Assassination of novelist, photography director

Detective Chinatown 3's leading role is: Wang,. Although the advertising in the film is too hard to implant, the friendly reminder is not to bring popcorn. Aside from the above disrespect for the sinking market IQ, Tang Tan's success is undoubtedly the victory of industrial comedy. It's a bottle of national brand tiger balm modulated by ambition. Through the binary collision combination of comedy and reasoning suspense, the performance form of character contrast and actor exaggeration is shaped. There is bound to be a hodgepodge when too many groups pay attention to the creation, but commercial identity and mass carnival are undeniable. So, on the whole, it is worth seeing. After all, the map 1 is fun and worth the fare!

After reading it, I didn't feel as bad as some hot reviews said. The rhythm is relaxed and the film atmosphere is unique, which is much smarter than the whole process of the second film. This should be the first film in which Chinese and foreign actors cooperate, but there is no sense of disobedience. The biggest surprise is that it comes from Wang. When he is alone, you can really feel the sense of loss. Although his playing the fool really makes people feel a little tired and the plot is average, as a Spring Festival film, it is generally passed.

I didn't watch Tangtan 1 and Tangtan 2 before, but this time I watched it because my family and friends wanted to see it. At first, I didn't understand the film at all, but after watching it, I gradually understood it, and then I found that Liu Haoran was so handsome. The whole movie is funny and suspenseful. Until the end of the movie, everyone was still guessing who Q was, and at the moment when the members of Q in the last scene were made public, many people. Although many people on the Internet say that this movie is not good-looking, or not as good as expected, I think this movie is actually good-looking and worth the ticket price.

Hi, mom Jia Ling took the audience to solve the "mother-daughter dilemma" sincerely and without affectation. For the daughter, the "dilemma" is to change her destiny. The story is pushed forward layer by layer, and all kinds of burdens are skillfully stripped off. Jia Ling naturally used humorous sketches and stage plays that his team was good at to push the film forward. Of course, there are bugs in the plot, and some scenes are too emotional, but these can't hide the light of Jia Ling and the film. Jia Ling swept the Spring Festival stalls with "sincerity", which is worthy of such achievements.

Li Huanying still surprises me. I know it's about family, and I know it's crossing, but I didn't expect a little reversal in the end. In addition, it also made a lot of preparations for it. This drama fully embodies Jia Ling's feelings for his mother, and the unexpected shooting technique is good. In order to avoid spoilers, the crossing process was particularly good, from black and white to color, including when he finally came back, which surprised me. What's more worth mentioning is that the ending song written by Zhang Wei is also very good, and Zhang's acting skills are also very good!

Chapter 11 stars: Chen Jianbin, Zhou Xun, and Guo Daming as photography director. Chen Jianbin has made a qualitative breakthrough in the pursuit of images, and a large number of literal metaphors are projected on tangible intentions, which is very worth pondering. Chen Jianbin's love for drama also makes the whole movie very literary. Although it is completely different from A Spoon, it is in the same strain in the spiritual core. This also made Zou's words splash a different kind of spark when they landed. In addition, Zhou Xun has produced the most heterogeneous performance in recent years in a limited space, which is quite a breakthrough. There are shortcomings, but the overall shortcomings cannot be concealed!

The Writer's Odyssey and The Writer's Odyssey are undoubtedly an industrialized film with excellent production and novel materials. The most amazing thing is the amazing visual spectacle of Chinese style. Combined with the magical 3d city of Chongqing, the visual effect of the whole movie can be said to be top-notch. Let's talk about the performance of the actors. Lei Jiayin is limited by the thin molding, and there is not much room to play, so it seems to be pushed too hard. What surprised me the most was that Yang Mi really didn't seize this opportunity, and the female portrayal was convincing enough. Overall, the overall viewing experience is ok.

It is cool and deep, the plot is relaxed, and the rhythm is cadence. Reality seems to have nothing to do with the novel world, but it is closely connected, allowing the audience to cross the boundary of imagination while watching the movie. The details in the film are very good. Azazel and Yu Hewei, the boss of Allah's magic lamp, are an inviolable "god" in both novels and reality. The orange played by Wang and the homonym inside and outside the novel also explain why he chose it. The second dimension of the ending and the light-happy style also cater to the tonality of the New Year's greeting file, and I like this perfection in reality and the darkness of defeating the "monster" in the novel best, which is quite beautiful.

A Sea of People is mainly directed by Rao Xiaozhi and co-starred by Andy Lau, Sean and Wan Qian. It is adapted from the Japanese film "The Method of Stealing Keys". The film tells a series of humorous stories caused by cold-blooded killer Zhou Quan (Andy Lau) and Chen (Sean) exchanging identities in an accident.

This film is very good, perhaps it is the charm of the special experience of watching movies, laughing, being nervous and relaxing together. Andy Lau looks so cute after his amnesia, and other characters are hateful people. The overall smoothness of the film is the drunken emotional drama of Liu Hewan in the middle. Wan's acting is not very satisfactory, but Wan's performance at the end of the film is still good. It's a pity that there are too few screenings in cinemas, otherwise it shouldn't be a problem for the box office to exceed 2 billion. Support whatever you like!

"My Sister" is an excellent family masterpiece, touching. Zifeng Zhang Shawn is performing online. The framework of the scene in the film can well depict the characters and subtle family relationships. Bgm of piano can bring tears to the audience. The growth of the hostess and younger brother runs through the whole story. This paper mainly discusses China's family relationship and family concept of son preference. The open ending is thought-provoking. In short, this is a sad story that people can't shout loudly. From the perspective of "using movies to speak for the disadvantaged groups in society", it is warm and powerful. It's worth a quick visit.