The inner beauty of a good work is always greater than the formal beauty.

I like Rembrandt's works, which are true and simple, full of the beauty and sublimity of the soul. In my opinion, whether painting or photography, the characters in the works need not be perfect, but should focus on reflecting the inner mental outlook and temperament of the model, showing a kind of truth, goodness and beauty in the soul, an energy that can infect and even touch people's hearts.

Models in photography don't have to be young and beautiful. Many beautiful young girls lack wisdom and spiritual beauty after years of tempering. The farmer's uncle is covered in sweat and works hard; Photos of mothers lovingly mending clothes for their children; The photo of a middle-aged woman handing food to hungry children in Africa with love and care is very beautiful and touching. Even if these characters are ugly, they are much better than a young and beautiful face with empty eyes and even shallow and vulgar faces.

Natural beauty is just luck, and a face full of wisdom and spirituality that has been precipitated and polished over the years is truly lasting beauty, just like an altar of good wine. The passage of time will only make it more mellow and valuable. True beauty will stand the test of time, and true beauty is never afraid of the destruction of time. Because the passage of time will not only reduce the beauty of some people, but also add color to them and give them more connotation and soul.

In the final analysis, the inner beauty of a beautiful and good work is always greater than the formal beauty. Formal beauty can be natural or artificial, but what gives the soul to a work is always its strong internal vitality and appeal.