Traditional Culture Encyclopedia - Photography major - How to plan a group of portrait photography?
How to plan a group of portrait photography?
Just like filming, the execution of a photography project should be carried out according to the theme and style set by the author in advance, which is a necessary measure to ensure the efficient and orderly work process and controllable work results. Therefore, if you want to complete a set of works with a rigorous attitude, it is best to have an idea and a plan for the result. Theme, plot, costumes, props, environment and other elements. I always think that as a photographer, I should have rich imagination, be able to integrate what I see and hear every day with my own thoughts and techniques, and express my views on the world with photographic vocabulary. The key word is expression, just like writing an article. There are thousands of people, and everyone has their own unique imprint. If a photographer's works always make the audience understand what others mean, it means that the photographer is either at the stage of parroting or echoing others' views, and has not yet established his own unique three views. It's a little far. What I want to say is actually the so-called inspiration, and I don't need to rack my brains to find it. It is the accumulation of your life, your telling and your expressing desire. As long as you haven't become a Buddha, have no worldly desires and have no heartbeat, you will always want to say something to the world, whether it is an angry cry or a sermon. These are the best materials. The difficulty lies in execution. It is everyone's innate ability to treat clouds as pale dogs. Whether imagination can become a reality is the dividing line between success and failure. Therefore, to some extent, you should keep your imagination in a cage and do what you can according to your execution. Too grand a scene and too surreal a design can't be equal to zero. Here are some examples. I am an unknown portrait photographer, and my main work areas are editing and commercial photography. I have no ambition, artistic dream and creative experience, so the cited examples are all daily work items, which may not meet everyone's imagination of the words "inspiration" and "theme". I once gave a lecture in a photography training institution. In a class, the teacher was asked to actually demonstrate a complete shooting process in front of the students. You also know the conditions of photography training institutions. Maybe it's better now. At that time, even the model fees were tight, and the models that students were looking for in shooting practice were unprofessional. The second knife photographer met the wooden stick model, and the result can be imagined. So I can't expect the school to provide excellent models with gorgeous scenery and clothing resources. I licked my face and found my friend, very professional. This is the only guarantee that the work looks like a dot.
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