Requesting reference books for the Ph.D. examination of dance studies and dance history from the China Academy of Arts

Reference Bibliography

1. Classic Bibliography

"Introduction to Dance" Lv Yisheng, Shanghai Literature and Art Publishing House, 2003

National Art Academies A general dance theory textbook and key reference book.

"Introduction to Dance Art" Long Yinpei/Xu Erchong, Shanghai Music Publishing House

This reference book will be the main source of topics.

"Introduction to Dance Art (Revised Edition)" is the most basic reference book on dance art theory.

"Basic Knowledge of Art" Wang Cizhao, Central Conservatory of Music Press, May 2006

This reference book mainly introduces art categories, and the knowledge of the dance module should be mastered. . Other knowledge points can be used as examples of professional one.

"The Development History of Chinese Dance" by Wang Kefen, Shanghai Music Publishing House 2014

"The History of the Development of Chinese Dance" was written by Wang Kefen. "The History of the Development of Chinese Dance" systematically introduces the original dance The trajectory of its origin and development, the development of dance during the Xia and Shang slavery era, the development and transformation of dance during the two-week period, the Han Dynasty when dance art achieved significant development, the Three Kingdoms, Two Jin and Southern and Northern Dynasties era when music and dance of all ethnic groups developed in diverse exchanges, the glorious Tang dance, The turning period in the development of dance art - Liao, Song, Xixia and Jin dynasties, the inheritance and variation of dance art in Yuan, Ming and Qing Dynasties. The book is rich in pictures, texts and historical materials. It is a rare and valuable material for studying the professional history of Chinese dance.

"A Tutorial on the History of Ancient Chinese Dance" Yuan He, Shanghai Music Publishing House

"A Tutorial on the History of Ancient Chinese Dance (Dance Volume)" introduces: Dance is the mother of art and the foundation of human beings Cultural enlightener. From the emergence of instinctive emotions to the expression and realization of the desire for survival, primitive human beings are all accomplished through leading actions. Movements condense the thoughts, emotions, emotions and passions of primitive people, giving birth to primitive dance and primitive culture. Dance is a symbol of a national spirit. Through dance, we can get a glimpse of the history and culture of a nation. The Chinese nation has a splendid and long history of dance civilization, which is an extremely important part of Chinese culture. Learning and mastering the history of the development of Chinese dance culture is a required course for dance performers, creators and researchers.

"Outline of the History of Western Ballet" by Zhu Liren, Shanghai Music Publishing House, 2001

Key dance undergraduate textbook, the focus of the exam.

"Outline of the History of Western Modern Dance" Liu Qingyi, Shanghai Music Publishing House 2004

"General Higher Education "Tenth Five Year Plan" National Planning Textbook? Beijing Dance Academy "Tenth Five Year Plan" Planning Textbook "An Outline of the History of Western Modern Dance" is divided into the early and late 20th century and is divided into two parts: The first part consists of two ten chapters, which introduce the art, artistic concepts and art of the representative figures of the pioneer generation and the founding generation of Western modern dance respectively. Thoughts: The second part is divided into three chapters and fourteen chapters to introduce the art, artistic views and artistic thoughts of the representative figures of the American New Avant-Garde and European Dance Theater dancers.

"New China Dance History" Hunan Fine Arts Publishing House 2003 edition by Feng Shuangbai

This book analyzes the historical development trajectory of Chinese dance art from 1949 to 2000, using major dance historical events as examples Based on the historical periodization, it is divided into six chapters to sort out the basic historical phenomena of the dance art career of the People's Republic of China and the country, creative achievements, dance evolution, outstanding figures, major organizational activities, etc., and based on the entire original dance of China Taking the development of dance in feudal society as a reference coordinate, it is proposed that New China Dance is a revolutionary transformation of Chinese female music dance culture and folk self-entertainment song and dance culture. Its historical essence is to establish a creative art in the true sense, and its development direction It is to establish an independent artistic aesthetic expression system in the 21st century.

"Chinese Dance Dictionary" Culture and Art Publishing House 2010 Edition Editor-in-Chief Wang Kefen

my country's first large-scale professional dance dictionary.

"Foreign Dance History and Appreciation of Works" Higher Education Press 2008 Edition Ou Jianping

"Foreign Dance History and Appreciation of Works" implements the overall principle of discussing history, first using 10,000 years Taking the latest dance cultural relics as a starting point, it discusses one by one from self-entertainment primitive dance, folk dance, and ballroom dance to performative religious dance, folk dance, national standard dance, and classical dance. The dance cases come from dozens of ethnic groups, countries and regions on five continents, and then discuss the two world-wide dance types of ballet and modern dance, as well as the dance theater, physical theater, contemporary dance, butoh and dance derived from them. New media dance, and review and analyze their respective origins, logical definitions, terminology, artistic characteristics, different genres, different periods, the most representative choreographers, performers, educators and composers and their representative works one by one. .

"Chinese Dance History and Appreciation of Works" Higher Education Press 2010 edition Feng Shuangbai//Mao Hui

The book is divided into 14 chapters, each chapter is specially designed after the historical knowledge is explained The work appreciation section aims to bridge the gap between ancient dance history and contemporary dance works and stimulate imagination by supplementing short appreciation reviews of contemporary dance works related to the content of each chapter.

II. Necessary Bibliography

The specific contents are as follows:

"Introduction to Dance Art" Cai Si Kao Ph.D. Compiled by the Teaching and Research Group of Shanghai Theater Academy

Introduction to Dance Art is a compulsory exam for dance majors. This material summarizes the most important knowledge points of Introduction to Dance Art. The framework is clear and memorization can save a lot of time.

"Basic Knowledge of Dance Choreography" is compiled by Cai Si Kao Yan Kao Ph.D.·Shanghai Theater Academy Teaching and Research Group

This material summarizes the basic knowledge of dance choreography. Dance choreographers have direct propositions in the examination questions, and also You can refer to relevant arguments when analyzing dance works.

"Dance Choreography Tutorial" compiled by Cai Kao Kao Bo·China Academy of Arts Teaching and Research Group

Dance Choreography Tutorial, this is an introductory material for dance choreography. From basic theory to choreography techniques, the expression is simple and easy to master. Knowledge is clearly marked.

"Dance Appreciation and Work Analysis" compiled by Cai Si Kao Yan Kao·China Academy of Arts Teaching and Research Group

This material summarizes the important contents of dance appreciation and work analysis, and analyzes the characteristics of dance works. You can directly use the arguments inside.

"Dance Analysis" is compiled by the teaching and research team of Cai Si Kao Yan Kao·China Academy of Arts

This material organizes the content of classic dance dramas and is very important for candidates who cross majors. Dance analysis is often used in appears in the exam questions.

"Key Notes on the History of Chinese Dance" compiled by Cai Si Kao Yan Examination·Teaching and Research Group of Shanghai Theater Academy

Among the examination questions in previous years, the history of Chinese dance is the most important test point. This material has been compiled The key contents of ancient dance history can be used directly when answering questions.

"A Summary of Key Points in the History of Western Ballet" compiled by Cai Si Kao Kao Bo·China Academy of Arts Teaching and Research Group

This book summarizes important knowledge about the occurrence and development of Western ballet, supplementing the reference books Nothing covered. It is not only a direct test point for the exam, but also can be used as an example when answering questions.

"Notes on the History of Western Modern Dance" compiled by Cai Si Kao Yan Kao·Teaching and Research Group of China Academy of Arts

Western modern dance often requires analysis of specific works. In addition to Western modern dance, this material For the development of modern dance, there are also specific dance dramas for reference.

"History of Western Dance" is compiled by the teaching and research team of Cai Si Kao Kao·Shanghai Theater Academy

This material analyzes the development process of Western dance from a macro perspective and records important events in the development of Western dance. Can be used in conjunction with other materials for dance majors.

"Dance History Question Bank" compiled by Cai Si Kao Yan Kao Bo·China Academy of Arts Teaching and Research Group

The Dance History Question Bank organizes the content of common examinations on the history of dance at home and abroad, including not only questions but also answers You can refer to it. We have also organized dance theory questions in the dance history question bank.

"Dance Professional Essays" compiled by Cai Si Kao Yan Kao·Shanghai Theater Academy Teaching and Research Group

This professional essay collection collects dance professional essays in the past twenty years and instructors' discussions on dance history. professional papers. It can be done after reviewing the basic knowledge points.

3. Supplementary Bibliography

"Introduction to Dance" Lv Yisheng, Shanghai Literature and Art Publishing House, 2003 Edition

This book strives to break away from the traditional Chinese art theory model and form its own system , strives to use the discipline's own words to discuss the issues of dance itself; it is to enrich and demonstrate the basic theory of dance, from various aspects of the basic theory of dance such as the definition of dance, the essential attributes of dance, the systematic understanding of the social function of dance, and dance ontology. The discussion also involves dance performance, education, creation and dance history.

"Basics of Dance" Lu Yisheng/Mao Chun/Wu Yan/Zhang Lin Shanghai Music Publishing House 2013 Edition

"Basics of Dance" mainly tells that "Dance" is a big question Concept, "Introduction to Dance" has a smaller extension, but they belong to the same category, and they both discuss the basic theory of dance; "Dance Studies" is more disciplinary in nature, while "Introduction to Dance" is more common sense, but both are inevitable. To discuss.

"Dance Studies" Lv Yisheng/Mao Luo Shanghai Music Publishing House 2012 Edition

The main content includes: methodological research on dance, philosophical and aesthetic methods, artistic sociology methods, performance Marxist aesthetic method, psychological method, semiotic method, ontological method, hermeneutic method, reception aesthetic method, system theory method, etc.

"Dance Culture and Aesthetics" by Yu Ping, Renmin University of China Press

Consciously regard dance as an aesthetic object, and at the same time consciously regard dance as an artistic means of shaping human self-image. Strictly speaking, it is a dance phenomenon that occurred in modern times. To understand dance as an aesthetic object, on the one hand, we need to understand dance, which naturally precipitates history and culture, and on the other hand, we need to understand the movement coordination principles and motivation development principles of dance aesthetics. This book does not list the image creation and morphological evolution of dance art works, but helps readers enter the door of dance aesthetics through the analysis of typical dance art works.

"Dance Culture" Ren Fang Sichuan University Press

The main content of "Dance Culture": Dance, as an art of human movement, as a special cultural phenomenon, it It is indeed adapted to the production mode and lifestyle of a specific nation.

It uses the body as a symbol, and in the long historical development process, it has formed a unique symbol system of the nation, preserving and transmitting the values ????and behavior of the nation. The development history of dance in China and the West that we briefly listed above fully confirms this point. These historical and realistic dances all deeply contain the historical and ecological imprint of the nation, and all of these imprints contain rich cultural connotations. "Dance Culture" strives to reveal the underlying cultural reasons for the development of modern and contemporary Chinese dance.

"Introduction to Dance Culture" Park Yongguang Minzu University of China Press

Determining objective and realistic research objects is the premise and foundation for the establishment of a science. The research object is dance culture. The concept of "dance" can be divided into broad and narrow senses. "Dance" in the narrow sense refers to stage art dance; "dance" in the broad sense includes not only stage art dance, but also dances among the people for self-entertainment, fitness, sacrifice and entertainment. "Introduction to Dance Culture" calls the human dance phenomenon dance culture from a broad perspective. Therefore, "Introduction to Dance Culture" takes various human dance behaviors as the research object, focuses on exploring the basic theories in various dance behaviors, involves the occurrence, development, form, function, etc. of types of dance, and then summarizes these theories. discussion. In this sense, we call "Introduction to Dance Culture" "Introduction to Dance Culture". As the basic theory of a discipline, what is first presented to us are many concepts. These concepts are the basis for constructing the theory and the prerequisite for us to understand and master the theory. Secondly, it focuses on analyzing and explaining the basic principles, that is, the principles of the occurrence and development of dance and the principles of dance classification, and summarizes the characteristics and functions of dance culture and even types of dance. To this end, the first chapter explores dance culture from a macro perspective; the second chapter analyzes the formal elements of dance culture from a micro perspective; the following chapters study types of dance from a meso perspective, so that our analysis and explanation form a holistic or general study Combined with individual or unique research. From this, it is hoped that readers will have a deeper understanding of the general dance culture and the individual characteristics of dance types.

"Chinese Dance Choreography Tutorial" edited by Sun Tianlu, Higher Education Press 2004 edition

Chinese Dance Choreography Tutorial is a summary of the creative experience of domestic and foreign choreographers by the Beijing Dance Academy, combined with more than 20 years of teaching A professional teaching material for dance choreographers gradually formed through practice, which reflects the latest achievements in current domestic dance creative ideological trends and choreographic techniques. The book is rich in content and has distinct levels. From basic theory to choreography techniques, from simple to deep, from simple to complex, it systematically describes the teaching practice of dance choreographers and has strong operability.

"Modern Dance Appreciation Method" compiled by Ou Jianping, Shanghai Music Publishing House, 1996

This book analyzes the life stories, social background, creative mentality and choreography of the famous figures who constitute the history of modern dance. Starting from the method, it provides readers with the historical origin, development context, typical concepts and basic characteristics of modern dance in a vivid and concrete way, so that they can learn to identify, analyze and appreciate modern dance through extensive reading and thinking. For information on this aspect, please read carefully the biographies of each famous person in this book.

"Introduction to Dance" Author: Martin Translator: Ou Jianping Culture and Art Press 2005 Edition

This book analyzes the historical context of European and American dance from multiple perspectives such as contemporary dance. The author's self-contained theory has always been approved and cited by the Western dance and philosophy circles.