Shot analysis of kil Bill

With regard to the origin of the originality of the film story, many people speculate that Quentin referred to a film called Bride in Black by Truffaut, one of the flag bearers of the new wave in France: both brides have murder lists of five people. However, Quentin himself denied this speculation because he had never even seen Truffaut's film. In fact, Quentin doesn't like Truffaut's style at all, so he doesn't watch his movies. While considering the theme of "Revenge of the Bride", Quentin's mind was full of two films, one was Hannibal Calder, an American film by 197 1, and the other was Yukime, a Japanese film by 1973. Both of them are stories about victims choosing violent revenge. Even the relationship between the "bride" and Sonny Chiba's role in Kill Bill is a tribute to Hanni Calder.

In the film, "California Mountain Snake" plays the role of a nurse and kills the unconscious "bride" with a poisonous syringe, which is based on a similar scene in 1977 Black Sunday.

In the second episode, there will be a scene of Bill playing the flute, which is actually a tribute to the old movie Silent Flute (also known as the Iron Circle) starring david carradine, an old actor who plays Bill, at 1978.

When the sheriff, played by Mike Parks, drove to the scene where the bride was killed, there was a subjective lens in the car, but there was a row of sunglasses of different colors and styles on the dashboard. This shot, if you have seen "Dawn", should feel very cordial.

The first episode ended with the climax battle of "Green Leaf House", and the scene creativity and scheduling were inspired by 1972, an old Japanese film "The Shogun Assassin"; At the same time, Quentin also admitted that he consciously added some picture factors to Black Boy. In fact, both films are famous for their large-scale violence scenes similar to "slaughterhouses".

When the "bride" in the film flies from Okinawa to Tokyo, the impressive orange-red sky is actually a tribute to the opening picture of 1968' s Japanese film Goke, the corpse snatcher from hell.

When the "bride" plane arrived over Tokyo and began to descend, the effect of shooting from the air was actually taken in the studio against a bunch of models of skyscrapers. Quentin deliberately used this seemingly crude effect to pay tribute to the Japanese monster movies in his mind, especially the "Battle of the Giants" in the 1960s.

In the first episode, the killer sister of a Japanese schoolgirl stabbed a goat who wanted to fuck her. The idea of this shot comes from a similar scene in Battle of the Royal. Interestingly, according to Kenta Fukasaku, the son of the latter director Kinji Fukasaku, the idea of girls shooting at each other in The Great Escape was actually inspired by the violent scene in Quentin's debut novel Reservoir Dogs!

In the battle of "Green House", the fight between "bride" and "Go Go Yubari" is Quentin's first attempt to design and shoot his own movements. Although the saw meteor hammer used by Go Go is reminiscent of the "guillotine" in China folklore, this weapon was actually "invented" by Quentin himself, not the Hong Kong starring Chen Guantai as everyone imagined.

It is difficult for many people to understand that the "bride" in the film is flying with the mountain city-what's more, there seems to be a special design on the plane to shelve the mountain city, which is really false. But the truth is, Quentin doesn't want to show real life at all. All the storylines took place in the "movie world" he cleverly set up. In this movie world, it is assumed that everyone can wear mountain cities, as we see in most samurai movies.

At the beginning of the second episode, it was still a black and white picture for about fifteen minutes. The idea of the "bride" driving in the trailer comes from the classic movie "The postman always rings twice" in 1946.