What are some simple and rude but quite exciting modern aesthetic action movies?

When it comes to the aesthetics of violence in the East, Hong Kong-made films dare to say first, and no one else should dare to say second. In the long film history of Hong Kong, countless films with oriental action aesthetics were born.

kill the wolf

kill the wolf is my favorite action movie, and a lot of action scenes in it are textbook-level. Its story is very simple and rude, that is, the evil of Hong Kong gangster film and the life-and-death struggle of the just side. The fighting scene inside is a well-deserved aesthetic responsibility. The fight between Donnie Yen and Jason Wu is definitely the pinnacle of aesthetics in action movies. The aesthetic basis of action movies is reality. Their fighting can be described as boxing to the flesh.

Its story is that Chen Guozhong (Yam Tat-wah) is a terminally ill policeman, and his future is bleak. He is assigned to protect the daughter of a witness. Inspector Ma Jun (Donnie Yen) is a skilled martial artist who is bent on taking Zhong's place. The undercover agent sent by Zhong Zhong to the underworld eldest brother Bao Ye (Sammo Hung) died unexpectedly. The reason is unknown, and Zhong Zhong suspects that Bao Ye did it. Therefore, Bao Ye was escorted to the police station for questioning. Suffering from lack of evidence, Zhong had no choice but to start fabricating evidence against Bao Ye. The whole police station knew this well, and only Ma Jun kept it in the dark. However, the evidence mysteriously disappeared. When Bao Ye walked out of the police station, he threatened to kill all of Zhong's subordinates. Sure enough, cold-blooded killer Jack (Jason Wu) around him killed a group of Zhong's subordinates. Ma Jun accidentally discovered that there was another feud between Zhong's subordinates and Bao Ye. Ma Jun was furious and decided to fight to the death with Bao Ye and Jack ... (Excerpted from Baidu Encyclopedia)

Personally, kill the wolf is definitely one of the classic aesthetics of Hong Kong film action movies. Moreover, the director's design of the action can definitely be said to be complete. At the beginning, Jason Wu gave us a very strong sense of oppression. The team headed by Yam Tat-wah was beaten under pressure, which made people feel very suffocated. By the end of the film, the fight between Jason Wu and Donnie Yen will be a gradual and finally proud feeling. Good finally triumphed over evil. The aesthetics of the whole film comes from the favorite fatalism of Hong Kong films, and the policemen and robbers are interspersed with each other. It's very enjoyable. Don't miss kill the wolf, if you like action movies from boxing to meat.

The fuse

The fuse is also an action movie starring Donnie Yen, and its action style combines a lot of martial arts and actual combat styles. If there is room for improvement in kill the wolf's action design, the fuse can be said to have evolved this fighting style to the extreme. The action pictures and shots inside are all designed with a sense of beauty, which is absolutely personal. Besides the action scenes of fighting, their last gunfight was also wonderful. On the barren grassland, the lens is also very aesthetic.

Ma Jun (Donnie Yen), a police officer in the major crimes unit, has always cracked many cases for the Hong Kong police by virtue of his own ability, but at the same time, because of his hatred of evil, every time he handles a case, he always uses a unique method, and there are always gangsters who are injured by Ma Jun and even disabled for life. Therefore, after every case is solved, the boss of the major crimes unit always receives complaints and reports from citizens and gangsters, which makes the boss of the major crimes unit very headache. At the same time, because of his intelligence, ability and fighting ability, he won the incomparable trust of Brother Slag and became a close bodyguard. I hope I can get close to the three of them and find favorable evidence, so as to inform the police and arrest them ... (Excerpt from Baidu Encyclopedia)

In this movie, Donnie Yen designed a lot of modern fighting moves, which also incorporated his understanding of modern martial arts. The action shots in it are changeable and complicated in design, and there is no sense of procrastination in the "old times" kung fu movies. Every frame is not wasted. Personally, I think Donnie Yen's action aesthetics in this period is the shooting from fist to flesh+hard work. In this movie, almost every actor suffered different injuries, which showed us such a wonderful fighting scene. It is definitely one of the rare masterpieces in action movies.

Guild Wars

Guild Wars is definitely an action inspirational movie that people can watch with boiling blood. A rich second generation whose family is bankrupt and the struggle story of a washed-up boxing champion are the epitome of this film. It shows us a lot of male beauty. Since childhood, we have been educated not to admit defeat when encountering setbacks, but how many people can actually do it? This film has set a good example for us. The beauty of men should be this kind of muscular action film. Director Lin Chaoxian is always good at making films that are inspiring when they are negative. His focus plane is always very concise and powerful.

Cheng Hui (Nick Cheung), a washed-up Hong Kong champion, is not behind in boxing, addicted to gambling and heavily in debt. Fled to Macau to avoid debt collectors. In the shared house, Cheng Hui meets a mother and daughter. The mother (Mei Ting) is mentally ill, and the little girl (Li Xinqiao) has to go to school and take care of her mother. Cheng Hui and the little girl hit it off. At the same time, Lin Siqi (Eddie Peng Yuyan), a rich second generation, suffered a family accident, and his father (Gao Jie) lost his business, leaving him with nothing, and spent all day in a bar. In order to encourage the depressed father to start his life again, Lin Siqi signed up for MMA. After studying for several months, Lin Siqi won several games in a row in MMA, but he immediately met the challenge of another master (Andy On), and Lin Siqi was injured and retired. Cheng Hui felt guilty and began to retrain his comprehensive fighting skills, hoping to win the competition in MMA and get a bonus to repay his gambling debts. In MMA, Cheng Hui challenged boxing in his forties, and was not favored. The opponent he met was Li Zitian, the new boxing champion who defeated his apprentice Lin Siqi (from Baidu Encyclopedia)

The aesthetics of this film comes from the uncompromising spirit it exudes. Although everything that used to be gone, the glory of the past is no longer there, but they got up again with their own hands. Personally, I like inspirational films directed by Lin Chaoxian very much. This generation of directors in Hong Kong are very proficient in the use of lenses, and the lens design inside is also very "Hong Kong flavor". This film is one of the few films with full Hong Kong flavor, and the modern fighting technology from boxing to meat shows the modern beauty of fighting. If you like friends of inspirational action movies. Don't miss this movie.

never to lose

As a TV show, I will definitely recommend my favorite action actor, Jackie Chan's movie, never to lose. Never to lose can definitely be regarded as the pioneering work of modern action movies, with Jackie Chan's humor and deadly action scenes. Made this film famous. The shots of the whole movie are very hard-core, and there are a lot of deadly action scenes, such as a series of action scenes such as speeding on the top of the mountain and bus chasing. Until today, almost 4 years later, no movie dares to remake or challenge except Jackie Chan's movie. Just taking out these shots is enough to express the aesthetics of "Hong Kong flavor" action movies incisively and vividly.

Jackie Chan's movies are very simple and rude, just to feast our eyes on action movies. After seeing Jackie Chan's films, I know that in fact, every action shot is a lot of thinking by him. The last one slipped down the steel pipe on the top floor of the mall in order to quickly go downstairs, breaking through the lens of hanging lights and glass roofs all the way. According to him, he was scared himself, but after jumping on the railing, the photographers thought that he was all ready, all turned on, and the arrow had to be fired. Personally, I think this shot is absolutely qualified to be included in the action shot of prehistory III.

Its story structure is relatively simple, just like many Hong Kong gangster films. The film tells the story that Chen Jiaju, a policeman, risked his life to catch a drug Lord. Because of insufficient evidence, he was framed and framed to kill his colleague, so he embarked on the road of exonerating himself.

It is said that the last scene in which Jackie Chan jumps eclipses the flowers of two great beauties, Maggie Cheung and Brigitte Lin. Of course, the most brilliant part of the whole movie is the action scenes that run through the whole movie. Almost all Jackie Chan went into battle in person. I have to sigh again that Jackie Chan's action aesthetics is really unprecedented. And it also incorporates a lot of classic "jokes". As a highlight in the history of action movies, I personally think that you should never miss it.