which fully embodies the rich connotation of China traditional culture.