Desika's most important neo-realistic film

Desika's most important neo-realistic film is The Bicycle Stealer.

The Bicycle Stealer is the most successful film of Descartes. It comes from an extremely ordinary news report and tells the story of a worker who lives by riding a bicycle. The film reveals the present situation of post-war Italian society: unemployment, moral decay and realistic chaos.

Desika moved the camera to the street, allowing non-professional actors to live in their familiar environment again, breaking the traditional principle of scene scheduling, allowing the camera to follow the actions of the role and creating an infectious structure and style. Desika not only follows the creative principles of neo-realism, but also refines her style to be more pure and perfect.

Awards of Desika's works:

Deska, 190 1 was born in Lazio, Italy on July 7th, 2008. He is an Italian film director, screenwriter, producer and actor.

From 65438 to 0940, he directed the first film "Red Rose" and officially started his directing career. From 65438 to 0946, his feature film "Toad Boy" won the Best Foreign Language Film Award in the 20th Academy Awards. From 65438 to 0948, his drama The Man Who Stole the Bicycle won the Best Foreign Language Film Award at the 22nd Academy Awards.

1960 directed the drama "Tears of Mother and Daughter" and won the Golden Globe Award for Best Foreign Language Film of American Film and Television 19. From 65438 to 0963, his comedy Yesterday Today Tomorrow won the Best Foreign Language Film Award at the 37th Academy Awards. From 65438 to 0964, he directed the drama "Marriage in Italy" and won the Best Foreign Language Film Award in the 22nd American Golden Globe Awards.