Film reviews of Chinese partners!

Chen Kexin's new work "Chinese Partner" gives people the first impression that this film completely jumps out of the original "Lan Xiang Technical School" version of diaosi virus video, which not only completely evokes the retro feelings of the post-70s and post-80s, but also caters to the pursuit of cool and humorous images of the post-90s. No matter from the technical aspects of plot, lens shooting, editing, actor performance, theme setting and other aspects, this film has great influence on today's China movies. Although it can't surpass Chen Kexin's classics like Sweet Honey, it is enough to set a goal for Zhao Wei students-movies really don't depend entirely on the box office.

Needless to say, the story created by the prototype of New Oriental, represented by Yu, explains the myth of a generation under the collision of friendship, love, career and eastern and western cultures. At the end of the film, there is even a direct comparison chart of the age of 40-50-year-old men growing into elites in today's society. With the tearful music of The Story of Time, the fictional story suddenly has some epochal significance and realistic points, but personally, it has become the only slot of the whole movie. This PPT is really not well done, even worse than the old photo at the end of The Cook's Playboy.

Under such a background, Chen Kexin finished the work "Storytelling" well. The three leading actors, a returnee, a literary man and a diaosi, add a lot to the first half of the film because the smooth and compact narrative is not blunt. In the scene of yenching university in the early 1980s, three people in the voice-over took turns to lead the singing, and the audience was naturally brought into that era with a big or small burden.

Here, it is inevitable to compare the recent theme car accident "To Youth". Zhao Wei can really have a vivid directing class with teacher Chen Kexin. "To Youth" has a great appetite, and seems to want to instill all the campus time that Zhao felt into the audience's mind, which is quite shy, which also determines the sloppy and perfunctory words used in the second half of the film. The first third of "Chinese Partner" successfully used the popular songs of that year in line with the development of the plot (this is simply a tribute or continuation of "Sweet Honey"-after the premiere, Chen Kexin also revealed that the feelings between Huang Xiaoming and the goddess in this film were also passed down sweetly), and the fast and lively clips were worn back and forth, neatly setting off a picture of college students' life in the 1980s, with 65,438+in the whole film.

The first half of an excellent play is fancy enough and colorful enough, but the progress of the plot is not affected by nostalgia at all. The three protagonists started their miserable lives separately, got together to create new dreams, and then there was a rift in their relationship until David, the peacemaker at the wedding, said, "Don't start a company with your best friend." Deng Chao angrily decided to go to Shenyang to find someone to teach English. After Huang Xiaoming was left alone, the plot finally reached its climax. The gradual plot, overlapping narrative structure and traditional background are described by Chen Kexin as a good story with foundation and innovation.

What deserves special praise is the excellent camera shooting of this film. Known as "the first photographer in Asia", Du Kefeng's strength is definitely not covered. Teacher Du, who has always been religiously fascinated by light, didn't show off his skills this time, and often just used a meaningful lens to describe the film. For example, glass appears many times in the film, and the vague glass reflection has neither direct violence to the mirror, but also ingenious composition and metaphor. When Deng Chao was arguing with Master Huang about the shareholding system, he played table tennis with David in the office. The foreground is always glass and the right is always David. The rapid and exquisite transition and humorous dialogue gradually led to differences between the two, and the last close-up shot directly captured David's face. The master turned his face, and their heads merged into one, suggesting that David would stand on the leader's side in the future. Later, when Deng Chao and Master Huang mentioned the listing of the company, the master who has always been a diaosi finally said no to his friends. At this time, the lens is slightly offset, and a thin and shallow white light gradually widens and widens on the glass in the foreground, dividing them on both sides, suggesting that the gap between them has inevitably appeared. And so on, to name a few. From the lens alone, The Chinese Partner is exquisite enough.

Finally, by the way, I praised the leap of the three leading actors. This may really be Huang Xiaoming's best acting so far. Putting down the idol group that plays cool and handsome, he has completely shaped a rural diaosi, which is not stiff at the end, and quite has the temperament of a farmer entrepreneur. This film can probably be regarded as a milestone of Master Huang's acting skills. Deng Chao's acting skills are as good as ever. The farewell scene at the airport before going abroad made a big man's feelings extremely delicate and tears filled his eyes.

There are jokes, tears, memories and originality. Occasionally, there is urine point. After reading and chewing, I found that this story actually has some China version of Forrest Gump's shadow: it is also a big era in the past, such as the TV set that fell from the sky because of China's failure to bid for the Olympic Games, and the NATO bombing of the Yugoslav embassy; It is also a divine comedy of every era, such as Broad Sky, Story of Time and Chyi Chin. It is also the rise of a diaosi. The "outdated" behavior in front of and in Huang Xiaoming University is simply owned by a rural idiot. It's really appropriate to put something called a dream on such an idiot. Similarly, love and hate are all-encompassing, and everyone is struggling in the whirlpool of friendship and love.

Borrow the last sentence of the film to end: Maybe one day wrinkles will be engraved on my forehead, but not on my heart. Dreams belong to youth. If you are young, you will live in Yong Guang. Text /THU yueting

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