Four scenes of portrait shooting in autumn

Lead: It is always a time-consuming and laborious thing to choose a shooting scene among the many golden colors in autumn. We recommend four autumn portrait shooting scenes for you to help you do it? Unique vision? .

Scene 1 golden long grass side backlight realizes warm photo taking.

In late autumn, the most common color should be full of gold, which can best reflect the color of late autumn. The long dry grassland is just one of the most suitable places to shoot. In addition to meeting the requirements of a large area of gold, the clear lines of long hay are also the best background choice for shooting. The fluffy texture of hay can make the afternoon light projected on it brighter.

Let the girl lie completely on the grass. Long hay is basically a thick layer attached to the ground and spreads around. It is suggested that girls lie directly on the grass as the background. Look at the line direction of each part of the hay before shooting, and try to keep the girl in the center of all the line forks. It is recommended to shoot with vertical composition, and the diagonal composition of the characters is the best.

Scene 2: Shoot the low green bristlegrass against the light to create a sense of air.

In autumn, the green grass will also become bleak. Unlike hay fields, they grow from the ground, which is less than half that of calves. In low plants, the height of Setaria viridis should not be too high, which blocks the curve of the characters, nor too low, which makes the characters unable to interact with the environment. It is one of the most suitable places to shoot grass height in autumn. In such an environment, the most natural and recommended thing is to squat in the green grass to shoot. It is worth mentioning that the flowers of Setaria viridis are very distinctive and can show uneven effects in the grass.

Seeking simplicity from complexity in a chaotic scene. The low green bristlegrass is like a double-edged sword. It has unique characteristics in autumn, but it provides a complex picture when shooting. Because it does not grow regularly, there will be too many lines in the picture. In order to solve this problem, we can change it from two aspects. First of all, try to choose the green bristlegrass with the same growth, don't use the medium focal length, and try to shoot with the wide-angle end of the lens; Secondly, choosing the maximum aperture of the lens under the wide-angle end of 28mm can effectively blur the messy background, leaving only the girl and the green bristlegrass in the same focal plane, which directly eliminates the messy problem of the picture. In composition, you can try the three-point composition method and shoot with horizontal composition, so that girls can leave 2/3 of the picture blank at1/. People don't have to stand out deliberately, which will naturally attract more attention and avoid messy pictures.

Scene 3 mottled deciduous forest looking for Alice wonderland

The Woods in the afternoon are the perfect place to look for mottled light and rich colors. Walking on the forest path, mottled light passes through sparse leaves, forming a natural soft light channel. In this environment, you can try fresh portraits in autumn, or you can choose to interact physically with the tree environment, which not only avoids the large light ratio of strong direct light in the afternoon, but also has a brand-new shooting environment.

Using forest to avoid large light ratio. In all shooting scenes, the deciduous forest path is the most special, because the whole shooting environment filters out most of the natural light. When shooting in the afternoon, it was still the highlight ratio period in autumn as a whole. At this time, it is the best shooting scheme to choose clever entry into the forest, which can directly avoid the disadvantages of high light, white shadow and black caused by high light ratio. The forest path with a sense of depth just becomes a long soft light channel, and the light passing through the gaps in the leaves can also achieve the shooting effect of beam light. You can shoot before the whole shooting, and you will find that even the proportion of' blocking light passing through the shade is still large. At this time, the effect of autumn can be achieved by setting the white balance of mobile phone shooting, and the white balance will change from automatic to cloudy, which can directly and effectively solve the problem of picture whitening caused by large light ratio.

The telephoto brings a sense of space depth. Extending the focal length of the lens to 100mm in forest space can compress the depth of field. It should be noted that when shooting, the telephoto end of the lens is used, and the shooting position and the girl's standing position should be controlled at about 3~4 meters as far as possible, so that the messy background outside the depth of field can be blurred when the aperture of the lens of 100mm does not reach the aperture of F 1.8. However, the increase of shooting distance will lead to the darkening of girls' faces. At this time, it is necessary to fill the girl's face with a reflector to achieve the best picture effect.

Scene 4 The swaying reeds shape the sunset goddess

If hay fields, green bristlegrass and colorful trees are special shooting places in autumn, it is entirely because of their rich or unique colors in this season, then reeds are shooting scenes with both seasonal and color characteristics in this season, and the best shooting time for their colors and shapes is in late autumn. Catch the fleeting light and shadow in the sunset, catch the reeds with short life in late autumn, and you can create oil painting reeds in them.

Backlight shooting reed details and figure outlines. In the perfect sunset light of the day, it is best to shoot against the light. Generally, shooting against the light will make people's faces lose details, leaving only outlines, but we don't recommend shooting silhouette works in such a complicated environment. By increasing exposure compensation, reed leaves can become more crystal clear through more light, and at the same time, the details of characters can be increased to enhance the transition between light and shade. However, the exposure compensation must be increased appropriately, and it is suggested to increase 1/3EV to 2/3EV.