Traditional Culture Encyclopedia - Photography major - How touching is Van Gogh's Wheat Field from Summer to Autumn?
How touching is Van Gogh's Wheat Field from Summer to Autumn?
From summer to autumn, Van Gogh's fields are ever-changing;
Dreamlike flowing white clouds, wheat ears with different postures, and seasonal surprises emerge from time to time. ...
In Orville's Green Wheat Field, Van Gogh abandoned the previous themes such as country houses and windmills to depict floating clouds and towering wheat stalks. A large blue and green wave is dotted with small yellow flowers, and the whole picture is full of fresh and pleasant feeling.
Orville green wheat field? Created on 1890? Now it is in the National Art Gallery.
This wheat field dances with the wind, dotted with poppies and cornflowers. Interestingly, a partridge is flying out of the field. Because this painting has a low perspective, you will feel like you are next to the field. When Van Gogh lived in crowded Paris, he painted this country wheat field, as if he missed the leisure and beauty.
In arles, Van Gogh's wheat fields are in sharp contrast with iris. He was also influenced by Japanese prints, and magnified the details of the iris in the foreground with a sharp diagonal line.
Sometimes, there are cypresses in Van Gogh's wheat fields. The cypress tree is shaped like an Egyptian obelisk and has a natural expressive force. Cypress is usually associated with mystery and death, in sharp contrast to sunflower, which symbolizes happiness and sunshine.
The clouds curled up piece by piece, clinging to the undulating lines of the mountains. On the right is a cypress tree, pointing to the sky like a tower. The wheat waves in the foreground are flying, as if you can see the shape of the wind walking in the wheat field.
There is no straight pen in this painting. Everything is curly and gushing. Like a black flame, cypress trees spray into the sky. But the whole picture seems to have a classical sense of clarity and balance. The subtle contrast between warm colors and cool colors, as well as the ratio of light and heavy to modeling, form a three-dimensional composition and unify the whole picture.
In autumn harvest, Van Gogh always captures the purest scenery. The sun is like a huge salted egg. The sky is a little green, but the hills are blue. In a large wheat field, golden waves of wheat rolled with the wind, and a man was harvesting hard with a sickle. This painting is very representative of Van Gogh's painting. The brush strokes are simple, and lines, dots and circles form a rich picture.
From 65438 to 0888, Van Gogh came to Provence in the south of France to seek creative inspiration. He likes the sunshine and wheat fields there very much. Within a week, he painted ten bumper harvest pictures. Van Gogh once wrote to his brother: "The scene of harvest season is very different from that of spring. Now it is full of gold and copper, and the blue-green sky is filled with wonderful fragrance. "
Interestingly, Van Gogh even painted a harvester that rested at noon during the autumn harvest. Looking at the straw hat that covers your face at will, the shoes and socks that you take off at will, a relaxed and leisurely breath comes to your face.
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