Traditional Culture Encyclopedia - Photography major - Why don't photographers use micro-sheets?
Why don't photographers use micro-sheets?
The first is the lens group matching problem. Every commercial photographer has a rich lens group and equipment group. There are various types of lenses in the development of SLR for decades, and photographers themselves are very familiar with these lenses. What theme, what model, what lens is used for what product, and the support of micro-single lens group (only five in the whole picture) is still too weak, which can be ignored compared with Canon Nikon. For photographers, nothing is more important than the equipment they are familiar with. Moreover, for commercial photography, the reasonable collocation between huge equipment groups is the goal. For news sports reporters, there are many group activities, and it is common to borrow lenses from each other. The conversion between different specifications of equipment is their concern.
The second is the function problem. Although Sony used a lot of Quan Huafu SLR in A7 seconds, in actual use, there are often cases of Quan Huafu SLR micro-orders. If you search online, it will be very bad if A7' s high sensitivity reaches ISO6400. At this stage, the entry-level Canon 6D will kill A7 Zhuo Zhuo, not to mention 5D3. There is also an external interface. Micro-single lacks those special data output interfaces of professional SLR. Also in the viewfinder, the micro-single EVF is not as good as the SLR OVF. The simplest example is shooting a female model in the strong sunshine outside. It's hard to see the model's hair tips fluttering in the wind. ......
Of course, as a photographer, it is impossible to have only one camera. Many photographers also have micro-orders, which are used as backup machines or to shoot some works that will not affect eating. If real money sells photos, it is a very simple example. Are the customers of commercial photography willing to pay a high price for a set of Canon equipment with a dozen lenses, a professional body and a flash system with a total price of several hundred thousand, or are they willing to pay for a micro-order with all lens peripherals adding up to 50 thousand? Obviously, it is the former.
For truly high-end photographers, 135 cameras are disdainful. Most of them are Hasselblad, Linkov and other large-format cameras, and the micro-single is also 135 SLR. Japanese manufacturers are scum in this area.
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