Traditional Culture Encyclopedia - Photography major - Twenty classic movies of Chow Yun-fat

Twenty classic movies of Chow Yun-fat

Chow Yun-fat's classic movies include "God of Gamblers", "Crouching Tiger, Hidden Dragon", "Peace Hotel", "Prison House", "A Better Tomorrow" and "A Better Tomorrow".

1. "God of Gamblers"

I sincerely miss an era that I have never experienced. At that time, Fa Ge's back was shiny, Hua Zai was extremely handsome, and Zu Xian was as beautiful as a fairy.

At that time, Chow Yun-fat was also in his prime, and left his superb acting skills in "God of Gamblers". The ups and downs of the story and the natural interpretation made this movie not only create a A series that has become an unforgettable classic to this day.

2. "Crouching Tiger, Hidden Dragon"

Why do Chinese people dislike it? The rhythm control of the entire movie is excellent, and the soundtrack and photography are definitely classics. From many perspectives, it is a rare masterpiece. It's a pity that Chow Yun-fat and Michelle Yeoh's Mandarin is very difficult, and it is easy for people to feel uncomfortable or even disgusted with their lines, but I think it is a great film in many aspects.

3. "Peace Hotel"

A Ping, a master of martial arts and the owner of the Peace Hotel, is rumored to have great martial arts skills and declares the Peace Hotel to be a "sanctuary". The singer A Man fled to the Peace Hotel, and a trap that had been laid for a long time followed. A fight was inevitable? Early Hong Kong films are still very interesting. The fighting scenes are exciting, Chow Yun-fat's acting skills are great, and the characters created are flesh and blood. Stylish image.

4. "Prison"

The film is full of emotion and tension. The two leading actors Chow Yun-fat and Tony Leung Ka Fai and the supporting actors give wonderful performances, relying on the realistic prison life and protagonist Emotional changes arouse the audience's cries. Prison is a small society and a small world.

The movie enriches the life in this small society, adding a romantic and freehand sentiment to the cruel survival rules, turning the originally cruel prison life into a story of rivers and lakes with romantic color and chivalrous spirit.

5. "The Bloody Heroes"

The scene when Fa Ge is furious is really thrilling, the crazy transformation from human nature to animal nature. What is even more unique and in-depth is the layer-by-layer squeezing of emotions when the weak face evil, and the psychological trajectory of the characters is written carefully and clearly.

To roughly describe it, John Woo’s violent scenes are like ballet, passionate and romantic; Johnnie To’s violent scenes are like tango, elegant and elegant. Lam Lingdong's violence is rooted in reality, cold, calm, and highly realistic.

6. "A Better Tomorrow"

Dragging his lame leg on the ground to pick up money, Ponyboy lost his coolness in a windbreaker; he wore a police badge and went to the dock to catch thieves alone. , Song Zijie lacked the clarity to hold the piano to take the exam. Overnight, the world was still there, but only legends remained. The loyalty under the muzzle of the gun and the sharpness on the tip of the knife are hidden.

On the screen of the Cantonese re-release, they used to be so chic. The world in the story has been turned upside down, and life in reality has also faded away. Only the songs and the film have been remembered.