The background of women's experimental movies, including which artists and works, I hope to be more detailed, thank you. You will get extra points.

Some female experimental filmmakers (transferred from the tracker forum)

The audience of art will be limited, not because of ignorance or lack of analytical ability, but because of the lack of pure sensibility. This reluctance to give up one's reality at least temporarily in order to experience another reality is subject to a defense mechanism. Such a defense mechanism is a symptom of a social state in which artists cannot be responsible. This is based on the fact that if a person endows contemporary truth with a legitimacy beyond his own reality, those "absolute" truths and self-righteous beliefs on which social organizations depend will be eroded and destroyed.

-Maya Delun

Allen Gaine.

Allen Gaine

He studied film at new york State University in Binghamton, and studied under Larry Gottheim and Ken.

Jacobs has lived in the San Francisco Bay Area since 1982. She loves black-and-white 8MM movies, and her works are mainly natural elements, especially the hypnotic meditation that reshapes the image of water and reflects the ripples of water into black-and-white light and shadow. 8MM film works include # 3 (1970-80, S-8), clips (1982-85, S-8) and so on.

What Super 8 can express must be something with a more metaphorical level ... whatever is hidden under the activity or reality gives people a more intimate view. ..... What interests me is how it reflects the activity of memory ... To me, memory is like that fleeting and illegible image, echoing emotions and even thoughts, but detached from the essence.

Allen Gaine

Martha Corbin (Martha Corbin)

Mada

Born in 197 1, Colbum is a self-taught filmmaker and musician who now lives in Baltimore, USA. Her film creation began with re-editing, combining and hand-drawing some remaining films. Movies are mainly collages, scrapbooks, and even recycling old movies, destroying the animation of the original text. She is known as a new generation of super-8 film creators with ultra-high energy and ultra-low budget. Mada

Kolben has a hobby of collecting old movies. In addition to displaying these weird and crazy collections, many of her personal works are collages of these films. She encourages people to make films larger than 8.8 mm through travel screening, including "improvisation".

Spazz (1995, S-8), Hey Tiger (1996, S-8), I can't keep up (1997, S-8), etc.

Diana Barry

Diana Barry studied in art institute of chicago.

college of art

Chicago), engaged in photography and film creation, has been committed to experimental film creation since the 1960s. His works show different forms, such as comparing the limitations and potentials of 8MM and 16MM films, the construction of a sense of film defined by gender, and the key to echoing the primary images invented by films. Barry announced the adult ceremony of female consciousness image with Super 8, creating a paradise for female image. 8MM film works are: eyes

Through the Snow (1973, S-8), Dear Diary Volume (1974, S-8), Night Movie # 3 (Night)

Movie #3, 1979, S-8), etc.

Peggy Avish (Peggy Avish)

peggy

Ahwesh graduated from Antioch College with a bachelor's degree in artistic creation and is known as the film alchemist. With her extremely low budget and zero-cost aesthetics, combined with her hobbies of sex, violence and language exploration, she broke the film rules one by one and had no right to face the immoral quality of civilization, making the film decadent and magical. Ahwesh started shooting Super 8 movies from 1970, and his works were exhibited in Whitney Biennale for many times. 8 mm film works include The Pittsburgh trilogy (The

Pittsburgh trilogy, 1983, S-8), Martina's dollhouse (1989, S-8), video machine (The

Visual machine, 1997, S-8/ video), etc. He has taught at Brown University and San Francisco Art Institute.

Institute), originally taught at Bader College.

Jennifer Montgomery (Jennifer Montgomery)

Jennifer

Montgomery studied at Wesland University, and trying to write and draw was an attempt. 1984 moved to San Francisco to engage in the gay movement. Then she went to the San Francisco Art Institute to study. On the first day of registration, her father gave her a super 8 camera and 20 rolls of negatives for making home movies, and she started her film creation. George taught her at school.

After Kuchar, Keith sanborn and Abigail Child, she met visiting artist Peggy.

Aha, the two started filming together. Her first film "On the Way Home" (Home

Avenne (1989, S-8) is a documentary, 17 minutes. She returned to a gun shop in Connecticut and recreated the earlier rape and memory here. This autobiographical film was shown at the new york Gay Film Festival, which caused great repercussions. She takes herself to public places because most people are interested in ways to deal with memory and sexual violence. 8MM works include: California (1989, S-8), 12 years old: love with little L (age

12: I love a little l, 1990, S-8), I am a lamb (I, lamb, 1992, S-8) and so on.

Caroline Sherman (Caroline Sherman)

Kaluoli

Sherman is an interdisciplinary artist. Her works have changed the definitions of body, sex, gender and art in the form of film, video art, painting, photography, book art, performance and performance art, installation art and cross-media integration. For her, movies are just one of all the media in which she works. She didn't make many films, but her "autobiographical trilogy" had a far-reaching influence on film creation. He was awarded the Guggenheim artistic creation research fund. Milton Avery College of Art, which originally taught at Bader College (Bader

Milton Avery Graduate School of Art). 8 mm film works include: Karl Rogge's Christmas breakfast.

(Carl Ruggles' Christmas badge 1964, R-8), plumb hammer

Ok, 197 1, S-8), Kitch's last night, 1973-78, S-8, etc.

Marjory Keller.

With the death of Marjory,

Keller is an experimental film creator with strong female consciousness. She studied film at new york University and taught film and video production at Kingston University, Rhode Island. Her works are full of fun and banter, challenging gender relations and feminism.

As well as our positioning of things, successfully demonstrated the artistic and political grasp of feminist elements. Her misunderstanding (1977) is a film about production experience, which re-examines the social myth of family as the head. She focused on the audio-visual perception of her mother's experience and put forward the view of masculinity about the contradiction between production and women's persistent labor pains. 8MM film works include: Tortoise (1969, R-8), She/She (She/Va, 1973, R-8) and lyrics (1983, S-8).

Marcel tiash Marcel tirash

Marcelle

Seracher is one of the most important avant-garde filmmakers in contemporary France. Taking photo shooting and experimental films as creative media, the films created often combine photos and paintings, trying to change the attributes of the films by combining music or coloring afterwards. Recently, she has often cooperated with other artists to present installation works that combine photos with audio-visual media such as movies, movies and drama or dance.

So far, she has accumulated more than forty experimental films. The director has always been concerned about the uncertainty of the "subject" of the characters. I am particularly interested in the elements of light, shadow and motion in movies. I like to "watch" the qualitative change process of the subject or the transformation process between reality and abstraction, such as the rhythm of river water or ocean, and how to transform them into light and shadow phenomena. Think of the camera as a double mirror, through which you can explore the relationship between things and me. 8MM works are: "Abstract No.2" (Abstraction

No.2, 1994, S-8), the angel in the merry-go-round (L 'Ange du Carrousel, 1993-94, S-8), Palme d 'Or.

D'Or, 1993, S-8), pine (Song Shu, 1996, S-8), ink 08/02/97 (ENCRE 08/02/97, 1997, s).

Sethi Vondesethi Fontaine

Cecil (F.)

Fontaine is one of the most exciting and anticipated experimental filmmakers in contemporary France. Her works cover all film specifications: Super 8, Standard 8, 16MM, 35MM, and let them cross each other. At the same time, she took other people's movies and old advertisements for herself and recycled them. More specifically, she often interferes with the essence of the film by destroying the "integrity" of the film: or eroding the film in a decreasing way, partially scratching and peeling off the color layer of the film; Or tape, peel and dust ... in a gradual way. As for the original structure of the film, the original rhythm is often changed by changing the border, remaking, partially adding, or peeling off the latex. Her films put great emphasis on "touch" and redefined the concept of "splicing". His works include: color movies (A

Color film, 1983, S-8), Paris, Le 7

Janvier (1998, S-8), abstract film en colourers( 199 1, S-8), etc.

Vivian Dick Vivian Dick

Vivienne Dick was born in Ireland.

Donegal, 1976, started shooting Super 8 movies, because he thought that the camera size of 8MM was most suitable for the texture of the fuselage and film, so he especially loved 8 mm. For 1970 s new york's No Wave (No

A representative figure of wave motion. Her works focus on her personal exploration of life from a political perspective, and directly use 8 mm to make political comments. She describes her works as "narrative and political" and walks in the forefront of avant-garde movies and independent production full of variables. She is always right.

The structuralist and materialistic film schools that fought in the1970s were reactionary. His works include Greer's Talk (1978, S-8) and Beauty and the Beast (Beauty).

Become a beast, 1979, S-8), trailer (1983, S-8), etc.

Barbara hammer Barbara

hammer

Barbara

Hammer is an experimental film creator, who started by shooting 8MM movies. Hammer joined the San Francisco Lesbian Front from 1970 to record the life of lesbians and the growth and changes of gay groups. So far, he has produced 80 films and videos, and completed an experimental documentary trilogy with the theme of gay history: nitrate.

Kiss, 1992), bidding novel (1995), history class (history

Lessons, 2000), is the most important representative of gay movies and independent movies. Her works boldly challenge the way of watching movies, presenting things we have never seen before through projection, display, expression and unmasking. The intimate relationship of a large number of lesbians she shot with 8MM films can be seen in tenderness. His works include: Schizy (1968, S-8) and Travel: Maria and Me (Travel: Mary).

And me, 1970, R-8), etc.

Lipzin, Dzhanis Crystal

Dzhanis

Crystal

Lipzin is an interdisciplinary artist and film educator. She teaches in the Film Production and Interdisciplinary Art Department of San Francisco Art Institute. She has been making super 8 mm movies for more than 25 years and now lives in California.

Sebastian Apo. For more than 25 years, Janis Criystal Lipzin has spared no effort to balance film production, interdisciplinary artistic creation, media education and event planning.

Starting from 1960, her works emphasize the application of alternating photosensitive process and the interactive activities of the audience. Since 1970, she has created countless films and video works of 16MM and 8MM. Her methodology allows her to reflect the "truth" while also transforming and opening up a new situation. She made movies from the creative background of painting, photography and printmaking. She consciously created "movies" in an unorthodox way, which freed her from the routine of film making. What she is most interested in is the creative expression that challenges our preconceived ideas. It is her career to enrich teaching, curating and artistic writing, and to find a balance between artistic creation practice and social responsibility. Recently, she tested the role of experts' evidence about human activities, and invited the audience to participate and rethink others' interpretations of historical and contemporary events. Her works explore archaeology, arson and pyromania, pesticide pollution, criminal behavior and controversial medical problems. His works include "Flapping".

Things, 1974, S-8), the chronicles of Utrecht (The Bladderwort

Documentm, 1978, S-8), drilling (1983, S-8), right eye/left eye (right eye/left eye).

Eyes, 1983-84, S-8), seasonal strength (1995-97, S-8), etc.

Ann Charlotte Robertson

Anne Charlotte

Robertson was born in Columbus, Ohio, USA. From 1976, he started making movies. She claimed to be diagnosed with bipolar disorder, but she also denied this conclusion. She likes to think of herself as a typical anxious person forced to observe.