Traditional Culture Encyclopedia - Photography major - Ask English classic dubbing monologue (female) as soon as possible! !

Ask English classic dubbing monologue (female) as soon as possible! !

There is a film about Veronica Franco, a Venetian poetess, whose achievements are called a femme fatale. (honest Courtesan. )

There is a great monologue at the end!

I will confess, your majesty.

I plead guilty, your honor

Judge: That will please God.

God will forgive you. Let's get started.

I admit ... as a girl, I fell in love with a man who didn't want to marry me because of lack of dowry.

I admit that when I was a girl, I fell in love with a man, but he would not marry a girl without a dowry.

I admit that my mother taught me a different way of life.

I admit, I have a mother who taught me another way of life.

I resisted at first, but later I learned to accept it.

A way that I opposed at first, but finally learned to accept.

I admit that I became a prostitute.

I admit that I became a political prostitute.

Trading craves power and welcomes many.

Instead of being owned by one person.

I would rather accept a lot than be owned by one person in exchange for power with desire.

I admit that I embraced the freedom of prostitutes.

Because of his wife's obedience.

I admit that I support the freedom of prostitutes more than the obedience of my wife.

Judge: This is not representation.

You're not confessing!

What should I do?

what am I supposed to do?

I must confess my sins.

These are my sins.

I must confess all my sins. These are all my sins.

Monk: She must repay the witch's skill.

She must repent for her witchcraft.

King: I don't think there is any harm in listening to her.

She will save or curse herself.

I don't think there will be any problem listening to her "confession"!

It's his choice whether she saves herself or uglifies herself.

Judge: Criminals are always found guilty, but if it makes Venice's dog happy ... she may continue her heresy.

The prisoner is already slandering himself. But if the king of Venice is willing to listen, she can continue.

I admit I found more ecstasy.

Passion is better than prayer.

I admit that I find more happiness in passion than in prayer.

I admit ...

I admit

I admit that I am still praying ... to feel the touch of my lover's lips. ...

... his hand is on me ...

... he hugged my arms.

I admit, I still pray to feel the comfort of my lover's lips, his palm and his embrace of my arm again.

This surrender is mine.

I still give in to it.

I admit that I am still hungry.

Filled and inflamed.

I admit, my thirst is still eager to be poured in and burned to death!

Into our dreams ... outside this chaotic place. ...

Melt in our dreams and leave this confusing place. . .

... we're not even ourselves anymore

Go to a place where we are no longer ourselves. . .

Know this. ...

Do you know where it is

... this will always be mine.

It will always belong to me.

If it's not mine,

If I live in a different way ...

If I think I have these, I live in another way.

... my husband's whim child ... my soul is hardened by lack of contact

And lack of love ...

My soul will become stiff because of this untouchable and loveless way.

... I admit that such endless days

And night ...

I admit that this endless life

... will the punishment be heavier

More than you can give.

Will be greater than any punishment you have received!

Judge: Are you finished?

Is that all you got to say

No, your majesty.

No, your honor.

You, all of you. ...

You, all of you.

... they long for what I give, but they can't bear to see a woman with such power. ...

You long for everything I give, but you can't accommodate a woman with such power.

... you call it God's greatest gift ...

You call it the best gift from God. . .

... ourselves ...

We ... .

... our desire, our need for love,

My desire, our desire for love

You call it filth ... sin and heresy. ...

You call it filth, evil and heresy. . .

Judge: That's enough. The last time before you are condensed: will you come back or not?

That's enough. For the last time, did you confess before the trial?

I regret that there is no other way

Open it to me. I don't regret my life.

I regret that I have no other choice, but I don't regret my life!

Ten things I hate about you "Look at the wicked woman across the street"

In the last chapter, Kate read her own poem.

Kate: I hate the way you talk to me. And the way you cut your hair. I hate the way you drive my car. I hate you staring at me. I hate your big, stupid boots. And the way you read my mind. I hate you so much that it makes me sick and even makes me rhyme. I hate the way you are always right. I hate it when you lie. I hate it when you make me laugh, and I hate it when you make me cry. I hate that you're not around. And the fact that you didn't call. But above all, I hate the way I don't hate you-not at all, not at all, not at all.

Time "time"

Background: Laura (Julianne Moore) comes to Clarissa's apartment after learning of the death of her son Richard (Ed Harris). Here, she explains to Clarissa (Meryl Streep), Richard's closest friend and possibly lover, why she left her family one day.

Laura went to Coralisa's house and told her about her son's death. Explain why she left home.

I haven't seen it, but it's an Oscar-winning film, so I'm not familiar with this passage, but it should be a famous monologue. )

Laura: Sometimes you don't belong here and you want to kill yourself. Once I went to a hotel. That night … later that night, I made a plan. The plan is that when my second child is born, I will leave my family. That's what I did. I got up one morning, made breakfast, went to the bus stop and got on a bus. I left a note. (Pause) I got a job in a Canadian library. Just say regret. It's easy. But what does this mean? What does it mean to regret when you have no choice? It's something you can bear. Right there. No one will forgive me. Laura looks at Clarissa, firm and unapologetic. ) That's death. I chose life.

Breakfast in Breakfast at Tiffany's at Tiffany's.

One of Hepburn's most classic plays, I haven't seen it, but it's famous.

Holly: Listen, I know what you're thinking. I don't blame you. I always throw such a jazz line. But really ... besides doctors ... what about you? ... Jose is my first non-mouse romance. Oh, it's not that he is my ideal perfect person. He seldom tells lies and doesn't worry about what people will think. He wants to be the president of Brazil. I mean, an adult wants to be such a useless person and take 50 baths a day. I think a man should smell ... at least a little. No, he is too prim and cautious, which is not my absolute ideal. If I can choose freely from the living ... just snap my fingers and say "come here!" " ... I wouldn't choose Jose. Maybe Nehru ... or Adlai Stevenson or Sidney Porter or leonard bernstein ... but I really love Jos. To be honest, if he asks me to quit smoking, I think I will!

Blair Witch Project "Blair Witch"

This is a classic documentary horror film. The heroine tells in fear with close-ups. . . . If you want to try something special. This is the most classic shot of the whole film, which has been copied and spoofed by many people. But it is said that the heroine was really scared at that time, so she was very real and shed a lot of nose and tears.

Heather: I just want to apologize to Mike's mother, Josh's mother and my mother. I apologize to everyone. I am so naive. (Looking away, scared) I'm naive and stupid. I shouldn't put others in danger because of something about me and my selfish motives. I'm very sorry for what happened, because whatever Mike says now, it's my fault. Because this is my project, I insist on everything. I don't think we are lost. I insist that we keep going. I insist on going south. Everything has to be my way, and this is our ending. Because of me, we are hungry and cold here now. I love you, Mom and Dad. I'm really sorry. I didn't mean to hurt anyone. I hope that's clear. (starts hyperventilating) I'm so scared. What is that? I'm afraid to close my eyes and open them. I will die here. Every night we wait for them to come. (Collapse and sobbing)

Bridget Jones' Diary "BJ's Single Diary"

An unfamiliar film, I don't know which scene it is. . . .

Bridget: There's something I have to say. You once said that you like me the way I am ... I just want to say ... good ... you know? I mean you wear the stupid thing your mother bought you-that tie is another classic-you are arrogant, and you always say the wrong thing under any circumstances. I really think you should reconsider the length of your sideburns. But you are a good man, and I like you. If you want to come over sometime, that would be great ... not just good.

Chicago "Chicago"

Roxey, played by Renee Renee Zellweger, is the same person as the above characters, but his role is quite different. Friends sing.

Rosie: (to mom) I've always wanted my name to appear in all the newspapers. Before I met Amos, I used to date this ugly and wealthy bootlegger. He used to take me out to show off. Ugly men like to do this. Once the newspaper said, "Al Capelli of the underworld was seen with a lovely blonde in the Vito bar." That's me. I cut it out and kept it. You know, I've always wanted to have my own performance. But no, no, no, no, always no, they always refuse me. A big world full of negation! Then amos appeared. Safe, dear Amos. People who never say no. oh (Shy laughter) I've never done this before, but you know, this is such a special night, and you are such a great audience! (Applause from Roxie's "audience") And, besides, I really think I can talk to you, you know? So forget what you read in the newspaper and what you heard on the radio, because, because, because I want to tell you the truth. The fact is not important, but I will tell you anyway. In the bedding department, Amos ... Zero. I mean, when he makes love to me, it's like, it's like he's fixing a carbonizer or something, (pretending to play with her breasts and imitate Amos) "I love you, honey, I love you!" Anyway, I started fooling around ... and then I started fooling around, which means screwing around without eating. Later, I met Fred Casli, and he said that he could get me into vaudeville, but things didn't go as I planned. I don't think it's too good for Fred either. So I gave up all the variety shows, because after so many years, you will find that the opportunity slipped away from you. (Singing) But it's not, oh no no, but it's not. (speaking again) Now, if this Flynn guy helps me get off the hook, with all this publicity, I will get a world full of affirmation!

The English Patient, The English Patient

Never seen an old movie. But the business card.

Reading very slowly; Switch voices back and forth from the recent past to the present, Katherine (kristin scott thomas) and Hana (Juliette Binoche).

But this requires two kinds of voices. . . .

Hana's voice/Catherine's voice: Honey. I am waiting for you. How long is a day in the dark? Or a week? The fire went out. I'm cold, terribly cold. I really want to drag myself outside, but there will be the sun. I'm afraid I'll waste light on paintings instead of writing these words. We will die. We died, we walked in with our lover and victory, the smell we swallowed, the body we had, and died rich ... and swam up like a river. Our hidden fears-like this poor cave. I want to mark all these on me. Where is the real country? It's not the boundaries drawn on the map, but the names of powerful people. I know you will take me to the palace of the wind. This is what I want: to walk in such a place with you. Friends and a planet without a map. The light went out and I was writing in the dark.

Stepmother's stepmother

Classic lines. It's Julia. Roberts put it there. I like it very much, but the film is not famous.

Isabel: I never wanted to be a mother. Well, sharing with you is one thing, but taking care of the rest of my life alone is always compared with you. You are perfect. They worship you. I just don't want to be afraid every day for twenty years, knowing that someone will do better and do better, but I can't. You are the embodiment of Mother Earth. You ride horses with Anna. You know that every story, every wound and every memory of their life's happiness depends on you. Every moment. Don't you get it? Watch the way to her wedding. I was alone with her in a room, and she was tidying her veil and loosening her skirt. Tell her that no woman has ever looked so beautiful. I'm afraid (pause) that she will think "I wish my mother were here".

You received a love letter.

Meg ryan's lines are like typed monologues.

Catherine: I like to start my notes the way we are already talking. I pretend that we are the oldest and closest friends-contrary to our real identities, we don't know each other's names, and we met in a "over 30" chat room, and we both claimed that we had never been there. I wonder what NY 152 will say today. I turned on the computer and waited impatiently for it to start. I surf the internet and hold my breath until I hear three small words: you have mail. I can't hear anything. I can't even hear the voices on the streets of new york. I only hear my own heartbeat. I have mail. From you.

The Wizard of Oz

Dorothy's monologue with her aunt when she got home was just an old movie. So compare. . . Old. . . But the last sentence is classic. There is no place like home!

Dorothy: But this is not a dream. That's a place. You, you, you ... you were there, too. But you can't, can you? No, Aunt Em, this is a real living place. I remember some places are not very good, but most of them are beautiful-but again, I always say "I want to go home" to everyone, and they send me home! Nobody believes me? But anyway, Toto, we're back! Go home. This is my room, you are all here, and I will never leave here again. Because I love all of you. And ... oh, aunt em! There is no place like home!

Terminator terminator

Haha, the last sentence Sarah said to the baby in her belly was very interesting. You should know that the child in her belly is the son of this child's future buddy. . . . . . What a mess!

Sarah: The hardest thing is to decide what I should tell you and what I shouldn't. Well, anyway, I still have some time before you are old enough to understand these tapes. They are more suitable for me at this point ... to help you sort things out.

Should I tell you about your father? That's a difficult question. Will this change your decision to send him here ... you know? But if you don't send Kyle, you'll never be able to. God, you're going crazy thinking about this ... I think I'll tell you ... I owe him. Maybe that's enough, if you know that in the few hours we were together, we loved each other all our lives. ...

Fate is predestined/American love/special love.

Very boring film, there will be fate. . . Personally, I don't like it, but the lines are ok and not very famous.

Sarah: I have always believed in fate. I have always believed that life is not just a series of meaningless accidents or coincidences. It's a series of events that eventually form an elaborate plan. I mean, I spent the whole flight staring at the sky and thinking. It's not about my fiance, but about the mysterious person I met1500 thousand hours ago. A person I don't remember anything but a vague picture in my mind. It's just a few seconds, a fragment, like, at that moment, the whole universe exists just to keep us together. We only spent a few precious hours together, and I didn't even give him my last name or phone number. On the contrary, I told him that if we were destined to be together, if fate doomed us to be together, we would meet again one day. That's why I'm here. That's why I want fate to take me wherever it wants, because when it's over, at least I'll never think of him again. Let's pray that he is a bald fascist. He will pick his nose and wipe his nose under the car seat.

The Princess Diaries

Her reporter finally held a press conference. . . OMG!

Mia: Hi, um ... Hello. I'm mia. Well, the rain has stopped! I'm really not good at speaking. Usually I am so nervous that I faint or run away, and sometimes I even get sick. But you really don't need to know this ... but I'm not afraid anymore. My father helped me. I'm going to give up my right to the throne earlier tonight. My mother helped me and told me that everything was fine and supported me, just as she had supported me all her life. But then I wondered how I would feel after giving up the role of Princess Genovia. Will I feel relieved or sad? Then I realized how many times I used the word "I" a day. Maybe everything I did was thinking about myself. How ridiculous it is when there are 7 billion people on this planet ... Sorry, I spoke too fast. But then I thought that if I cared about other 7 billion people, not just me, it might be a better use of my time.

Look, if I were a princess in Genovia, my thoughts and those of people smarter than me would be better heard, and maybe these thoughts could be turned into actions. So when I woke up this morning, I was Mia Thermopolis. But now I choose to do it forever, Amelia Mininet Thermopolis Renati, princess of Genovia.

These are all girls'. I changed some supporting roles in the first film, but I really think the first sentence is particularly poetic, expressing women's passion for feudal bondage and their desire for love. But not many people have seen this film.

By the way, introduce your website: /monos/

They are all classic monologues. If you have a favorite movie, you can check it out.

By the way, I suggest you consider learning to sing

References:

/monos/