Scientific research status in Yang Xiaoyan.

1. The Builders and Violators of Cities, Book City, 8 issues, 2005.

2. Villages in the city: What matters is not beauty, but rationality, Art Watch, No.5, 2005..

3. The triviality of cold eyes and the indulgence of expression: an understanding of the secular feelings of oil painter Chen Gallery, 1, 2007.

4. Naming is history and contemporary artists, 1, 2007.

5. Personal Observation Monument, Photographer of China, March 2007.

6. Artistic symbol as capital and its interpretation of crisis, Contemporary Artists, 5 issues, 2007.

7. Face/phase: the significance of human face in China's contemporary photography, China Photography, 6 issues, 2007.

8. Thematic Photography: Between Anthropology and Ultimate Belief, Literary Studies, No.8, 2007.

9. Duality of kinship system and fate: On the internal tension of the formation of China's ancient national ideology, Ideological Front, No.5, 2007.

10. A preliminary study on the relationship between China ancient city square system and hierarchical space, Art Nouveau, No.3, 2007.

1 1. Form is everything: On Art and Fine Arts in Wang Zhaomin, 9, 2007.

12. Recognized artists, contemporary artists, 3 issues in 2006.

13. Paradox of Standards, the second preface of Ma Genan, Wen Hui Publishing House, 2006, 1 edition.

14. half a century's eyes, works by an old professor of oil painting in Guangzhou Academy of Fine Arts, preface Lingnan Fine Arts Publishing House, June 5438+ 10.

15. auction concept, auction style, collection and auction, Guangdong education press, 1, 2005.

16. Golden Land Reform, No.7, 2004, Construction Industry Herald;

17. Anxiety of innovation ―― Experience from a foreign ink painter, Art Research, 1, 2005.

18. Urban Mirror Image: A Process of Material-Visual-Psychological Mutual Replacement, Extensive Reading, No.3, 2005.

19. "I want to do an earth-shattering event-the 55th anniversary of Sha Fei", "The Complete Photography of Sha Fei", Great Wall Publishing House, 2005.

20. Sha Fei's photo and his death, Sanlian Weekly, No.33, 2005.

2 1. Struggle for a city without public sculptures, China City, 2005.

22. Double Vision-Starting from Lianzhou, the academic theme and explanation of the first Lianzhou International Photography Annual Exhibition, Lianzhou International Photography Annual Exhibition, Guangdong People's Publishing House, 2006.

23. Duality and Camouflage, academic paper of the first Lianzhou International Photography Annual Exhibition, Guangdong People's Publishing House, 2005.

24. Why does art serve? Reading, 9 issues in 2005.

25. From smearing, sunshine and rain: the third anniversary of the establishment of Yang Zhiguang Art Center, September 2005.

26. Analysis of "Revolutionary Art", Art Research, 9, 2005.

27. Female Body: From Aestheticism to Illusion, Book City, 2005, 10.

28. "Violation and Legality: Double Variations of Urban Growth", the first issue of Urban China, 65438+2005 10.

29.2005 Guangzhou International Photography Biennale/Urban Concern, 2005.

30. Out of Grand Narration: Problems and Progress of China's Oil Paintings in Thirty Years, Pictorial, 12, 2005.

3 1. Talking about the number of plans on the map, Fifty Years of Photography in Henan, China Book Publishing House, 2005.

32. Props of Meaning: Objects/Symbols/Personal Observations and Their Memories, Art Review, 1 1, 2007.

33. A cynical body with a tight smile: a different concept in Liu Jia's sculpture, Art of the World, No.7, 2007.

34. The Dignity of Photography: As a Visual Expression of Suffering and Belief, Photographer of China, 65438+February 2007.

35. "Their History", the headline of 1 issue of Reading magazine in 2000;

36. The lens and the woman: the fate of watching and being watched, Reading magazine,No. 1, 2002;

37. History with Images, Reading Magazine,No. 12, 2000;

38. The Significance of Seeing, Reading, No.7, 20065438+0;

39. Sexy and Natural, Reading Magazine,No. 1 2004;

40. Urban Narration, Journal of South China University of Technology, Social Science Edition, No.2, 2004;

4 1. The ostentatious Pearl River Delta, Yi Shu: Contemporary Art in China, March 2004.

Farewell to opportunism: the trend of China art in the 1990s from several artistic cases, Flower City magazine, No.3,1997;

42. Towards Pure Images —— Comment on the graduation creation of the photography department of Lu Xun Academy of Fine Arts, Collection of Graduation Works of the photography department of Lu Xun Academy of Fine Arts, Shenyang Fine Arts Publishing House, 2000;

43. Globalization and Knowledge Economy: A New Context of Ideology, Cultural China, No.3, 2002; The Significance of Art History (in cooperation with Shao Hong), Sichuan Fine Arts Publishing House,1992;

Biography of Shang Yang, Hubei Fine Arts Publishing House, 2005;

Map usurpation: art criticism as a primary history, Hebei Fine Arts Publishing House, 2008; -Over the past twenty years, he has written millions of professional comments on painting and photography in New Art, Fine Arts, Jiangsu Pictorial, Fine Arts Trends, China Fine Arts Newspaper, Guangdong Artists, Art Watch, Yangcheng Evening News, Guangzhou Daily, Southern Weekend and Guangdong Artists.

-China Art Review, edited by Jia, is one of 36 people. The art critics in this book are all individuals who have made achievements in this field in the past twenty years. The cover design of Huacheng Magazine ranges from 1995 to 1998, and Huacheng Publishing House1995-1998;

The cover design of Huacheng 100 and Huacheng Publishing House 1997 Selected Works (three volumes);

Guangdong Design Yearbook, Master Plan, Lingnan Fine Arts Publishing House,1992;

Fifty years of human photographers, overall design, Guangdong Tourism Publishing House,1998;

In 2003, Vancouver Wei Gallery exhibited three people, four oil paintings, still life and four landscapes.

In 2003, the oil paintings "Vancouver Landscape Series" and "Three-person Exhibition" were in Vancouver "Wei" Gallery.

project

Sha Fei Research Center and Sha Fei, individual donation, 400,000 yuan, September-June 2006 5438+February 2009.

"Guangzhou Industrial Product Design Technology Service Platform", Guangzhou Science and Technology Bureau, 600,000 RMB, June 2006-June 2008,12,2001,China Research Center of University of Berkeley, USA, "China Imaging Seminar"; In 2006, he visited the School of Design of the University of Kansas and gave a special lecture.