Several original texts _ Translation and appreciation _ About the love between flowers and courtyards.

In the courtyard, deep willows pile up smoke, and the curtains are not counted. Jade music carving saddle tour smelting place, the building is not high, look at Zhangtai Road. March storm, closing at dusk, not planning to stay in spring. Tears ask flowers silently, and red flies over the swing. -How deep is the courtyard by Ouyang Xiu in the Song Dynasty? How deep is the yard? The willow piles up smoke, but the curtain is not complicated. Jade music carving saddle tour smelting place, the building is not high, look at Zhangtai Road.

March storm, closing at dusk, not planning to stay in spring. Tears ask flowers silently, and red flies over the swing. There are 300 Song Ci, selected Song Ci, graceful and lonely funeral march translation and annotation translation.

The courtyard is deep. How deep is it? Willow Yiyi, flying with patches of smoke, a curtain with many layers. Luxurious chariots and horses are parked in the place where aristocratic childe plays. She went upstairs and looked into the distance, but she couldn't see the way to Zhangtai.

Spring is dusk, and the rain in March is accompanied by strong winds. No matter how you hide the evening scenery, you can't keep spring. I tearfully asked Luohua if she knew my thoughts. Falling flowers are silent and chaotic, flying out of the swing bit by bit.

Appreciate the scene where the first three sentences of the last film say "the courtyard is deep" The words "how deep" contain resentment in the question. The silence like "cigarette accumulation" in the yard sets off people's loneliness and unhappiness. The curtain is not heavy, and writing about the secluded boudoir is a imprisonment for great youth and a harm to a better life. The "courtyard" is deep, the "curtain" is heavy, and it is also a "willow pile of smoke", which is both thick and dense-living in this gloomy and quiet environment, the heroine is depressed and imprisoned physically and mentally. The three words "deep" overlap, and writing it is banned, which is similar to the pain of being imprisoned. It not only implies the loneliness of the heroine, but also has a deep feeling of resentment. Therefore, Li Qingzhao was greatly praised, and once drafted his language as "Deep Courtyard". Obviously, the heroine's material life is rich. But her mental pain is self-evident.

Yu Biyun's Selected Interpretation of Poems in Tang, Five Dynasties and Two Song Dynasties: This poem is deep and the word "Fei Hong" is almost unique, not just a farewell to spring. Or see "Yangchun Collection". Yi Lee's stability is the slogan of June 1 Day. Yi Anyun: "Yu Ji loves this word." It's called Deep Courtyard, and its voice is Old Linjiang Fairy. Mao Shuxian's On Ancient and Modern Ci: Yong Shu's Ci said, "Tears ask flowers without words, and red flies over the swing." This is deep and muddy. What is this? Tears because of flowers, this meaning also; Begging for flowers because of tears is also a meaning; Flowers are silent, and this layer of meaning is also; Not only did he say nothing, but he also fell and flew over the swing, which was meaningful. The sadder a person is, the more annoying the flowers are, the shallower the words are, the more meaningful they are, and there is no effort to describe them. Is it true that they are neither deep nor muddy? The next few sentences in "Jade Music Carving Saddle" profoundly show that the reality has ruthlessly ravaged her mind step by step: her lover is unlucky, but she doesn't return, and the only thrill is willful and helpless.

In the first three sentences of the next movie, the storm is used to compare the ruthlessness of feudal ethics, and the flower quilt is used to compare the destruction of one's youth. Yu Shaohua died in vain, but life grows old. Spring goes and spring comes, and time is like water. At the end of the sentence, women's infatuation and despair are written with rich meanings. "Begging for flowers with tears" means asking yourself with tears. "Flowers don't talk" is not to avoid the answer. It's just that girls are suffering the same fate, speechless and sobbing. Didn't "Red Brush Over the Swing" show her fate more clearly than words? "Luan Hong" flies over the place where youth plays and disappears, which is exactly "helpless flowers fall". Flowers in tears are like flowers, and people are like flowers. In the end, flowers are inseparable from people, and it is difficult to avoid the fate of being abandoned. The image of "disorderly red" is not only a true copy of the background, but also a symbol of the tragic fate of women. This kind of brushwork, which completely uses the environment to hint and contrast the characters' thoughts, is deep and gentle, full of twists and turns, and truly shows the hidden pain of the nobles living in claustrophobia.

Appreciation II is also found in Feng Yansi's Yangchun Collection. Liu Xizai, a poet in A Qing, said: "In Feng Yansi's words, your uncle won his handsomeness and Ouyang Yongshu won his depth." In the history of the development of Ci, the style of Ci in the early Song Dynasty inherited from the Southern Tang Dynasty and changed little, while Europe and Feng were both officials and masters, and their political status and cultural accomplishment were basically similar. Therefore, their ci styles are similar, and some works are often confused. According to the word order of Li Qingzhao's Linjiang Fairy, "Ouyang Gong wrote" Butterfly Loves Flowers ",and there is a sentence" how much sorrow is deep ",which he loves and uses as" the courtyard is deep ". Li Qingzhao didn't go far to Ouyang Xiu, and she was right.

This sentence will always be in my heart. The style of ci is deep, steady and elegant. The so-called deep, is implicit implication, graceful and deep, intriguing. The first sentence of this word is "deep and secluded", and predecessors have lamented its use of overlapping words; Specially chosen to illustrate the characteristics of the whole word. It can be said that the scenery, feelings and artistic conception of this word are very deep.

Let's talk about depth of field first. Like a master of stage art design, the poet first carefully arranged the heroine's residence. After reading these two sentences, it seems that a group of focus plane appeared in front of me, from far to near, drifting away and deepening gradually. With the camera pointing, the reader first saw clusters of willows passing in front of his eyes. "Smoke Piles of Willow" is a scene of fog on the willow cage in the morning. With the word "pile", it is dense and foggy, just like an ink painting. When the willow trees passed by, the poet shook the camera to the courtyard and curtains. This curtain is not heavy, but it is very heavy. He doesn't count the weight. In short, there was no duplicate number on that day. "No multiplicity", that is, there are countless weights. Qin Guan's "Treading on the Sand" is synonymous with this: "Plum blossoms are sent by post, and the fish and dragons stay there for a long time. This hate is insignificant." The phrase "no repetition" makes people feel that this yard is simply extremely deep. But the poet didn't let you see the position of the characters right away. He first said, "Yule carves a saddle and swims around", and then drew a stroke to attract the reader's attention to her husband. Then he folded the pen and wrote, "The building is too high to see Zhangtai Road". It turned out that the woman in this word was alone in a tall building, looking through heavy curtains and piles of willow smoke at the place where her husband often swam. This kind of writing is called "first promote and then suppress", which arranges everything well, creates enough suspense, and then lets the characters appear, which is impressive.

Besides, love is deep. Writing feelings in ci is usually combined with scenery, that is, there are feelings in the scenery, scenery in the feelings, but also emphasis. This word deeply digs into the emotional level of the heroine and depicts the abstract feelings in detail with meticulous brushwork. The first film of Ci is mainly about scenery, but "all scenery Ci are sentimental words" (Wang Guowei's Ci Poems on Earth). In the deep courtyard, people seem to see a imprisoned and isolated heart. The next word rewrites feelings, rain and wind are crazy, urging the end of spring and the heroine to be honored. She wants to catch spring, but the wind and rain are ruthless and can't catch spring. So she felt helpless and had to pin her feelings on the flowers with the same fate as her: "Tears ask flowers silently, and red flies over the swing." These two sentences contain infinite feelings of hurting spring. Mao, a poet in A Qing, said: "Poets want to be deep, but words want to be turbid. The lyricist is generally profound and characterized by language; If the language is vague, the meaning will be superficial and there will be a dilemma. Or to quote, I occasionally read a sentence from Uncle Yong:' Tears ask flowers without words, and they are redder than swings.' This is deep and muddy. "(quoted from Wang's On Ancient and Modern Ci) He means that it is often difficult to have both language and feelings, but these two sentences of European Ci unify it. The so-called "deep meaning" is to deepen the thoughts and feelings of the characters step by step. Let's see how these two sentences are excavated layer by layer. On the first floor, the heroine cried because of the flowers. It is a common feeling of ancient women to look at flowers and shed tears and hurt the moon. At the moment, the woman is remembering her husband walking on Mazhangtai (Zhangtai Street in Chang 'an in Han Dynasty, which was used by later generations to refer to the place where she traveled), but she can't see him. In her eyes, only the flowers destroyed in the storm can be linked with her own destiny, and she couldn't help crying. The second layer is about begging for flowers because of tears. Tears are caused by sadness and need to be vented. This object has been transformed into a flower at this moment, or the flower has been transformed into a person. So the heroine asked the flowers spoonily. The third layer is the silence of flowers. It is very puzzling whether you don't understand her meaning or refuse to give sympathy. Then the poet wrote on the fourth floor, and the flower not only didn't speak, but also flew over the swing, as if she had deliberately abandoned her. People walk on the stage, flowers fly on the swing, and sentient beings are indifferent to her. She couldn't help feeling sad. This writing method of comparing and contrasting the subjective feelings of characters with the reaction of objective scenery is precisely to deepen feelings. Poets dig deep into feelings layer by layer, not deliberately carving, but naturally generating and unfolding like bamboo shoots with buds and knots. In the natural and simple language, there are deep and true feelings, which is a major feature of this paper.

Ouyang Xiu (1007- 1072), whose real name is Yongshu, is a drunkard, and later named "Liu Yiju". Han nationality, a native of Yongfeng, Jizhou (now Yongfeng County, Jiangxi Province), called himself "Ouyang Xiu of Luling" because Jizhou originally belonged to Luling County. Wenzhong, nicknamed Ouyang Wenzhong. Politicians, writers and historians in the Northern Song Dynasty, together with Han Yu, Liu Zongyuan, Wang Anshi, Su Xun, Su Shi, Su Zhe and Ceng Gong, are known as the "Eight Masters of Tang and Song Dynasties". Later generations also called him "the four great writers of the ages" with Han Yu, Liu Zongyuan and Su Shi. Ouyang Xiu

My dream is always to swim in an ancient dream. In my dream, I went back to the yard and deep flowers covered the gate. The setting sun is gradually sinking, and the swallows are silent, as if with all the sadness. A faint fragrance wafted, and her delicate fingers gently pulled open the curtains of Mix. The leisurely catkins fall silently, which is where the god of the world takes you. The east wind at night is colder than in autumn. —— Wu Wenying in Song Dynasty's "Old Tour of Huanxi Shamen Separated by Flowers" Old Tour of Huanxi Shamen Separated by Flowers.

My dream is always to swim in an ancient dream. In my dream, I went back to the yard and deep flowers covered the gate. The setting sun is gradually sinking, and the swallows are silent, as if with all the sadness. A faint fragrance wafted, and her delicate fingers gently pulled open the curtains of Mix.

The leisurely catkins fall silently, which is where the god of the world takes you. The east wind at night is colder than in autumn. 300 Song Ci, selected Song Ci. Leaving is a dream. The stream in front of the door has risen recently. Langchuan secretly visited each other several times. The boat is too small to open a red bucket account. There is no direction. There is melancholy in the shadow of acacia. May my body be red. Born in Qiujiang every year. I hope lang will be the flower bottom. There are no obstacles. Back and forth with the wind and rain. —— Ouyang Xiu in the Song Dynasty, "The fisherman is proud, and the front stream has recently risen." The fisherman is proud, and the front stream has recently risen.

The stream in front of the door has risen recently. Langchuan secretly visited each other several times. The boat is too small to open a red bucket account. There is no direction. The shadow of acacia is empty and melancholy.

May my body be red. Born in Qiujiang every year. I hope lang will be the flower bottom. There are no obstacles. Back and forth with the wind and rain. There are 300 Song Ci poems, including ballads, women, yearning for love, sad night in a red chamber, and half-fringed incense lamps. When the waning moon goes out, beauty says goodbye to tears. Jin, a pipa player, plays oriole on the strings. Advise me to go home early, the green window is like a flower. -One Night in the Red Chamber by Wei Zhuang in the Tang Dynasty, in which Bodhisattva Man was melancholy all night.

Don't be melancholy at night in the red chamber, with incense lamps and half-rolled tassels.

When the waning moon goes out, beauty says goodbye to tears.

Jin, a pipa player, plays oriole on the strings.

Advise me to go home early, the green window is like a flower. There are 300 Song Ci poems, leaving their hometown.