What principles do we follow when the lens and the subject are moving?

What principles do we follow when editing shots and subjects?

When the lens and the subject are moving, we follow the principle of fixing the lens after fixing it, shaking the lens after shaking it, and moving the lens after moving it.

The combination of lenses should first follow the principles of dynamic connection and static connection.

The so-called dynamic means that the two shots before and after the editing point have obvious dynamic motion, which can be that the subject is relatively static and the lens moves, or that the moving lens of the subject is fixed. The two shots before and after the editing point are relatively static, which is called "static connection". Dynamic connection and static connection have always been the most basic principles of editing. Its rationality comes from the audience's visual psychology.

First, soft edit:

Fixed lens is connected with fixed lens, rocking lens is connected with rocking lens, and moving lens is connected with moving lens (including push-pull lens), all of which conform to the editing principles of dynamic connection and static connection, and are collectively referred to as soft editing.

Second, the hard clip:

We call the continuous shooting combination with obvious distinction between dynamic and static (that is, dynamic and static or static and dynamic:) hard editing. Give people a feeling of jumping in the form of visual movement.

1. Assemble between fixed lenses

2. Assemble between moving lenses

3. Combination of fixed lens and moving lens

Third, the relationship between lens length and rhythm.

1, the main movement rhythm of the lens

The speed, direction and amplitude of the subject's movement will have obvious influence on the visual rhythm. The subject moves fast, the rhythm is fast, the subject moves slowly, and the sense of rhythm is slow; Accelerate the rhythm in the main movement and slow down in the pause. The same topic moves with the wind, and the rhythm is smooth and stable. The movements of the opposite subject are staggered, and the rhythm becomes active and visually beats.

2. Motion rhythm of the camera

The speed direction of the camera movement is the same as that of the main body movement, and different rhythms can be generated through the change of the speed direction. Moreover, sports photography can give the effect of motion to stationary objects, resulting in rhythm changes.