A Hong Kong ghost film. Ask for the name of this movie.

China film title

rouge

Foreign film names

rouge

More foreign movie names

Yin Ji Kao

Yan Zhi Kou ... (China: Putonghua title)

Film genre

Love/plot

The length of a movie (according to the screening time)

96 minutes/USA: 93 minutes

Country/region

Hong Kong

conversational language

Guangzhou people

colour

colour

loan

Director. Director.

Guan Guan Jinpeng

playwright

Kong-Kin Yau Dai Anping (as Dai Anping)

Li Bihua Lillian Lee ... is also novel.

Actor, actor

Leslie Cheung Leslie Cheung ... Twelve Shao Chenzhen Bang Chen Zhenbang.

Anita Mui, Anita Mui ... Hibiscus is like a flower.

Zhu Baoyi Zhu Baoyi ... Chuchu Chor.

Wan Ziliang Wan Ziliang ... Yuan Yongding Yuan

Kara Wai Carai ... the actress who plays the ghost.

Liu Jiarong Liu Jiarong ... film director.

Irene Wan Irene Wan ... Shu Xian.

Tan Hongqian, Xian Hongtan ... Chen Pang's mother.

Xie Xian Inz ... Bross Palon.

Yu Wang Yuwang ... He Xi

Producer-produced

Jackie Chan, Jackie Chan ... Producer

Director He He Guanchang ... Producer.

original music

Li Xiaotian Li Xiaotian

Photographic film y

Bill Wong Bill Wong.

Edit movie clips

Peter Cheung Yiu Chung Yao Chongchang

Artistic director, production designer

Park Ruomu Lepan

Ma Guangrong Mahon Les

Release date?

Hong Kong

Hong Kong

1988 65438+1October 7th

Canada

Canada

1988 September ... (Toronto Film Festival)

Italy

Italy

1988 10 ... (Turin International Youth Film Festival)

Production and sales

Production company

Golden Harvest Limited [Hong Kong]

Weihe Film Production Co., Ltd. Jinwei Film Co., Ltd. [Hong Kong]

abstract

One night, a female ghost in Leng Yan came to the newspaper to beg for a missing person advertisement and pestered Yuan Yongding not to leave. Female ghost was a famous prostitute in shek tong tsui fifty years ago, but she fell in love with Chen Zhenbang, a rich son.

Chen Men is a famous family, refused to accept prostitutes as his wife, and became a monk by Zhenbang, so he struggled in poverty. Ruhua and Zhenbang finally reached an agreement with Yinshi and committed suicide by swallowing opium. If you haven't seen Zhenbang in the underworld for a long time, you will come to Shi Yang to look for it. Yongding and his girlfriend Chu Juan sympathize with Ruhua's experience and try their best to help her find someone. Now it's 1987. Forty years have passed, and two or three generations are looking for a needle in a haystack, as if the seven-day period of flowers is about to expire. ...

Yuan Yong 'an works in the advertising department of a newspaper. One day, he was about to go to the next night when a gorgeous woman dressed in 1930s appeared in the newspaper. She wants to put in a missing person advertisement, but she has no money to pay for it. Yuan asked her to come back the next day, but she didn't want to insist and followed him all the way. During the chat, Yuan was shocked to learn that she was a female ghost named Ruhua who died in 1930s. She used to be a famous prostitute in shek tong tsui, and fell in love with Chen Zhenbang, a dude known as Twelve Little. Their relationship was opposed by Chen's parents because of their disparity in status, so they left their furniture for life and took the rouge box as collateral. After they live together, they are financially strapped, and with opium, they know that they won't last long. They agreed to commit suicide by smoking opium and then become attached to each other in the afterlife. They didn't want to die like flowers, and Chen was saved. Fifty years later, if the flower is too bitter to wait for Chen, he will go to die. At this time, it is 1987, and the situation has changed. With the help of Hua and his girlfriend Ling Chujuan, she finally found a girl who was already poor in a clothing factory at the age of twelve. Ruhua returned the rouge box, leaving twelve words of thanks. I don't want to wait any longer He looked at her leaving figure and shouted her name over and over again. ...

[Edit this paragraph] behind-the-scenes production

Literary sad films are different from the fast-paced and hilarious Hong Kong films of the same period. They are unique, touching and refreshing. Since 1980s, the director has observed the love between life and death in 1930s, skillfully combining the present and the past, memory and association, illusion and reality, and satirizing modern people's attitudes and concepts towards love with their immortal love for twelve teenagers, which has brought unique visual and spiritual impact to the audience. One feature of the film is that it focuses on the decadent beauty of the 1930s, but ignores the performance of Hong Kong in the 1980s. The film won three awards: Best Actress, Best Photography and Best Production Designer in the 24th Taiwan Golden Horse Awards.