Traditional Culture Encyclopedia - Photography major - Illustration of the side faces of the elderly —— How to draw the side faces of cartoon characters in the cartoon course?

Illustration of the side faces of the elderly —— How to draw the side faces of cartoon characters in the cartoon course?

How to draw a character's side face on the chessboard? Novices can help their works at a glance.

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If the side face is painted beautifully, it is actually beautiful, but for many lovely new whites, it is not easy to draw it well, either it does not reflect the beauty of the side face or it is ugly. So is there any way to draw the profile of the character? This tutorial will show you how cartoonist Chen Hanling taught you to draw a side face!

Many tutorial pictures like to take the ball as the head summary picture, and it is no problem to draw the front picture. But from the side, there will be many strange blind spots.

1, such as positioning the wrong nose.

The consequence of this is that there will be nose-centered error problems.

2, and taking the nose as the center will not only make the position below the nose empty, but also cause confusion in the relationship between head and body.

The visual center of a person is the position of the head by default, so no matter how well the body is drawn, it is useless if the head is not right.

In short, the nose should not be in the center. First of all, we must determine the position of the eyes and mouth, that is, half of the head length is the position of the eyes.

It is impossible for people and eye sockets to be on a vertical line. This problem is also a common mistake made by many beginners.

If you don't believe me, let's draw a picture of couples kissing with this character model, and you will find that the situation is completely different.

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5. Many students will also make their lips protrude from the sphere of the head when drawing the side face. Therefore, a portrait with a side face has a raised buck tooth.

6. Although the head is round, it does not mean that the person's side head is also a complete sphere. It has a very subtle bend. We have to find out.

7. Students who like to draw ponytails must pay attention to their heads.

8. Compared with a sphere, when drawing a profile, it is better to use "water drops", which can solve many problems!

9. Just like we draw a face on a drawing board, don't forget that hair is thick! Especially for girls with long hair, the thickness of hair can not be ignored! Many students draw characters with small heads, which has a lot to do with ignoring the thickness of hair!

10, in the side face state, the problems between people are actually very subtle, and you can't see them without looking carefully. But we'd better pay attention. Especially students who need to draw close-ups.

However, because there are few close-ups in illustrations and comics, there is no need to be particularly entangled in some cases.

1 1, the position of eyes is determined according to the whole head, not the nose. Especially as mentioned earlier, using the midline of the nose will lead to many students' deviation.

12, the size of the eye is actually not so difficult to determine, almost this big.

13. In addition, the size of the eyes can also be determined according to the length of the concave part at the bottom of the bridge of the nose. If a man's eyes are smaller, use a shorter recess.

For children and girls, it can be more concave.

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How to draw the profile of comic characters in comic tutorial? How to draw the profile of comic characters in comic tutorial? Do you feel that you are not good at or have no confidence when drawing the faces, side faces and tendencies of illustrations or cartoon characters? Compared with people who paint according to others' practices, by understanding the configuration and balance of various parts of the face, you can obviously improve your sketching ability!

If you are an art student, or are interested in art and study board painting, but have no foundation, you can come to art collection, art education, art college entrance examination and interest-based learning.

First, how to draw a rough outline

When drawing inclined planes and profiles, the center line should be shifted to the left and right.

As shown in the figure below:

Face turned 45 degrees: used for dynamic scenes such as chatting with others.

The center line is about 15 to the left: the most common angle in comics allows readers to clearly see the expressions of characters.

You can't see the front of the character at all, and the midline becomes the outline of the face.

Combined with the above picture:

Oblique view ①: The midline is slightly off the center of the face, and the chin position is also slightly off. The outer contour of the ear is slightly outward than the back of the head.

Oblique view ②: The lateral rotation angle of the face is large, and the midline is curved. The outer contour of the ear basically coincides with the outer contour of the back of the head.

Silhouette: the midline becomes the outer contour of the face. When drawing the outline of the head, we should pay special attention to the radian from the back of the head to the neck.

Ⅱ. Changes of five senses in oblique view and side view

Different from the front view, the size of eyes and the shape of ears will change.

Inclined plan ①

1. The inside of the right eye is slightly smaller.

2. The inner eye is a little longer.

3. The ears should be longer and slightly inclined.

Note that the curvature of the center line should not be too large.

Side view ②

1. The inner corner of the eye is connected with the bridge of the nose, which can make the nose more stereoscopic.

2. Draw your eyes smaller and longer.

The shape of the ear is similar to that when viewed from the front, but it is longer.

Note that the size of eyes in oblique view is quite different from that in front view.

lateral view

1. The nose is more prominent than the mouth, and the nose, mouth and chin form a diagonal line.

2. The eyes are shaped like half-cut apricot stones.

3. Ears are oval.

Note that if the mouth and chin are more prominent than the nose, it will be a devastating blow to maintain the best proportion of the face.

Three. Specific steps

Inclined plan ①

1. Draw a rough outline of the face: the midline moves slightly to the left and intersects the horizontal line.

2. Draw nose and mouth: Draw nose and mouth on the center line and ears on the horizontal line. Pay special attention to the position of the ears.

3. Draw eyes and hair: the right eye is slightly smaller than the left eye. Draw hair.

4. Finish: deal with details and outline.

Inclined plan ②

1. Draw the general outline of the face: Compared with the inclined plane ①, the midline is closer to the contour line of the face and intersects with the horizontal line.

2. Draw nose and mouth: Draw nose. The curve of the ear and the back of the brain is connected.

3. Draw eyes and hair: Part of the right eye is hidden behind the nose, so draw it smaller.

4. Finish: deal with the details and tick off the outline.

lateral view

1. Draw a rough outline of the face: the midline coincides with the facial contour line and intersects with the horizontal line.

2. Draw the nose and mouth: Draw the nose where the two lines intersect, and raise the nose. The ear is to the right of the midline of the head.

3. Draw eyes and hair: The eyes are shaped like almonds cut in half.

4. Finish: deal with the details and tick off the outline.

How to draw the profile of a character in a cartoon? Learning to draw is not an easy task, so stick to it and overcome all kinds of difficulties! Come on ~

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Sketch tutorial: Is it difficult to draw a good side face? Try this method. Many students began to learn board painting from painting big heads. Whether the whole photo looks good or not is directly related to the face value. Over time, he became the legendary "big-headed painter". But even though I am familiar with drawing faces, there are still some strange angles to draw, even the common 45 side face. Why is this?

First, learn to analyze the relationship between facial structures.

If you look at the above three pictures carefully, you can find that they are all side faces. Let's analyze their similarities. In these three pictures, the half face away from our lens shows a small area. Many students think that the reason for the smaller area is the problem of "perspective", but is this really the case? We all know that there is a law of perspective, but how many perspective changes can this face, which is only the size of a palm?

So we're back. How did the problem of "the half face away from the camera has a smaller exposure area" come about? "Perspective" obviously doesn't recite the pot. What else can it be? Careful observation, we can easily find more reasons for the smaller area, because of the occlusion between the nose and cheeks. Because the nose wing is higher than the plane of the cheek, you will block the side away from the camera when you are on the side of your face, and the higher the nose wing, the more stereoscopic your face looks, which is why we think the lines of European faces are more distinct.

Second, learn to find the angle.

Different angles lead to obvious changes in our five senses.

We know that the outline of the eye looks like a jujube pit, but when the lens rotates 45, the outline of the eye looks like a triangle. This is because the eye itself is a three-dimensional structure.

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That is to say, the eyes covered by the nose wing have not changed much in size, but have changed obviously in shape. The eyes are like this, and so are the lips.

We have analyzed different angles and parts of the picture that need to be changed, so let's analyze how many kinds of angle changes there are.

1. Swing your head left and right.

Shake your head left and right

Nod up and down

4. The combination of the first, the second and the third.

Most people who can't draw, or find it difficult to draw, belong to this category.

To improve the painting of the head structure, we should do the following painting exercises-the relationship between the occlusion and deformation of the five senses from different angles.

The above pictures are the pictures that may appear when practicing the second and third combinations, that is, shaking your head left and right and shaking your head up and down, without shaking your head left and right. If you add the swinging head, the angle will be more complicated.

If beginners are struggling with this kind of practice, then we can start with some simple drawing methods to weaken and summarize the relationship between the five senses and grasp the outline of the head.

But although we can practice from a simple drawing, it doesn't mean that we can draw a simple drawing and you're done. Some visual angles are usually a mixture of the above three angles. In order to make our pictures more expressive, we must try to practice subtle angle changes.

The improvement of this part can refer to some photography cases and accumulate materials. So you don't get scared when you draw a special angle.

If we can't draw a certain angle in the process of painting and need to find a very similar reference in a very short time, and there is no realistic person around to take pictures, then we can solve it through the model.

Many mobile phone softwares also have this function, such as ArtPortME, which can also change the gender and body fat percentage of different body types, and the joints of models can move freely, which is very convenient. For example, the stretching of neck muscles caused by the change of head angle can not be ignored in painting.

If you master the above points, it is not difficult to draw a picture similar to the one below.

It is worth mentioning that we shouldn't always practice drawing heads. Now, if we want to be excellent painters, the depiction of the head may be a trivial aspect. It is necessary to practice the overall shaping of the picture more, and never pick up sesame seeds and lose watermelon.

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