What are the representative figures of new objectivism photography?

The representative figures of neo-objectivism photography are as follows:

The representatives of neo-objectivism photography in Germany are lembach and bob ross Field, while in the United States, it is a group of young photographers who are keen on real photography, led by strand.

Neo-objectivism photography is an Italian-Russian photography school after purism photography in the 1920s. The term "new objectivity" originally refers to a group of realistic painters who opposed the decadent tendency of impressionism at that time. They believe that objective objects are very important and have unquestionable rationality. In their works, their treatment of real life is extremely objective and rational, unpretentious, aiming at producing a novel artistic effect. Americans call it "novel realism"

Strand:

Strand (1890- 1976) studied photography with the realist Hai Yin in middle school. Under the guidance of his teacher, he frequented the "29 1" gallery in new york, where he met Stiglitz and was influenced by avant-garde paintings such as Picasso, Cezanne and Braque.

In 19 15, strand photographed Wall Street and shadow patterns in an unusual way. The latter shows the corner of the balcony under the sun, and the picture quality is excellent. The carefully chosen perspective is that this painting constitutes a rich and rhythmic composition. 19 16, strand took out the boldest photo of this period, "White Track", in the "29 1" gallery.

His works deliberately broke the law of perspective and produced a powerful composition with flat tone and symmetrical shape, which deeply shocked the photography world. The older generation of painters were surprised by his directness and objectivity, which was almost cruel. Strand's companions were inspired by his contemporary works, which are based on the combination of tacit elements of Heine, Stiglitz, Emerson and avant-garde paintings.

This kind of abstraction and observability in strand's works is exactly what he pursues. Strand believes that neo-objectivism is the inherent product of photography, and it is also the boundary or essence of photography. The objectivity of the camera is not only its limitation, but also its main advantage. If we can foster strengths and avoid weaknesses, we can have a deep understanding and feeling of the nature and value of the subject before shooting, and then express these meanings in strong and other forms through skilled skills, then it will be successful.

Looking at strand's photos, the features are obvious and the impression is strong. There is indeed a kind of vitality in them, which gives people a sense of strength and beauty. Some imitations of flattery are mediocre and different.