Behind-the-scenes production of underground waterways

Snare drum Jr., timpani, piano and wind music created a tense atmosphere, and disharmony tore people's senses and pulled them back to Poland in a state of war, and Warsaw was full of smoke and devastation. These pictures accuse the people of the disastrous consequences and inevitable fate of fascist aggression. Andrzej wajda explained the background and age of the film in his concise way.

1in September, 944, the Warsaw Uprising Army could not resist the German offensive and moved. Among them, a platoon commanded by Captain Zadra suffered heavy casualties, but their love for the motherland kept them going. The composers who joined the team halfway also withdrew.

On the way, a piano in the ruins caught the composer's attention. This scene is the director's strongest criticism of irrationality.

A set of translation shots shows the soldiers' difficulty in crossing the bullets, and it is idealistic to insist on fighting. However, the lens left on the stretcher of a female soldier with a broken leg was speechless, accusing the tragic war. Nothing has more impact than the deformity of a beautiful female soldier. A good director always speaks with visual language and the camera itself. The director even used the pictures of composers playing the piano and soldiers listening in battle to compare the Polish people's love for art and optimistic spirit, which also made us hate the brutality of fascist aggression even more.

Many empty scenes in the film are full of meaning. The ruins and the abrupt cross on the rubble are questioning the seriousness of the war, and the director calmly records the disaster of the war. In the face of the upcoming tragedy, the lieutenant's composure, the Polish people have been indomitable since ancient times. Andrzej wajda is not cold. He still has love and pursues beauty in the film. As long as the people of a country still yearn for beauty and love, such a nation will not perish.

In the morning, in the morning of the war, the scene of Korab shaving is poetic and romantic. In order to smash the German attack, Korab destroyed the German remote-controlled armored vehicle, but was unfortunately shot and killed. The director successfully created a heroic image of flesh and blood, a Polish soldier who was not afraid of sacrifice.

They fought, and faced with the situation of being outnumbered, they had to give up positional warfare and enter the sewer for a strategic retreat.

Before retreating, the director used the cross lens in the blazing fire in the night sky to show the power of faith and conversion to justice. Soldiers always hold guns.

This city is full of flames, bullets whistling and countless lives. Warsaw, captured by the Germans, is like a hell on earth. The director expressed the cruelty of war to civilians with the sad call of a mother looking for her daughter. The soldiers entered the sewer, and what was waiting for them in the dirty and wet sewer would be a more harsh reality, soldiers, because of the war.

Andrzej wajda's cameras often record the just war of the Polish people in a panoramic view, and a large number of slow panning lenses record historical group images, making us feel as if we were there. He used close-ups to show the soldiers' fortitude and optimism, which is different from the current war movies. Sewer does not stimulate the audience's senses with the blood of war, but shows the mental outlook of the Polish people with dying individuals in the war. Dying like a man is the heroic idea of serving the motherland conveyed by the director.

The passage in the sewer is very long, and the weak light source of the flashlight increases the creative feeling of the characters. Facing the fascist gas and the unpredictable front in the dark, they tried to find more life opportunities. Characters are more heroic under the action of light. There is love, betrayal, yearning, faith, discouragement and resistance in the sewer. All human emotional elements occur more directly in the dark sewer. Despair in the dark makes people face up to their conscience, and they have experienced many difficulties and obstacles. Cobb and his girlfriend Daisy finally walked through the darkness and reached the exit of the sewer. The directors expressed their yearning for a quiet and beautiful life with high-profile white and poetic sentences. However, the joy of success is blocked by the iron fence, just like Dante's hell is suffocating.

Daisy holds Corab with the feeling of the Virgin, and this poetic picture has the meaning of redemption. In the hell on earth, only by longing for heaven can we have vision and strength.

The captain, Cora and the thin man searched for an opportunity to escape. The thin man died unfortunately in the process of bomb disposal. His sacrifice brought the lieutenant and Cora to light. They finally escaped from the sewer. When the lieutenant asked Cora about other soldiers, Cora said that he had dumped other comrades. In the face of such a poor man who only cares about himself and leaves his comrades-in-arms, godson is his inevitable end.

Soldiers are brothers in life and death, and soldiers are comrades in trouble.

The captain can drag out an ignoble existence. He can hide alone, but he doesn't.

The gun slowly disappeared at the wellhead, and the lieutenant returned to the sewer without hesitation, because his conscience linked him with his soldiers.

With such a lens full of conscience choices, andrzej wajda praised the death and justice of Polish soldiers.

This film, based on Stawinski's real experience, shows the audience the choice of human nature in the war, and lets us weigh the weight of conscience on the scale of conscience. Sewer, as one of the trilogy of andrzej wajda War, is indeed a realistic masterpiece that shines in the history of world movies.

As long as we have the expectation of dawn in our hearts, the sun will rise again.

History is the memory of death. When we went back to the past, we found that we only found our own ideas. The director's conscience orientation determines the moral orientation of the work. Andrzej wajda of Polish Film Academy, with his love for people and justice, called on people to fight with their conscience when the Hungarian incident caused an uproar all over the world in the late 1950s.

Like a lieutenant's reluctance to survive.