Besides the beauty of words and colors, what other places attract you?

If the characteristics of literary language are embodied in words and the characteristics of dance language are embodied in body modeling, then the characteristics of film and television language are embodied in the montage of pictures, sounds and sound paintings. Hong Kong director Wong Kar-wai's 1997 work "Spring is bursting" is not only the representative of the extreme expression of film language. This film, which once surprised the world at Cannes Film Festival in France, is natural and harmonious in narrative, editing, light and shadow, music and so on, and has an extremely unified and long-lasting charm. The story of this film takes place in Buenos Aires, South America. Compared with Hongkong, this is the story of a pair of homosexuals, Li Yaohui and He Baorong, who are on and off in a foreign country. It has always been said that Wong Kar-wai's works tell a story from beginning to end, about rejection and escape, about freedom and search, and Love at First sight is no exception. "If you don't want to be rejected by others, you must reject others first." In Ashes of Time, also written by Wong Kar-wai, Ouyang Feng, also played by Leslie Cheung, said that He Baorong, played by Leslie Cheung, was transformed into a beautiful shadow with no sense of belonging, repeating the story of rejection and search. Judging from the characters themselves, they are wandering, even marginal. From Hong Kong to South America, they have a heavy sense of rootlessness and alienation, or "ashes of time". There is such a dialogue:

"What will be behind the desert?"

"This is not another desert."

Even if South America is the end of the world, the most difficult thing to escape is the shackles of the soul. So, Wong Kar-wai despaired, Li Yaohui despaired, and He Baorong, he wouldn't despair, because he didn't find his heart.

The film can be divided into three parts in terms of color tone. In the first 24 minutes, the two broke up in discord. Li Yaohui went to a bar as a waiter to make money, and He Baorong wandered around. This photo was processed in black and white. After 24 minutes, the two reunited, and the picture became colorful. Just like Li Yaohui's mood, the main colors are yellow, orange and green, which are warm and lazy. When they separated again, the film entered. The transition of these colors accords with people's understanding of color in aesthetic experience. It can be said that Wong Kar-wai's use of color is always direct and full of emotion.