Traditional Culture Encyclopedia - Photography major - What's the next sentence? The sky in Qian Shan is vast.
What's the next sentence? The sky in Qian Shan is vast.
"Falling wood Qian Shan has a vast sky and a bright moon." This is an impromptu work by Huang Tingjian, a famous poet in the Song Dynasty, when he was appointed as a county magistrate in Taihe. Chengjiang Town is the seat of Taihe County, which was Xichang City in ancient times. Later, it was renamed Chengjiang Town because of the transit of Chengjiang, which is the political, economic and cultural center of Taihe. Green mountains and green waters, egrets flying, an ancient town at the foot of Jinggangshan will take you into an idyllic magical world. The whole poem is as follows: Huang Tingjian, who went to the express delivery hall, was stupid but neglected public affairs, and the things in the express delivery hall leaned against the sun. Qian Shan has a vast sky, and Chengjiang has a bright moon. Zhu Xian has become a beauty. Young people talk because of good wine. Wan Li returned to the boat to play the flute, and this heart was allied with Bai Ou! In the fifth year of Yuanfeng in Song Shenzong (1082), Huang Tingjian was appointed as the magistrate of Taihe County in Jizhou (now Taihe County in Jiangxi Province). In his spare time, poets often go to Kuaige, which is named after the scenery of Tsinghua on the Chengjiang River ("Qing Yi governs Ji 'an House"). This famous tune is to write out what you have seen and felt temporarily. It embodies the poet's aesthetic taste and artistic thought, so it is often cited as a representative by critics. Generally speaking, the beginning of an article or poem is often so difficult that some writers often cut it off, because at the beginning, the author has not integrated with the situation of the work, so it is easy to pose. Huang's poems begin with colloquial expressions, but they can be wonderfully conceived and fascinating. The poet said, I, fool, boarded the express booth after finishing my official business. In the afterglow of sunset, I leaned against the fence and looked out. These two sentences, seemingly simple and popular, contain extremely rich contents: The first sentence is based on a sentence by Xia Houdun in Fu Xianchuan, the Book of Jin, "It's not easy to be an official although having children is crazy. ""If you sit in a daze, you will hear again soon! "After a sentence, with Du Fu's" Pay attention to the cold river leaning on the mountain pavilion "and Li Shangyin's" eternal chastity soul leaning on the sunset glow ",there are many amazing renovations. The word "idiot" reverses the meaning of predecessors and directly admits that he is "idiot", which is one of the humors; The word "let it go" renders the poet's happy mood of relief, echoes the "fast" darkness of "fast songs" and increases the sense of unity. This is the second wonderful use; The word "leaning on yat sen villa" is beyond the previous stereotype. The "leaning" and leaning against the mountain pavilion in Du Fu's poems are plain descriptions of the real situation; Li's "leaning", whose theme is "eternal chastity soul", is an illusory reality; The "leaning" of Huang's poems can be described as the combination of reality and reality; The poet's leaning is a real scene, but he leans on the boundless twilight sky. Look at these three schools, just like an artistic photography. In the afterglow of the sunset, the poet and the pavilion are behind him ... Not only that, but the word "leaning on the sunset glow" also paved the way for the description of the next sentence, which made the poet generate sing the swan song of "the mountains are wide before, the rivers are bright". Looking at countless autumn mountains from afar, the fallen leaves on the mountains have fallen, and the vast sky is wider at this time. Clear as jade, the Chengjiang River flows under the pavilion, and a crescent moon is reflected on the river, which is even more ethereal and clear. This is a description of the scenery the poet visited when he first boarded the pavilion, and it is also a portrayal of the poet's mind. Reading such poems can't help but remind people of Du Fu's famous sentences: "Leaves are falling like a waterfall, but I think the long river is always rolling in" and Xie Tiao's "Yu Xia is scattered into Qi, and Chengjiang is as clean as practice". And this sentence of Huang Gu not only absorbs the nutrients of predecessors to exercise and melt, but also represents a new realm. Therefore, predecessors once commented on this sentence: "Its artistic conception is epoch-making, so it can really separate the secrets that have not been revealed in ancient and modern times." (Zhang Lu Zhai Xue Ji Ji) Five or six sentences are the middle sentences of the poet's clever use of allusions. In the previous sentence, hold the piano with Bo Ya to thank your bosom friend. "Lu's" Spring and Autumn Annals "contains: After death, I broke my piano and lost my string, and I never played the piano for life, thinking that the world was not enough to be a drummer. "The last sentence is Ruan Ji's blue eyes. Historically, Ruan Ji was good at blue eyes. "See people with customs, to supercilious look. "Seeing the person you like makes you jealous" (Biography of Ruan Ji in the Book of Jin). The poet's two sentences mean that because my bosom friend was absent, I broke the Zhu string on the piano and stopped playing, so I had to clear a bottle of wine to relieve my worries. The word "horizontal" is used incisively and vividly here, showing the image of the poet's helplessness, loneliness and boredom. The poet said that he hoped to board the boat, play the melodious flute and return to his distant hometown-my heart, which had already made a covenant with Bai Ou. Judging from the structure of the whole poem, the ending is quite wonderful: first of all, the poet talks about "giving up his official duties for idiots", showing his boredom with his official career and his desire to climb the pavilion to enjoy the natural scenery; Then, gradually getting better, the poet was intoxicated by the beautiful moonlight in Qian Shan and Chengjiang, which was in sharp contrast with the "ending" of the beginning "business"; In the beautiful scenery, the worries in the poet's heart come for no reason, and the poet feels the pain that his ambition cannot be realized and his heart is not understood. So where is the way out? This naturally leads to the poets' thoughts of "returning to the ship" and "Bai Ou". This ending not only echoes the beginning, but also ends with the trend, giving people a feeling of "hovering down in one breath" (Pan Boying's comments). And it is meaningful and imaginative. This poem was highly praised by later generations. Yao Nai called this poem "majestic and rhythmic, this move is too white, and it is sung in seven methods"; Fang commented: "start with four sentences, write them, one sentence is expensive, and five or six sentences are vulgar." Relax. This so-called "one-way street" is the combination of lovers. "These comments are very pertinent. Weng Fanggang commented on the poem of Huangshan Canyon like this: "Apart from Pogong, there is such an extremely high power, an extremely great realm, and the vitality of nature is exhausted. "Reciting this poem is well deserved. ]
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