How to deal with the highlights on the skin of studio portrait photography

1. The main light source is placed on the right side of the model, and the auxiliary light source is placed on the upper left of the model to add some light to the shadow of the model face, thus highlighting the details of the shadow. The background light in the back makes the overall outline of the model jump out of the dark background. The illumination of the main lamp is slightly insufficient, which leads to the insufficient illumination of the left finger end of the model.

2. Adopt the classic lighting mode of 1 main light and 1 auxiliary light. Because the model's face, especially eyes, is the focus of photo shooting, a softer floodlight is used as the main light, which creates eye light on the one hand and depicts the details of the red silk shawl on the other, while the auxiliary light on the upper right is used to reduce the ghost of the model's face and make the nose outline more prominent.

This is a full-length photo, the main light is placed in front of the model, and it is taken from bottom to top, taking into account the model's clothing and facial lighting. The 45-degree contour lights on the left and right sides of the model ensure that the light on the model's face is soft enough. This triangle illumination method can be used when the whole model needs uniform illumination. But as far as this picture is concerned, the details of the model's white skirt have not been retained, and the cheeks should be avoided because of the more prominent shadows.

4. The main light is located at the upper left of the model, illuminating the hair on the shoulders and face of the model and the feathers decorated in the background. The auxiliary light located right in front of the model largely compensates for the shadow caused by the main light. The light background light behind the model is used to create an atmosphere.

The focus of this picture is the contrast between the model's red suit and black hair and the white background, while the exposed eyes are the finishing touch. Therefore, the main light pays more attention to the texture performance of the red suit, while the auxiliary light located at the upper left of the model can shine more brightly.

6. The main light located to the left in front of the model creates the eye light and the outline of the model's face, and the auxiliary light is omitted because the model's left face is covered by hazy black gauze.

7. The main light is located in front of the model and the light on the face is relatively flat. The black cloak pulled up by the model acts as a partial reflector here. Hair is illuminated by an auxiliary lamp above. The visual highlight of this work lies in the white border on the black cloak.

8. The main light is located at the top left of the model, illuminating the hair, face and shoulders of the model. The auxiliary lamp is located at the lower right of the model and is used to provide enough light for the model's blue gauze clothing. In order to highlight the rippling background, background light is specially used to brighten it.

9. The main light is located at the top left of the model, and the auxiliary light is located at the front right of the model, creating a white gauze atmosphere and making up for the shadow of the model's face.

10. Because the outline of the model is already deep, the light on the model's face is relatively flat. Eye light is generated by the main light source located in front of the model. The main light illuminates the model's right skin from bottom to top, and another light in the upper left corner fills the model's left face.

1 1. The main light is located on the right side in front of the model, and the auxiliary light is located on the left side of the model, slightly higher than the head of the model. The visual point of this work lies in the clothes with good reflective texture, which has formed a strong visual impact and also highlighted the face hidden behind the model.

12. The main light source located in front of the model creates a very uniform facial lighting effect, while the background light plays a background atmosphere of black and white gradient. The feature of this work is that the red and white shielding board is in sharp contrast with the model's black clothes, which constitutes the main color block of the picture, while the model's face is unusually distinct between the black clothes and the hair.

13. The front main light illuminates the wedding dress and the model's face, and the mirror also plays a certain reflective role. The top light source of the model is used to enhance the decorative lighting of the head. Mirrors and vases provide a strong theatrical atmosphere here.

14. Because the facial contour of the model is soft, the main light illuminates from the right side of the model. The sub-lamp, which is located on the high left side of the model, eliminates the shadow on the model's face and enhances the lighting of the light-colored accessories on the head. The tulle in front of the model enhances the mysterious atmosphere under the soft light.