Huang Jiaxi's Calligraphy Collection

Huang Jiaxi, male, from Zhushan, Hubei. He is currently a member of China Calligraphers Association, director of Hubei Calligraphers Association and vice chairman of Shiyan Calligraphers Association. Next, I will bring you a collection of Huang Jiaxi's calligraphy works. I hope you like it.

Huang Jiaxi's Calligraphy Collection Appreciate Huang Jiaxi's Calligraphy Pictures 1

Picture 2 of Huang Jiaxi's calligraphy works

Picture 3 of Huang Jiaxi's Calligraphy Works

Figure 4 of Huang Jiaxi's calligraphy works

Huang Jiaxi's Calligraphy Works Figure 5

Brief introduction of calligrapher Huang Jiaxi

Huang Jiaxi, male, from Zhushan, Hubei. He is currently a member of China Calligraphers Association, director of Hubei Calligraphers Association and vice chairman of Shiyan Calligraphers Association.

1984 works entered the calligraphy exhibition for young and middle-aged people in Hubei province; 1987? 199 1 year, won the third prize of the first and second provincial calligraphy exhibitions; 1985? 1992 Hard Pen Calligraphy Works won the first prize of the Third National Hard Pen Calligraphy Competition; 1994 works participated in the first national book exhibition; 1995 works entered the 6th National Calligraphy Exhibition; 1997 works participated in the second national calligraphy exhibition and won the first prize of the fourth provincial calligraphy exhibition; 1998 Works participated in the 7th National Calligraphy Exhibition for Young and Middle-aged People. 1999, the works entered the first national fan calligraphy exhibition; In 2000, the work won the eighth national? Star award? Excellence award; 200 1 works were selected as the first excellent works exhibition of China Book Association members, and won the gold medal in the 17th Fine Arts, 9th Calligraphy and 11th Photography Exhibition of Hubei Workers' Art Museum. The works entered the exhibition in 2002? Calligraphy Exhibition in Five Provinces of Central and South China? , and won the seventh provincial? Chutian Qunxing Award? Gold Award, the 1st National Calligraphy Lanting Award and the 12th National Calligraphy Lanting Award? Star award? Excellence award; In 2003, his works won the first prize in the fifth calligraphy exhibition of the province.

Six theories of calligraphy

? Shudao?

The world can only see Sakyamuni Buddha with a halo above his head! In fact, great people don't become great later, but young people have planted great seeds in their hearts. Bai Jiao was great from the beginning, and Shen was great later. This is the difference. So there is that seed in the great calligraphy, not kung fu, not talent, not education. I don't know why, only with strong self-motivation, can you keep going downhill.

Chu Suiliang's Preface to the Wild Goose Pagoda is a part of the Song rubbings collected by the Tokyo National Museum.

Recently, my brother, Dr. Zhu Haibin, explained this book. Sanqu? According to my preference, I turned to the same hobby. Comment on Wang Xizhi's proposal? Sanqu? On the surface, it seems to echo the sounds of nature, man and earth in Zhuangzi's thought, but in fact it is quite different. Three interests correspond? Let zhili? Three ways of writing in the ontological sense.

? Jane. Gelassenheit is a natural way of existence, where existence emerges like this, where Haoran listens to the pen. As Zhuangzi said about nature: The husband boasted that everything was different and made himself salty. Pool? (Umzu) refers to people's intentions. We are always interested in something and always deal with it according to our own intentions in a teleological world. The characteristic of this way of existence is that it always points to some intention outside itself, and its ultimate intention lies in people themselves. ? Force? (Machenschaft) refers to a kind of compulsory domination, which completely regards ourselves and the brush as the tool itself, regardless of its own unique regulations. ? Force? It is also the essential regulation of the current technological era. It can be seen that almost all behaviors take this as their own way of existence.

The reason why Wang Qian is great is that in the writing game, he can make the actual thing of writing return to writing itself and let writing truly show itself. Today we have forgotten uniqueness? Jane. Are we used to the way of writing? Pool? What is the writing style of calligraphy? Force? The expression of calligraphy. We're not just scared, okay? Jane. Forgetting, because today we even forget the forgetting itself.

? Book theory?

The difference between calligraphy and writing is just like that between singing and singing. Knowing this, we can cure the disease that calligraphy pays more attention to expression than expression.

The ancients didn't copy books, but today people know how to copy books. For example, my husband learned to walk in the footsteps of his predecessors, but I lamented that he was not as good as Handan people. It is not absurd to take this as a way to enter the Tao!

Cursive script has two words: plain and astringent. Unlucky, illegible and difficult to recognize; Astringent, not slippery, not slippery. Dark words can cure the disease of vulgar word formation, and astringent words can cure the disadvantages of oil rot. Li Changji's poems? The sound of painting strings is shallow and complex, and the flower skirt falls in autumn dust. , dull and astringent.

Yan Canglang used to say that there are two kinds of poems: leisure, leisurely and happy, and books. From the opening and closing changes and thickness, it is difficult to distinguish the two; If you say that your pen is full of meaning, you will be calm and won't swim very far.

? Book history?

After the Song and Yuan Dynasties, all factions changed their old ideas, and the more they made comments, the greater the harm. This book was discussed with friends in Yu Qu Yuan, and I read it every time I make a book.

Yesterday, Mr. Taiyan said: With your mouth? Hey? , with yue as? Books? . ? Books can talk if you want. That's it? Listen. Book: Jin people speak their own dialects, relaxed and unpretentious; People in the Tang Dynasty speak Mandarin with clear pronunciation and mellow voice. After the Tang Dynasty, everyone learned foreign languages. Although trying to imitate, people in other countries heard about it, but turned around and left.

The pen of Jin and Tang dynasties has a heart, a column, a quilt and a right, so the painting has four potentials, namely, tendon, bone, skin and flesh. Since the song and yuan dynasties, the pen has been scattered unintentionally, and there is no longer a heart column. Therefore, it is difficult to find the four potentials of painting, so it is a simple symbol. Korea's so-called pen is endless, the word is positive, it turns with the bone and is round and muddy.

? Book discussion?

A famous calligrapher answered a reporter's question and said that his decades of efforts were to put calligraphy? Excavate the roots of tradition and interpret it with a new look? . The servant was shocked and even dug up the roots, so how can the calligraphy be alive! Then I suddenly realized that this gentleman's calligraphy is like a dead root carving, which is full of reasons.

Or ask this book is the art of time, what's the point? Yue: If you are interested in time, every day will be like a year. If time is not the intention, a thousand years in a day in the mountains. Therefore, if you want a book, you must take it as the first priority, and this celestial world is also. Q: What do you think of the timeliness of starting, going, receiving and counting a sum of money? Say: Time is in your heart. Q: What's the use of clocks? Say: go to tea.

The student asked: How can the painting be bright? Yue: If a book wants to be wonderful, it must have a second time. First, keep your mind steady and your hands steady; Can sink fine, and then use a pen, such as splashing water into the ground, wet and then wet, this is the second; Third, it can not only be moist, but also wander outside the painting, so that the painting can survive and shine.

? Book skills?

When learning books, at the beginning, you should reply to the posts in order to see the differences between them; Then live to see the same; In the end, it will go back to the beginning. If you persist, you will get a book.

The difficulty of cursive script lies in the unclear gesture. Gestures, vertical, horizontal, pull, pull, hook, ring, disk, shoulder, direction and back are the same. Xiecaoshu is a way to catch a thief and bring down a dragon.

? Book review?

The book of Jin people seems shallow and deep, the book of Tang people seems deep and deep, the book of Song people seems deep and shallow, and later generations don't know the depth, so they don't care about the depth.

Yang's books, the world loves Jiuhua more. Suddenly, his books, Ten Chapters of Caotang and Summer Fever, are all covered with Jiuhua, which is natural and elegant. Seiko is easy to see and quality is hard to find, which is why Jiuhua is not as good as Lu Hong.

The book was changed to Henan (Chu Suiliang). Henan changed the internal pen to the external pen, which was full of ups and downs and bluffing. The kings of the Song and Yuan Dynasties fell into the abyss and failed to extricate themselves. When I read books in Song and Yuan Dynasties, I often feel sorry for Huang Hemi!