Movies about mummies and monsters

Go watch "400 Years of Love", the most classic vampire

"Brothers Grimm" Hehe, needless to say, it is a classic among classics, unparalleled! Don't regret it. The combination of Gothic and Baroque, and the joining of Monica Bellucci, "restore" the Brothers Grimm, and reappear the black fairy tale...

《 "Interview with the Vampire" is also very good, "entangled through the gorgeous and melancholy 19th century..."

Or watch "Nosferatu" starring Isabella Adjani "Ghosts of the Night", a very old and very emotional film...

By the way, here is a review of the film written by a writer?

In 1979, there was no electronic music. era. ?

But the brass score in the movie, with its lengthy, monotonous and gloomy nature, creates an almost unbearable auditory oppression. I feel like I didn't realize this when I watched the bad version of the disc before (maybe I was too young at the time). Last Christmas Eve, I suddenly felt that the D9 version of the vampire I bought a while ago was very suitable for the occasion. really. I heard things that I couldn't perceive before. ?

The little boy who never understood his identity and origin played the violin and faced the black coffin. The sound of the violin was tenacious and broken, which was nerve-wracking. Just a few incoherent syllables. It's really inexplicable that the hoarse, monotonous repetition of this high note connects gloom and melancholy. ?

Adjani is like a beauty coming out of a painting. I was always amazed at how natural her neuroses were. The visual inertia of Goth and Friends can already be seen in the makeup of this 1979 film. The reaction on Count Dracula's face is not unusual, but the reaction on Adjani's face is extraordinary. Shockingly beautiful. There was a sense of pain for unknowable evil in her dark eyes, as well as a kind of ecstasy that confused the boundaries between innocence and sensuality. I have always been a fan of Adjani. Compared with the neurotic and complex heroines in many French reality-themed films depicting the middle age, the image in this cult film is particularly outstanding, especially able to erase the sense of age, makeup and costumes. It also completely assisted her madness. And when the plague spread and the city people went crazy, the film made her soberness and determination appear in relief, becoming the highlight of the crowd and the empty city. ?

The vampire makeup was also very successful. I remember there was a magazine text that described his incisors as sharp and everted (in fact, the vampire fangs in this version are in the position of the incisors, which is different from the movies after the 1980s, which all use thin fangs in the canine position). Vampire symbol), disgusting withered fingers, and a pair of big ears that look like they've been gnawed by mice. None of this is actually as important as light and shadow. Unlike Lucy played by Adjani, Lucy is always exposed to sufficient light, making her beauty flood all over her body and become almost transparent. Her skirt will flutter with the sea breeze, and is just like the haze in the distant sky. Incorporated into a classic oil painting-like composition. But Dracula is different. Only his face can carry the light required for photography. He can only be presented with a texture like being dissolved when he is covered in black robes and a night cloak. The director has made his long nails and The bald head becomes a terrifying shadow on the wall. Every time, the sense of distance is used everywhere to create exaggerated yet appropriate shadows. The simple lines and shadows are as sharp and distinct as woodcuts. ?

I think this is really a simple vampire movie. Unlike the later ones, where there is an heir and separation of love and hate, more plot factors are added to make vampires "humanized". Moreover, the shots are so beautifully shot, the sailboats carrying the black coffins are extremely beautiful, the brightness and tranquility of life in small French towns, the slow motion of bats flying with deep meaning, plateaus, deep valleys, waterfalls, seas, ruins, and rows of black coffins. The bright yellow coffin carried in a suit formed a strange scene on the gravel square in front of the church. . . ?

The connotation itself does not need to be babbled by the protagonist, because the movie itself cannot be just a story, the movie must also have the ability to act as another world in the legend. ?

Watching vampires on Christmas Eve is very enjoyable. When Lucy rejected the vampire, she said, My love is not even given to God, why should I give it to you. ?

Allow me, a passerby who doesn’t go to church, to watch blood-sucking classics on Christmas Eve. I think this reminds people of church, God, and blessings more than the Christmas scene.