What color is Castle Peak?

question 1: Qingshan, what color is gouache? Color matching

Color matching in sketching is based on correct observation and understanding of the color relationship of objects. You can't look at one piece, adjust one piece and draw one piece in isolation when mixing colors. We should consider the whole hue and color relationship, and decide each color from the whole. The colors of gouache sketch are not easy to connect, so we should try to adjust the colors of several large color blocks on the basis of clarifying the big relationship of colors, and get ready to draw again. Don't be divorced from the whole, look at one piece, adjust one piece, draw one piece, and then adjust one piece to change another. The color of gouache painting is dark when wet, light after dry, and the wet and dry changes obviously. If more powder (white) is used in color matching, or a thicker color layer has been painted, and then colored for painting, and paper with strong water absorption is used, the dry and wet changes of the pigment will be more significant. This makes it difficult to make a correct estimate of gouache color matching. It makes it difficult to connect, cover and modify colors. This is an obvious feature and difficulty of gouache painting. Pay special attention to this problem when you are a beginner. So when you start, you should draw heavy colors first. Generally speaking, when the picture is wet, the color is wet and wet, and the color relationship is easy to master after painting in one breath. If the color is connected and covered again when the color is dry, we should pay attention to the dry and wet changes of the color.

the use of water

although the use of water is not as important as watercolor painting, it cannot be ignored. Water mainly plays the role of dilution and medium. Color matching, pen use and color layer thickness change are all closely related to the use of water. Generally speaking, proper use of water can make the picture smooth, moist and rich. Too much water will reduce the chromaticity, causing water stains, stains and water color deposition. And insufficient water will make the color dry and sticky, making it difficult to use a pen. Usually, it is advisable to use water to cover the background color smoothly with a pen. Generally, more water can be used in dark places, imaginary places and distant places to enhance the sense of emptiness and transparency. In terms of painting steps. Water should be used more when laying a large scale, so that the color layer is thinner and easier to color up. In the process of painting, the water is too dirty to be changed in time. Especially when painting brightly colored parts, the water for color matching should be clean.

the use of white

the use of white in gouache is similar to that in oil painting, and more colors are used. The main function of calling white is to enhance the brightness of color and reduce the purity of color. When drawing near, solid and highlight, calling white more is helpful to shape the body and make it bright, firm and prominent. Regarding the use of color, water and white, it needs to be considered in combination with the pen and the combination of wet, dry and thick colors of the whole picture. It is necessary to proceed from the needs of expressing different objects and achieve change and unity. Generally speaking, beginners should pay attention to two tendencies: one is to use too much water and dare not use bright and thick colors to shape the image, resulting in a lack of color contrast and a thin image. The other is to use too much white and not know the benefits of using water properly, which makes the picture "pink" and stuffy. Some of these two problems are related to beginners' first contact with watercolor painting or oil painting. Those who have painted watercolors first should prevent the first problem of using too much water. Those who have painted oil paintings first should avoid the second problem of calling white too much. As for the use of water and white after a certain foundation, it is often related to the author's personal hobbies and technical characteristics. Those who like to paint with thin painting and wet painting generally use more water. Those who like thick painting and dry painting use less water and more white.

pen

Since all kinds of pens can be used for gouache painting, gouache painting skills are extremely rich. And it is drawing lessons from oil painting. In the process of Chinese painting and watercolor painting, it has been continuously developed. Common brushwork in gouache painting.

"flat brushwork"-handwriting is hidden. The color layer of the picture is flat;

"scattered division"-handwriting is revealed, but the thickness of color layer does not change significantly;

"thick division"-the color layers are intricately overlapped, and the colors are thicker and thinner;

"stippling"-using the principle of light and color mixing, the image is created with dense small strokes (color dots). (This kind of brushwork is seldom used, so it is difficult to master it, and it is not appropriate to imitate it too early for beginners.)

In addition, gouache also absorbs the knife painting technique of oil painting. You can paint with an oil painting knife or a homemade bamboo knife. When gouache absorbs the brushwork techniques of other paintings, it must proceed from the characteristics and performance of gouache, in order to enrich the techniques of gouache and enhance the expressive force of gouache. Generally, when drawing virtual places, distant places, dark places and shadows, the brush strokes should be blurred, flat and thin in color to increase the sense of virtual distance. When drawing near, solid and bright parts, the brush strokes should be exposed and the color should be thicker to enhance its solid, prominent and clear effect. Of course, all these need to be taken from the whole painting > >

question 2: how can gouache adjust the color of green hills? Just learn to distinguish cold and warm colors. Never learn what's red and white in books. You'll never learn. See more and try more, that is, draw boldly. Remember, you can never mix the same color, it's just similar. So there is no need to worry about this, even if the color difference is much, the overall tone is right.

question 3: how do you know what color "Qing" is? The Chinese color word "Qing" presents a diverse and complicated state in its meaning. "Qing" can probably represent three colors: the green hills on both sides of the strait are opposite. -Green. The pupil outdoes the master. -blue. Though silken-black at morning, have changed by night to snow. -Black. From the spectral analysis, the color itself is certain, but its references are mixed. There are probably two possibilities. One is the development of dyeing technology, and the other is that the psychological cognition of natural colors is not single. If these cognitions develop in their own ways, the same word will have different meanings. From the cognitive order, green should be the original meaning of green. "release the name? The interpretation of silks says: "green is born, just like the color of things when they are born." The "green" here refers to the tender green peculiar to grass and immature crops. The most important meaning of the color word "green" is to show green, such as "green hills, grass, bamboo, pine, moss, young crops, green vegetables, olives, green peppers, verdant greens, green and yellow", etc. "Youth" originally refers to the lush spring, and Du Fu in the Tang Dynasty said: "and loud my song and deep my drink, on the green spring-day that starts me home. "White" and "green" correspond to each other. Later, "youth" refers to youth or a period full of vitality. Wen Tianxiang, a poet of the Song Dynasty, said: "No one has died since ancient times, so take care of the heart and shine on the history." The "history" here refers to the history books. Before the invention and use of paper, the ancients used bamboo slips to write. To make bamboo slips, it is necessary to dry the moisture of bamboo with micro-water. At this time, the moisture on the surface of bamboo evaporates and seeps out, so it is called "history" if people sweat. Later, the history books were called "the history of Qing Dynasty", which resulted in such sayings as "keeping a name in the history of Qing Dynasty" and "valuing history by name". "Green" can also be blue in ancient times, "Xunzi? "Persuade to learn" says: "Green, take it from blue, and green is blue." Indigo (a dark blue dye) is extracted from Polygonum multiflorum, but its color is darker than Polygonum multiflorum. Metaphorically, students can surpass teachers, and future generations can surpass their predecessors. On clear days, the sky is blue, which was called "blue sky" by the ancients. The traditional saying is "* * *", while modern people say "blue sky and white clouds". "Blue sky" is clear and vast, lofty and magnanimous, and later it is used to praise officials who are upright, honest and fair, such as "Bao Qingtian". "Lan Qing" is a mixed color between "green" and "blue", so it is used to describe impure. For example, the old saying of "Lan Qing Mandarin" refers to impure Mandarin mixed with dialect accent. "Green" also refers to black. "Green sideburns" refers to black hair, which is a metaphor for young people. For example, Han Cong, a Tang Dynasty poet, said, "The sun flies long and the jade rabbit goes, and the green sideburns are evergreen." "Qingsi" can be compared with black hair, such as Li Bai's poem in the Tang Dynasty: "Have you seen how lovely locks in bright mirrors in high chambers and though silken-black at morning, have changed by night to snow?" "Blue shirt" refers to black clothes, such as a poem by Bai Juyi in the Tang Dynasty: "but who of them all was crying the most?, this Jiujiang official. My blue sleeve was wet." In ancient costume color, "green" (that is, black) means low status. Young students all wear blue clothes, which is called "green" and can refer to scholars. "Green eyes" refers to black eyes, which refers to the attitude of loving or valuing people. "Tsing Yi" refers to a kind of traditional Chinese opera, which plays young and middle-aged women with dignified manners, also known as "Zhengdan". Most of them wear black clothes, so they are called "Tsing Yi".

question 4: what color is the mountain? The mountains are yellow because they are all stones and mud. Do you see that they are green? Oh, at that time, it was not impossible to say that the vegetation on the mountain was a part of the mountain. Therefore, the mountain was khaki, or it could be said to be green.

Question 5: What Qingshan is about depends on what you want to write next. The general rule is to add a color adjective to a natural landscape noun. Such as: clear water, black water, white water, Chishui, green water, Black Sea, Red Sea, Canghai, Red River, Yellow River, Blue Sky, and so on. It depends on your context. Of course, there are exceptions, meaning good, an adjective plus a noun can also be used.

the red flag enters the green hills, and the green hills are the road map.

we watch the green trees that circle your village, and the pale blue of outlying mountains.

in short, it depends on what you write.

question 6: what color is "cyan" in ancient Chinese? Cyan (also known as aqua green) is a color between green and blue in the visible spectrum, with a wavelength of about 47 nm, which is similar to the color of the sky and is one of the three primary colors of subtraction.

in China's theory of five elements, cyan is a symbol of wood. In China Chinese, "cyan" also means "black".

whether "cyan" refers to "blue" or "green" is often unable to accurately express the effect seen by the naked eye in text description. There is a saying in ancient Chinese that "green is taken from blue and green is blue".

The reason why the ancient people's expressions were so chaotic may also be that the color "green" can't be clearly expressed in words.

Question 7: What color is the green of green mountains and green waters? Green ~