How to take a good landscape photo?

How to take a good landscape photo is as follows:

1. Maximize the use of depth of field.

Although photographers sometimes want to try more creative methods and shallow depth of field, a skill in landscape photography is considered to be classic when most images are in focus. The easiest way to get a large degree of freedom is to use a compact or lens to adjust to the minimum aperture. The smaller the aperture, the greater the depth of field of the image.

However, remember that a smaller aperture requires a longer or longer ISO. Sometimes both appear at the same time.

Use a tripod

The indispensable attribute in the arsenal of landscape photographers is tripod or monopod. You may need a slower shutter speed to compensate for the selected small aperture, so you need extra camera stability. Not every shutter is taken by hand, but you can also take technically perfect photos. In addition, the tripod is very useful when the photographer uses the remote control to release the shutter in order to make the camera more stable.

3. Find an art center for composition

For any photo, you need a visual composition center. Landscape photography is no exception, because when shooting natural scenery, the lack of artistic conception points will lead to boring and quite boring shooting.

The focus can be anything-buildings or structures, interesting-looking trees, boulders or peaks. Don't forget to pay attention not only to the focus, but also to the position of important objects.

Thinking about the future

The formed prospect is one of the factors contributing to the occurrence of landscape. Putting semantic points in front of the image can convey the depth of the image.

Don't forget to photograph the sky.

Another almost inseparable factor in how to shoot a landscape is the sky and its reflection in the water. In most cases, the secret of landscape photography is that the sky or foreground dominates. Look at your image. If not, they may be considered boring and uninterested.

If the sky becomes dull when taking a photo, please don't let it get the upper hand-move the horizon to the top third of the photo, and first make sure that the photo doesn't lose more sense of space.

However, when the sky is full of dramatic clouds or colored by unusual shadows, airspace can be your ally. Give him more space in the picture and you will see how likely you are to deviate from the rules.

Using polarization can increase the color and contrast of photos.

Step 6 be creative

The most important question that landscape photographers usually ask themselves is: "Will the audience see the complete photos I saw?"

There are many ways to use static image capture to convey the natural beauty of nature. For this reason, there is a technique of including valid lines in image synthesis. Photographers can redirect the viewer's eyes from one point in the picture to another at all costs, instead of creating a kind of spatial isolation, that is, "cycle".

Using lines can provide an algorithm to increase the proportion and volume of photo images. Lines themselves can become landmarks and create their own "patterns" in photos.

7. Shooting action

When considering landscape photography, most people usually present a calm picture. But the scenery varies from scene to scene, and you can convey movement (such as the same water), which will make the picture full of movement and bring interesting artistic conception to many viewers. They will not only appreciate the relaxed scenery, but also consider the fluctuation of elements and natural colors.

For example, try to "capture" the wind in the tree, the wave motion on the beach and the water flowing under the waterfall to fix the dynamics of birds and clouds overhead.

"Fixed" means that the photographer must use a slow shutter speed (sometimes about a few seconds). Of course, a high shutter speed will stimulate more light to be incident on the photosensitive element of the camera, but to make correct use of this fact, you can choose: choose aperture value or start shooting during the day or night, and in principle, there is less light on the street.