Appreciation of Hu Xinting's Sentences about Seeing Snow and Scenery

The essay "Looking at the Lake Pavilion and Snow" integrates narration, scenery description and lyricism. Occasionally, I write characters in a vivid tone. Written lightly and deeply, the full text is less than 200 words, including punctuation. This alone is worth learning! Please see how ethereal the author writes the snow scene in the lake:

One or three days of heavy snow, everyone in the lake died.

It snowed heavily for several days, and the pedestrians and birds in the lake disappeared.

Appreciation: These two sentences are closely connected with the beginning, and only these two sentences make people feel that the lake is closed by heavy snow, which makes them feel chilly to read. The beauty of the author lies not in writing the heavy snow intuitively, but in writing "the people and birds in the lake are dead" through hearing. After writing about the heavy snow, there was silence, lakes and mountains were frozen, people and birds were afraid to go out, they were too cold to make a sound, and even the air seemed to freeze. A word "unique" conveys a cold and gloomy feeling of ice and snow. This is a high degree of freehand brushwork, cleverly drawing the majesty of heavy snow from people's hearing and psychological feelings. This reminds us of Liu Zongyuan's famous Jiang Xue: "There are no birds in hundreds of mountains, and there are no footprints in thousands of roads. A boat, a bamboo cloak, an old man fishing in the cold river-snow. " Liu Zongyuan's Snow Map on the River is from a visual point of view. The river is vast, "there is no trace of people and birds", and there are unique fishermen who "catch snow". In Zhang Dai's works, people and birds are silent, but this silence is exactly what people feel, so there are people in silence. Liu's poem is only 20 crosses, and finally the word "snow" is pointed out, which can be described as a recent cause. Zhang Dai wrote that "three days of heavy snow" caused "all the birds in the lake died", which can be said to be every cloud has a silver lining. They have different mechanisms, but they also achieve the artistic effect of vividly depicting scenery. If "there are no birds in a hundred mountains and no footprints in a thousand paths" in "Jiang Xue" is to render and set off fishermen fishing alone in the Han River; Then Zhang Dai reflected that someone was watching the snow coldly below.

Second, rime, sky and clouds and mountains and water, white up and down; The shadow in the lake is only the trace of a long beach. There is a small pavilion in the middle of the lake, a mustard and Yu Zhou. There are only two or three people on board.

The lake is full of ice flowers, and the sky, clouds, mountains and water are one integrated mass, and it is white. The only visible (clear) reflection on the lake is the trace of the West Lake causeway looming in the snow, the outline of the pavilion in the middle of the lake, and my boat with two or three people like rice grains on board.

Appreciation: This is really a night snow picture of lakes and mountains depicted with fuzzy pen and ink! "Rime" is a description of the snow and water vapor on the lake, which is diffuse. "The sky and clouds, the mountains and the water are all white" and the word "and" are used repeatedly, vividly writing the white scene between the sky, the clouds and the lake. The author always writes a sentence first, just like taking a panoramic view of the white sky and turning it into a poetic close-up such as a mark on the long beach, a small pavilion in the middle of the lake, a mustard tuber on the boat and two or three grains on the boat. This is a simple painting, a dreamy poem, giving people a vague and trance-like feeling. The author's tempering of quantifiers has to amaze us. You see, one of the words "one standard", "one spot" and "one mustard" in "white from top to bottom" is equally matched, which makes people feel small. This can be described as a "one" word, and the realm is gone. At the same time, from "one mark on the long beach" to "one pavilion in the lake" to "one mustard in the boat" and "two or three grains in the boat", it is not difficult to feel the author's deep affection for life as "Taicang rice" from this chaotic world of ice and snow.

The author grasps the characteristics of the snow scene in the night, one trace, one point, one mustard, two or three grains, and uses the method of sketching in the description, just like the freehand brushwork landscape in Chinese painting, which includes many changes, such as length, point and line, square and circle, more and less, big and small, movement and static, concise summary and so on, and is the highlight of the vast snow scene. The author understands with his accurate feelings.

The author not only described the snow scene, but also used it to express his feelings. Looking at the Lake Pavilion Snow is the representative work of Zhang Dai, a writer in the late Ming and early Qing Dynasties, which is selected from Volume III of Tao An Meng Yi. This paper describes the author's own process of watching snow in the middle of the lake with refined pen and ink, and describes the quiet, far-reaching and white snow scene he saw, which shows the author's lonely mood and faint sadness. It highlights the author's unique and outstanding elegant taste. It expresses the author's joy and regret when he meets a bosom friend, reflects the author's yearning for the motherland, and also embodies the author's quality of not drifting with the tide, his feelings of staying away from the world and enjoying the happiness alone, and at the same time, he places a faint sigh on life.