Traditional Culture Encyclopedia - Photography major - What do you think is the most classic Japanese literary film that walks into human nature? What is the reason for winning your heart?
What do you think is the most classic Japanese literary film that walks into human nature? What is the reason for winning your heart?
Three parallel stories are intertwined in the brutal murder case, which did not create any suspense. What Li Xiang has always used the word "anger" as the title of the film is actually the most complicated human nature. This is a book about trust and redemption, and it also exposes the darkness of selfishness, cruelty and cowardice. The tempting idea makes the murderer's ending insignificant in this film.
At least in my eyes, Anger is a very special movie. At the beginning of the story, a straightforward murder case and the word "anger" written in blood once made people mistakenly think that it would be a suspense movie that slowly deciphered the truth. But as the plot ferments in three parallel stories, it is surprising to find that each story seems to have a little seemingly unrelated relationship with the murder case, but each story has its own characteristics.
The characters in the film almost include all the marginalized people in Japanese society, unemployed elite white-collar workers and homosexuals, vagrants and migrant workers without legal protection, backpackers who fled society, prostitutes with mild mental retardation, and high school students who were sexually assaulted by the US military. It is no exaggeration to say that everyone can make a good movie, but Lee Sang-il has combined so many roles in one movie. However, it is hardly confusing or abrupt. On the contrary, every character has become an opportunity for the film to highlight "anger". Such a delicate presentation not only benefits from the foundation of the original blueprint of the same name, but also benefits from the director's particularly profound directing skills.
When we create one marginalized character after another through movies, the question mark of who was the real murderer at the beginning has become unimportant in this three-line parallel story. While the director is trying to show various problems in Japanese society, what makes people deeply immersed is a kind of thinking about the relationship between people in modern society. In anger, the relationship between father and daughter, partner and friend is fragile. Everyone wants to keep a balance in a delicate relationship, but without the premise of trust, everything becomes shaky again. The last "anger" seen in the movie is just a fig leaf to cover up the selfishness and cowardice of human nature.
Murder suspense is just a fascinating stunt in anger. The film's interpretation of what is "anger" is ultimately intended to take the audience to explore the lowest level of human nature, which is a demon from distrust. The realistic "anger" based on this has to make people full of praise for the smooth and restrained narrative full of true integrity and strength. Poetry and books in literature/dreams
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