Poetry about taking pictures

1. Shooting screen: What is a poem? A: Picture: Lotus poem in the pond: The next day, the lotus leaves are infinitely blue, and the lotus flowers reflect differently in the sun. Photo: the vast grassland poem: the sky is wild and the wind and grass are moving to see cattle and sheep. Or the rain in Sky Street is crisp and the grass is far away. Photo: Gorgeous Flower Sea Poetry: Flowers are more and more attractive, but shallow grass can have no horseshoes. Photo: Looking back and smiling. Poetry: If she just turns her head and smiles, there are a hundred spells, and the powder and paint of six palaces disappear without a trace.

2. What sentences describe shooting? 1. Try to avoid direct sunlight at noon when shooting portraits. These are the experiences after shooting countless times. If you miss the best shooting time, the color temperature and angle of sunlight will be very different, and the probability of taking wonderful photos will be relatively difficult. However, nothing is absolute. Sometimes, just when you think the sun is quite unsuitable for shooting and are ready to put away your camera, you can get some unexpected results.

2. A photo without careful composition often lacks focus, which makes the viewer not know where to look. In order to avoid this situation, a guide line can be set in the shooting picture to guide the viewer's eyes to the depth of the subject or picture. Using the exaggerated effect of wide-angle lens, visible or invisible lines disappear at one point. Arranging the subject at the vanishing point can not only highlight the subject, but also firmly grasp the sight of tourists and increase the time for the sight to stay in the photo.

3. The shooting guide line is not necessarily a real line, but a street lamp, a rock, a road, a step, etc. In short, finding an angle can connect these separated objects, which requires the photographer to have some observation.

4. Waves are often used as a guide line for seascape photography. Because the human eye can only freeze for a moment, and the camera can record for a period of time, the picture presented by the camera is invisible to the eyes of the people on the spot. This is the unique charm of seascape photography, and the picture will often bring you surprises. How to use waves as a guide line requires some experience and foresight in seascape shooting.

5. As a line in photography language, it not only has the characteristics of length, direction and position, but also expresses dynamics and emotions. Lines can make photos dynamic and rhythmic, and make photos more expressive. Under the guidance of lines, viewers' eyes naturally focus on the subject. The expressive force of lines in photos is irreplaceable by other elements, and different lines can express different emotions.

6. Horizontal line is one of the most common lines in photography, which injects stable and calm emotions into the picture and is mostly used for horizontal composition. Horizontal lines will make the picture show a stable, peaceful, vast and comfortable atmosphere, which is often used to represent lakes, oceans and grasslands. According to the expressed intention, horizontal lines can be placed in different positions by the classic three-part composition method.

7. Vertical lines can fully show the height and depth of the scene, giving people a solemn, orderly, majestic and enterprising visual feeling. Suitable for shooting towering scenery, such as forests, cliffs, waterfalls, skyscrapers and so on.

8. To take good photos, it is not enough to rely on the support of equipment and skilled technology. Photos must have a soul, and the soul comes from the photographer's thoughts and intentions. In other words, photos must have visual or emotional impact, which is usually expressed by framing, composition and light. Many times, composition determines the realization of ideas. A good photo must have a distinct theme, but it depends not only on what the theme is, but on how the theme is expressed and arranged in the picture.

9. Pay attention to the influence of lines, light and color on composition when shooting. Sometimes, a line may determine the success or failure of a photo, and the relationship between light, color and composition is also close, which can not be ignored in the shooting process.

10. To make a wonderful picture, the choice of foreground is very important. Foreground plays the role of setting off the main body and decorating the environment, which helps to enhance the spatial depth of the picture, balance the composition and beautify the picture.

1 1. When many people are shooting a large scene that looks magnificent and boundless, the images in the photos are unremarkable, and the shock and beauty felt by the scene cannot appear because there is no good picture arrangement. When shooting a big scene, it is a common problem to be sloppy and messy. You can't catch the reader's sight at a glance, and you lack a sense of depth and distance. The most effective way is to arrange the foreground when composing a composition, and the picture will shrink immediately, and people's eyes will focus on one point from the scattered surface. Especially when shooting with a super wide-angle lens, because the lens contains many elements, the most important thing is to grasp the prospect. Photos should be the foreground, the subject, with bright prospects and rich contents.

12. I will carefully observe every detail in the environment before shooting. I like to use the existing structural elements, especially lines, to create the rhythm and order of the picture. It is also necessary to find a unique angle, make full use of the depth of field characteristics of the lens, and reflect different structural elements on different focal planes, thus showing the three-dimensional sense and richness of the spatial environment.

13. I prefer the backlight with small incident angle, which is warm, soft and dreamy. More importantly, it can bring rich possibilities. Sometimes the sense of form of straight lines in the picture structure is too strong, too hard and looks straightforward and monotonous. At this time, I will use some elements in front of the camera to create bright and mottled foreground spots, which will make the picture look dreamy and layered, "break" the strict sense of order and increase interest and appeal.

14. I walked in from the outside, trying to find a perspective, and found that the layering through the door frame was very comfortable and the background was relatively simple. So the position of the person is arranged in the brightest frame of the picture, and the reflection on the water strengthens the character. Let the sunshine rush into the picture from the upper right corner of the door frame, use the headdress as the foreground, add fantasy points and break the "dullness" of the dark part of the picture.

15. When we first started to learn photography, we all followed the "subtraction principle", highlighting key points and strengthening the center. The picture I like now is thick and layered, with excessive light and details in the dark. Only in this way can the whole picture come alive, not just a beautiful and regular plane.

3. Poems with a sense of picture: Frosty night, Jiang Feng, fishing and sleeping.

-Zhang Ji's "A Night Stay Near Fengqiao" On a cold night, crows kept chirping, and there was a lonely boat and a little fishing fire on the river. The vastness of the wilderness is deeper than trees, and the moon is very close to the moon.

-Meng Haoran's "A Night's Parking on Jiande River" is boundless, wild and connected with trees on the horizon. The river is clear and the moon is reflected in it, as if one hand could touch the moon in the water.

My friend's sail shadow faded away and disappeared at the end of the blue sky, only seeing the first line of the Yangtze River and heading for the distant horizon. —— Li Bai's "Yellow Crane Tower" bid farewell to Meng Haoran on the way to Yangzhou. When parting has come, all you can do is watch him leave until the lonely shadow is blurred and finally disappears at the end of the blue sky, leaving only a spring water flowing to the junction of water and sky ... thin shadows and shallow waters, fragrant at dusk.

-Lin Bu's "Xiaomei in the Mountain Garden" Plum blossoms are reflected on the water, with a faint fragrance, far under the moon. This poem not only has a sense of picture, but also has a good taste.

Chai Men heard dogs barking and went home on a snowy night. -Liu Changqing's "Lotus Mountain Master in the Snow" You went home with a snowstorm. Before you open the Chai Men, you hear the wealth of your family crying to welcome you.

Sunset and lonely Qi Fei, autumn waters and sky are the same color. -Wang Bo's "Preface to Wang Tengting" This is not a poem, but when it comes to the sense of picture, who will not think of this sentence? Lian Haiping is in the spring tide, and the bright moon on the sea is born in the tide.

-How do you say "Moonlit Night on the Spring River" ... Every sentence in "Moonlit Night on the Spring River" is picturesque and beautiful. Birds are freely perched in the trees by the pool, and monks are knocking at the door.

-Jia Dao's "Li Ningju Youchu" This is a quiet and moving song. It is important to read this sentence, which is not only the picture sense of the poem, but also the picture sense of Jia Dao and Han Yu. The vast desert is lonely, and the Yellow River sets the yen.

-Wang Wei's "Chuangguan Fortress" talks about poetry and the sense of picture. "There are paintings in poetry and poems in paintings." Wang Wei is of course the first. From a distance, the mountains are high and the clouds are light, and the colors are bright. When you look closer, you can only hear the sound of water, but there is no sound.

Spring has passed, but there are still many flowers and flowers. People go nearby, but the birds are still not disturbed. -Wang Wei's "Painting" Let's have another poem by Wang Wei. After all, the title of the poem is Painting.