Traditional Culture Encyclopedia - Photography major - What do you need for cos indoor shooting?

What do you need for cos indoor shooting?

Photography skills of COS2009-05-17 11:421. The head and body should not be in a straight line. If the two are in a straight line, it will inevitably feel dull. Therefore, when the body is facing the camera, the head should be turned slightly to the left or right, and the photo will appear elegant and vivid; similarly, when the subject's eyes are facing the camera, turning the body to a certain angle will make the photo look elegant and vivid. It makes the picture appear lively and dynamic, and can increase the three-dimensional effect. 2. Don’t let your arms and legs be parallel. No matter whether the subject is sitting or standing, never let his arms or legs be parallel, because this will make people feel stiff and mechanical. The appropriate approach can be to continue one song or both to form a certain angle. In this way, it can create a sense of movement and a variety of postures. 3. Try to make the body curves as clear as possible. For female subjects, it is necessary to express their charming curves. The usual approach is to have one leg of the character actually support the weight of the whole body, with the other leg slightly raised and leaning against the standing leg, the arms turned to show their narrowest side, and the chest through the waist The curve of the head shows its height and plumpness as much as possible. At the same time, one hand of the character can be placed on the hip to provide the necessary width to the picture. 4. Avoid sitting posture: When showing the sitting posture of the subject, do not let the subject sit in the chair with his whole body as usual. If this is the case, her thighs will be in a resting state, so that the fat part of the upper leg will bulge, making the thigh look very bulky. The correct approach is to ask the patient to move his body forward, sit close to the edge of the chair, and keep his chest up and his abdomen in to avoid the phenomenon of drooping shoulders and bulging belly. 5. The lens should be far rather than close. Generally speaking, when taking photos of people, it is better to be farther away than closer. Because when the lens (especially a short focal length lens) is very close to the subject, deformity will occur. Therefore, when taking photos, you should choose a lens with a suitable focal length and keep a certain distance between the lens and the person. Based on practice, we know that if you use a standard lens to take portraits of people, the optimal distance is between 6 and 8 feet; for busts, between 8 and 9 feet; and for full-body portraits, between 13 and 22 feet. In addition, keeping the subject's hands and feet close to the body helps to avoid deformities. Once they are more than 18 inches away from the body, they will appear out of proportion, and the hands and feet will become too large or Too small. 6. Show good hand posture: The subject’s hands do not occupy a large proportion in the picture, but if they are placed improperly, they will destroy the overall beauty of the picture. When shooting, pay attention to the integrity of your hands and avoid making them feel deformed, broken, or incomplete. For example, when you put your hands on your hips or put them in your pocket, part of your fingers should be exposed to avoid giving the impression of being cut off. 1. Avoid direct sunlight. Bright sunlight provides good lighting conditions, making the scenery lively and saturated in color, and provides conditions for using high-speed shutter speeds and small apertures. However, strong sunlight can also cause problems. The most prominent one is that its dazzling light can make the subjects unable to open their eyes. At the same time, high-angle direct sunlight can also cause heavy shadows on the subjects' faces and reveal skin wrinkles. , damaging the image and beauty of the character. Therefore, when taking photos outdoors, you should let the sun shine on the subject from the side, and avoid facing the sun directly. 2. Avoid being too close to colored environments. Under bright light, the reflection of objects will be enhanced. In this case, characters should try to stay away from brightly colored scenery (such as the exterior walls of newly painted buildings, large awnings, etc.), otherwise the colors of those scenery will be mapped onto the characters, causing a color cast. 3. Avoid taking pictures while standing on the cement floor when the top light is on. Because the surface of the cement floor is relatively flat and light in color, it will form strong reflections. This bottom-up "footlight" often creates a terrifying effect. , should be avoided as much as possible. 4. Avoid taking photos while standing next to a tree. Light and shadow complement each other. The stronger the light, the deeper the shadow. When people stand next to a tree and take pictures, the sunlight often projects the leaves onto the people's bodies and faces, causing mottled shadows, which detracts from the beauty of the picture. 5. Don’t neglect the filter. Under the cloudless blue sky outdoors, blue shades are worn in all light-shielding places; but under the glow of the sunset, all the scenery is dyed with a layer of orange-red. In such an environment, if you want to keep the original color of the captured scenery, you must install a corresponding filter in front of the lens. In the former case, you can use a light red or amber filter. In the latter case, a light blue filter can be used. 6. Avoid using high-speed film. Under a clear sky and scorching sun, the light intensity is already very high. If you use a high-speed film, the aperture will often be forced to a very small size, or a slower shutter speed cannot be used. These situations will bring certain limitations to photographic creation. 7. Avoid random fill-in light. Under bright sunlight, the scenery will have strong contrast. In order to avoid excessive contrast, it is effective to use auxiliary light for auxiliary lighting, but it is necessary to master the proportion, not only to avoid the auxiliary light being too bright, but also to avoid exposing traces of the auxiliary light (such as the opposite projection of the main light). 8. Avoid completely relying on the automatic exposure mode. Many photography enthusiasts like to use the automatic exposure mode when taking photos outdoors. However, they do not know that this automatic exposure mode can only handle some ordinary situations. When encountering situations such as half and half yin and yang or reverse light, etc. It will become "stupid", so you have to play it by ear and make appropriate exposure adjustments according to the specific situation. 9. Avoid backlighting directly into the lens. When shooting with backlighting in strong light conditions, prevent the light from shining directly into the lens, otherwise halos will easily occur.

10. Avoid wearing highly reflective clothing when taking photos under strong light. If the subject wears highly reflective clothing (such as a white shirt, clothing made of luminous nylon, etc.), it will become white or produce large glow spots, which will cause the subject to be photographed. The texture of clothes is difficult to express.