What is a long lens?

As the name implies, it is a shot that takes up a long film for a period of time. This naming is mainly symmetrical with respect to short shots. A long shot can contain more needed content, or it can be a montage sentence (unlike montage sentences composed of several short shots). There is no clear and uniform regulation on its length.

Generally, it can be divided into four types: fixed long lens, zoom long lens, depth of field long lens and moving long lens. Among them, moving the long lens includes pushing, pulling, swinging, lifting and other actions of the camera. Because the long lens can unify all kinds of movements inside the lens, it is natural, smooth and varied, causing various angles and scenes for the picture. It can not only show the environment, highlight the characters, but also bring full freedom to the actors' performances, contribute to the coherence of the characters' emotions, and make important dramatic actions fully and hungrily expressed. The shooting of long shots has a strong sense of time and space realism because it will not destroy the temporal and spatial continuity of the occurrence and development of events.

We usually shoot with DV at home, and it's a long shot without editing. :)

What does the long shot in the movie mean?

What is a film and television long shot?

A long shot refers to a shot that continuously shoots the next scene, a scene or a shot to complete a relatively complete shot paragraph without destroying the temporal and spatial coherence in the development of the event.

It is generally believed that the earliest example of using a long lens in film history is the documentary Nanook in the North, which was filmed by Robert Flaherty, the father of the documentary, in 19 16.

194 1 orson welles of the United States successfully used long lens paragraphs and depth of field lens, sports photography and multi-angle narrative structure in his classic film Citizen Kane. This film is known as "the milestone of modern film".

A long shot is a shot formed by shooting a scene or a scene for a long time.

When shooting a long shot, through the movement of the lens, the effect of multi-angle and multi-lens is formed, resulting in a picture.

The realism of space and the sense of wholeness are achieved in one go.

It was originally a film shooting technology, which came into being in the 1920s. At the beginning of film invention, editing technology was not available.

When it became a special production method, most of the film pictures were shot with long lenses.

A long shot, the most fundamental thing is the documentary produced by the scene depth scheduling in the shot, and the realistic style reflected by the rhythm transformation of the whole movie. Of course, relatively speaking, emphasizing the scene scheduling within the depth of field will make the lens time longer and the rhythm slower. It is obvious to look at the films directed by Taiwan Province, such as Hou Xiaoxian.

Long lens with large depth of field: it is a long lens with long focal length. It is a means to realize the picture scheduling of the distant scene.

This kind of lens is often used to keep the integrity of the picture and the unity of time and space.

Its functions are:

A it can express complete actions and events with one shot, and its meaning can exist independently, independent of its connection with the front and back shots.

B emphasize the continuity of the long lens in time and the function of the complete space brought by the deep focal length, and form several planes that set off each other and interact with each other.

Compare the spatial structure of complex images

C. Because of this multi-faceted and multi-faceted picture, fuzziness is derived, which gives people considerable freedom of choice when enjoying movies.

And freely make your own judgment and understanding of part or all of the meaning of the image.

Disadvantages of photographic long lens

First of all, high-quality long lenses are expensive.

Secondly, the long lens is often big and bulky, and you will have a personal experience when you carry it around all day.

Third, the longer the focal length of the lens, the more stable the camera must be to avoid blurring the image. The rule of thumb is that you can only shoot with a lens when the shutter speed is at least equal to the reciprocal of the lens focal length in millimeters. That is to say, when the shutter speed is lower than1100 seconds, you can't shoot with 100mm lens. When it is less than11500 seconds, you can't shoot with a 500mm lens. We'll talk about it next time. In order to ensure a clear image, we suggest setting a higher shutter speed. Our recommended setting is "twice" the focal length of the lens. In other words, when the shutter speed is less than 1/200 seconds, you can't hold 100mm seconds. Less than11000 seconds cannot be shot with a 500mm lens. Therefore, most telephoto shots need to use a tripod. In this way, you should not only carry a long lens, but also carry a tripod.

Fourth, no matter how perfect the optical system of the long lens is, when shooting distant objects, the image is always in an atmospheric environment full of dust, haze and thermal refraction. Only under very rare clear skies can a particularly clear telephoto image be obtained.

We suggest that in this practice stage, you don't need to buy any lenses except those already equipped on the camera. When you become a master in the future, you can consider a lens with a longer focal length. Even so, unless there is a special demand for extra-long lenses and the funds are not a problem, we suggest not to consider any lens larger than 200 mm. If extra-long lenses are needed occasionally, we can consider adding telephoto lenses. ...& gt& gt

Is the subsequent shot a long shot? What's the difference

The shooting term is called pushing or pulling the lens: pushing means pushing from a far place or following all the time (this is also called following the lens), while pulling means the opposite. At the beginning of Farewell My Concubine, I was impressed by pushing the camera, from far to near. I can't remember it after a long time. Baidu video is recommended.

What is a long lens?

Upstairs, you laughed at others. You made people laugh. I think you are just illiterate. Several people upstairs got it right. In layman's terms, it is a shot (a shot in a movie refers to the content taken by the camera from opening to closing). Switching the last paragraph of the movie "Four Hundred Strikes" is a model of application.

What are the characteristics of a long lens?

Long lens features: 1. Maintain the integrity of space, while constructing time and space to reproduce the original ecology. 2. Create the continuity of sports modeling. 3. Maintain emotional coherence. Montage: Montage (French: Montage) is a transliteration of foreign words, originally an architectural term, meaning composition and assembly. Commonly used in three artistic fields, it can be interpreted as intentional collage and editing techniques of time, space, people and land. It was first extended to film art, and later it was widely used in derivative fields such as visual compensation art. In film and television, montage is simply editing films. Montage generally includes two aspects: picture editing and picture synthesis.

What does a long shot mean in movie terminology?

What is a film and television long shot?

A long shot refers to a shot that continuously shoots the next scene, a scene or a shot to complete a relatively complete shot paragraph without destroying the temporal and spatial coherence in the development of the event.

It is generally believed that the earliest example of using a long lens in film history is the documentary Nanook in the North, which was filmed by Robert Flaherty, the father of the documentary, in 19 16.

194 1 orson welles of the United States successfully used long lens paragraphs and depth of field lens, sports photography and multi-angle narrative structure in his classic film Citizen Kane. This film is known as "the milestone of modern film".

A long shot is a shot formed by shooting a scene or a scene for a long time.

When shooting a long shot, through the movement of the lens, the effect of multi-angle and multi-lens is formed, resulting in a picture.

The realism of space and the sense of wholeness are achieved in one go.

It was originally a film shooting technology, which came into being in the 1920s. At the beginning of film invention, editing technology was not available.

When it became a special production method, most of the film pictures were shot with long lenses.

A long shot, the most fundamental thing is the documentary produced by the scene depth scheduling in the shot, and the realistic style reflected by the rhythm transformation of the whole movie. Of course, relatively speaking, emphasizing the scene scheduling within the depth of field will make the lens time longer and the rhythm slower. It is obvious to look at the films directed by Taiwan Province, such as Hou Xiaoxian.

Long lens with large depth of field: it is a long lens with long focal length. It is a means to realize the picture scheduling of the distant scene.

This kind of lens is often used to keep the integrity of the picture and the unity of time and space.

Its functions are:

A it can express complete actions and events with one shot, and its meaning can exist independently, independent of its connection with the front and back shots.

B emphasize the continuity of the long lens in time and the function of the complete space brought by the deep focal length, and form several planes that set off each other and interact with each other.

Compare the spatial structure of complex images

C. Because of this multi-faceted and multi-faceted picture, fuzziness is derived, which gives people considerable freedom of choice when enjoying movies.

And freely make your own judgment and understanding of part or all of the meaning of the image.

Disadvantages of photographic long lens

First of all, high-quality long lenses are expensive.

Secondly, the long lens is often big and bulky, and you will have a personal experience when you carry it around all day.

Third, the longer the focal length of the lens, the more stable the camera must be to avoid blurring the image. The rule of thumb is that you can only shoot with a lens when the shutter speed is at least equal to the reciprocal of the lens focal length in millimeters. That is to say, when the shutter speed is lower than1100 seconds, you can't shoot with 100mm lens. When it is less than11500 seconds, you can't shoot with a 500mm lens. We'll talk about it next time. In order to ensure a clear image, we suggest setting a higher shutter speed. Our recommended setting is "twice" the focal length of the lens. In other words, when the shutter speed is less than 1/200 seconds, you can't hold 100mm seconds. Less than11000 seconds cannot be shot with a 500mm lens. Therefore, most telephoto shots need to use a tripod. In this way, you should not only carry a long lens, but also carry a tripod.

Fourth, no matter how perfect the optical system of the long lens is, when shooting distant objects, the image is always in an atmospheric environment full of dust, haze and thermal refraction. Only under very rare clear skies can a particularly clear telephoto image be obtained.

We suggest that in this practice stage, you don't need to buy any lenses except those already equipped on the camera. When you become a master in the future, you can consider a lens with a longer focal length. Even so, unless there is a special demand for extra-long lenses and the funds are not a problem, we suggest not to consider any lens larger than 200 mm. If extra-long lenses are needed occasionally, we can consider adding telephoto lenses. ...& gt& gt

What is the main meaning of Na Ying's long-shot songs? Aska Yang sang his own voice.

Many helplessness of life and love.

What is a long lens?

The shots that have been shot continuously for a period of time and occupy a relatively small amount of films refer to the street fighting at the beginning of the big event in Du Qifeng and the classic long shots of the corridor "hammer" in the Korean film old boys.

What does "long shot" mean in film production? What is the pseudo-long shot in the movie?

"Pseudo Long Shot" Made by Special Effects and Editing

Long shots, because shooting is difficult, those classic long shots in the history of movies are precious. But now, the pervasive digital technology is offending it and subverting it. ...

The professional explanation of the long shot in the film is: a long uninterrupted shot in one go, the so-called "one mirror to the end."

However, I am afraid that this definition will be changed now. Accurately speaking, the shooting process of pseudo-long lens is a process of "shooting+production". So many people know for the first time that this "long shot" has done a lot of special effects and is composed of several shots.

This is another attack on art by technology. Regarding the significance of the existence of long shots, andre bazan, the spiritual father of the new wave of French movies, has a famous conclusion: the authenticity of movies is reflected by the authenticity of time and space. But now, omnipotent technology is subverting it. Some insiders said that when a long lens can be made by technical means, it means its end.

Those precious classic long shots

Once, long shots were regarded as the commanding heights of film art means-the means mentioned here is to realize "a mirror to the end". Director Hu Xuehua said that a short three to five-minute long shot * * * involves the actor's performance, role scheduling, camera movement, lighting control, scene change and route. And it is not uncommon to shoot for a day or two. Because it can't be edited, long shots must be strictly calculated and perfectly controlled. One false move may lose the game. Because it is difficult to shoot, whether you can shoot a long shot well has become an important test paper to measure the director's skill.

In 2004, Du Qifeng won the 4 1 Golden Horse Award for Best Director of Taiwan Film for the opening long shot of The Big Event. This shot lasted nearly 7 minutes, including two lens lifts and a 360-degree turn. Policemen, gangsters and journalists crisscross a street in an orderly way. The whole shooting scene is complicated and dazzling, but it is not messy. In order to shoot this long shot well, the crew first spent 1 day practicing, and it took 2 days for the official shooting.

Pseudo-long shot means that the long shot has changed from the original artistic means to a special effect, and its connotation has completely changed.

When digitalization can create all illusions, it is the progress of film technology, but it is the retrogression of film art. Why do we have to take a long shot? Yes, you can understand movies as the art of dreaming, but even dreaming needs realism, and the existence of long lenses is to create realism. According to andre bazan's theory, a long shot is different from a montage, because it keeps the authenticity of time, space, process, atmosphere and performance in shooting, and excludes the possibility of forgery and body ghosting. It emphasizes the director's self-elimination, avoids the subjectivity brought by camera switching, impresses the audience with the inherent original power of the picture and gives the audience the right to interpret things and events. Now, the pervasive digital technology has to dispel the meaning of the long lens.

Finally, I'd like to introduce the movie Birdman, which just won the Oscar for Best Picture. There are many pseudo-long shots, which give people a great feeling of being there, but they are all the results of post-processing, and the film won the crown because of the feeling of one go.

There are many explanations on the Internet. If you are interested, you can study it yourself. The source is tieba.baidu/p/3079980687..