Outline of appreciation thesis of film and television history

Outline of appreciation thesis of film and television history

Introduction: The past facts presented in the visual symbols of any image, such as rock paintings in ancient times, static historical images of past dynasties, and modern photography, movies, television and digital media, are the research objects of film and television history, so they all belong to the category of historical film and television materials. Next, I sorted out the outline of the film and television history appreciation paper, I hope you like it!

Title: A New Exploration of the History of China TV Plays.

chinese abstract

catalogue

introduce

Introduction: Research trends of China TV drama history.

Part one: the new theory of historical science and research.

Historical things and scientific knowledge

Second, historical respect and new theoretical research.

The second part: the present situation of the research on the history of TV plays.

Research Status of Doctoral Dissertations

Second, the research status of journal papers

Third, the research status of academic monographs on TV drama history

From the above research, we can find that

The first chapter is the process of historical theory paradigm.

Section 1 Theory and Historical Rationality

A theoretical use and an independent art form

Second, the theoretical paradigm and ways to solve problems

Third, theoretical mechanism and progressive screening norms.

Fourth, historical thinking and adaptive communication orientation.

5. Criteria and variability judgment of historical research

Historical rationality and measurable factual indicators

Section 2 Methods and Scientific Revolution

Method revision and decisive principle

Second, the system of individual choice and recognition.

Thirdly, cognitive conflict and crisis paradigm.

4. Reality test and scientific rules

Five measurement systems and target scales

Visual experience of intransitive verbs and rational system theory

Section 3 Paradigm and Professional Value

Image Ideological Trend and Text Deduction

Textual research and compilation of materials: the vitality of editing science

Third, emotional defense and pre-storage: the popular law of psychohistory

Public consciousness and insight: mutual understanding of public archives texts

The expression and framework of five meanings: the intentional trend of social history

6. Professional Paradigm and Value Standpoint Chapter II Definition of Historical Concept Category

Section 1 Concept Construction and Image Generation

A concept and projection

Second, concepts and concepts.

Cognitive tools and new vocabulary

Construction of Four Concepts and Image Generation

Five-shape logic and image connection point

Language situation and phenomenon field

Section 2 Conceptual Relations and Meaning Patterns

Conventional symbols and selective coding

Second, the factual hypothesis and the author's observation.

3. Rational types and typical symbols

Four value presuppositions and moral core

Section 3 Concept Revision and Empirical Science

Scientific renewal concept

Second, the process of meaning transfer.

Experiments of three kinds of understanding

Induction of four judgment reasoning

The third chapter discusses the standardization of historiography in stages

Section 1 Time Series Organization and Process Objectives

1. Historical time and stage

Two kinds of heterogeneous continuity

Third, scientific order.

4. Chronicles and organizational principles

Section II Supporting Logic and Propositional Basis

1. Derived logic and conventions

Second, the law of causality and social aspects.

Three Practicality and Truth of Propositional Logic

Imagination and the Strategy of Epic Freedom

Daily and Historical Evidence of Alienation

Six language positivism and materialism

Section 3 Handover Ceremony and Historical Turning Point

The reality of ceremony and transition

Second, the historical accumulation of local framework.

Third, accidental and uncertain investigations.

Political history and ideology

5. Self-consciousness reappearance of the mind

The fourth chapter explains the narrative form of historiography.

Section 1 Interpretation and Criticism

Traditional historical interpretation mode

Second, tailoring history and critical paradigm.

Third, the author's intention and validity reasoning.

4. Consistency between statements and factual statements

5. Criticize and describe the attitude of the subject.

Section 2 Memory and Communication

Cultural heritage and communication

Oral history and comparison

Three. Public history and testimony

Fourth, collective inheritance and memory.

Five emotions and subjectivity

The influence and expression of speech

Section 3 Development and Processing

I. Video Text and Technical Development

Second, realistic argumentation and historical analysis.

Third, the construction function and narrative experience

Four overall arrangements, targeted

5. Reality and ideal of historical drama

Fiction and historical mimetic environment

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