Four-foot-long calligraphy works official script

Judging from the evolution of fonts, official script is a kind of quick writing of seal script, which is a daily writing in Han Dynasty. However, cursive script, running script, regular script and other writing styles are constantly rising, and official script is gradually silent in a corner. The following is a four-foot calligraphy official script. I hope you like it.

Four-foot-long calligraphy works official script appreciation of four-foot-long calligraphy works official script pictures 1

Four-foot calligraphy works official script Figure 2

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Four-foot calligraphy works official script Figure 5

Creative changes of official script

Calligraphy creation has entered a new period of development in the contemporary era, showing a diversified and multi-style situation. At the same time, it also puts more emphasis on the calligrapher's personality and embodies the beauty of the calligrapher's soul. People's aesthetics also changes with the development of history, the progress of science and technology and the changes of the times. So, what are the characteristics of the creation of contemporary official script? Is it rooted in tradition or deviated from tradition?

From the viewpoint of dialectical materialism and historical materialism, there are obvious differences in artistic aesthetics in different periods, regions and appreciators under different historical and cultural backgrounds. I don't think that the extensive and profound Han tablet is out of date today, and there is no reason to exclude the official script of the Han Dynasty with correct brushwork. However, judging from the development of contemporary calligraphy in the past 20 years and the actual situation of the national calligraphy exhibition, all the official calligraphy works with the styles of Shi Chenbei, Cao Quanbei and Yiying tablet, including Ode to Shimen and Monument to the Book of Rites, were not selected for the exhibition, but were selected for Zhang Qianbei, Carved Stone on the Appreciation Road, Monument to General Guangwu and Good King. Whether this situation is progress or retrogression. Is it to promote the development of calligraphy art, or to guide young calligraphy lovers to extremes?

This abnormal phenomenon in the creation of contemporary official script is normal, the necessity of the development of contemporary calligraphy, and also a kind of progress and development. This phenomenon is the inevitable change of the aesthetic taste of contemporary calligraphers and the product of the cultural phenomenon of contemporary calligraphy exhibition halls. Things are always developing and changing, and they can't stay the same. In fact, the development of art always follows the development process from romantic freedom to strict norms, and from strict norms to romantic freedom. It is the only way for people to learn art. In the initial stage, people must copy and learn the Han Dynasty inscriptions such as Shi Chenbei and Cao Quanbei. With a certain basic knowledge of official script, they will naturally pursue development and change, and learn exotic official script works, such as gaining and appreciating the carved stones on the road, the Guangwu General Monument in the official script room, and the simple Hao in honest and frank. Here, we should distinguish between calligraphy learning and calligraphy creation, ordinary calligraphy lovers and calligraphers, and the primary stage and advanced stage of calligraphy, and gradually establish the foundation and context of calligraphy creation and appreciation. The abnormal phenomenon of contemporary official script creation is not to deviate from tradition, but to learn from tradition, which is a new creative tendency formed by calligraphers after digging and studying traditional calligraphy and using some works and materials that people have never paid attention to and are familiar with.

Throughout the development of calligraphy history, the emergence and evolution of official script has experienced three important periods: first, the Qin and Han Dynasties, that is, the ancient and modern times, and the Eastern Han Dynasty was the most prosperous and brilliant period for the development of official script; Second, the Tang dynasty, that is, the period of official script development, or the period of regular script; Thirdly, the Qing Dynasty was a period of the prosperity of official script, the emergence of schools and the emergence of famous artists, and it was also a period of summing up and summarizing the development of official script. The official script of Qin and Han dynasties is a glorious period of official script development, which is broad and vigorous, simple and simple, diverse in style and colorful in schools; Tang people entered the official script by opening letters, with more rules than changes and serious stylization, which was a transitional period for the development of official script; The official script in Qing Dynasty inherited and developed the tradition of official script in Qin and Han Dynasties, and learned the lessons from Tang Dynasty. It was written in the form of seal script, such as Deng's official script, Zhao's Weibei official script, Yi Bingshou's official script and He's cursive script. , outstanding achievements, make the official script look brand-new.

Official script is a kind of calligraphy style after seal script. It originated in the Warring States, was conceived in Qin, formed in the Western Han Dynasty and prevailed in the Eastern Han Dynasty. It is formed by simplification, simplification and evolution of seal script, with diverse styles and a long history. The origin of official script can be traced back to the Warring States period. On Chu silk books and bamboo slips in the Warring States period, there were scrawled, flat and simple fonts. At that time, there were also simplified Chinese characters on seals, coins, pottery, bronzes and stone carvings that broke the pen and structure of seal script, which could be regarded as the predecessor of Gu Li. Qin bamboo slips unearthed in Yunmeng Crouching Tiger Land, Hubei Province are representative, which contain a large number of seal script styles and brushwork. It is between turning away and turning away, and it has completely broken through the shackles of Qin Zhuan, so it is natural to write casually. Its characteristics are: reducing inflections, simplifying complexity, gradually changing from round to square, and gradually changing from long and narrow to square. Some characters also have the embryonic form of silkworm head and silkworm tail. The early Western Han Dynasty inherited the Qin system, including the writing system, so there is not much difference between the official script of the Western Han Dynasty and the official script of the Qin Dynasty. Its official script still has the meaning of seal script, but it is obviously weakened. It gradually turns the circle into a square fold, some fonts into a square, and there are strokes that are inverted into a flat, silkworm head and silkworm tail, and picked up. The thickness of strokes changes obviously, and the shape is simple and heavy. Carving Stones from Five Phoenix and Carving Stones from Lai Zihou are the representatives of Lishu in the Western Han Dynasty.

Lishu entered the Eastern Han Dynasty and reached its peak. The official script of the Eastern Han Dynasty changed from the official script of the Qin Dynasty and the official script of the Western Han Dynasty, and began to consciously pursue neatness and beauty. Dot painting has obvious waves, which completely removes the meaning of seal. The structure is mostly flat and square, which is more and more rigorous and precise. The waves are distinct, and the left and right are eight points, so it is also called? Eight-legged essay is regarded as a model of official script. With regard to official script, Mr. Hu Xiaoshi said in On Calligraphy: After the official script is completed, it will be eight points to gradually add waves and increase the decoration of China. . This sentence not only explains these eight points, but also summarizes the main characteristics of Han Li, that is, the left side is comfortable, the right side is open, and the other side is open. The Eastern Han Dynasty was the heyday of official script and the peak of its development. During this period, the wind of erecting monuments was extremely prosperous, and a large number of folk calligraphers emerged. The inscriptions were colorful and colorful, which made them look great.

Judging from the development and evolution history of official script, official script is a rich artistic world with diverse styles and schools. Its forms include inscriptions, cliffs, buildings, inscriptions, brick carvings, bricks and tiles, etc. Some of its styles are simple and vigorous, some are fantastic, some are elegant and smart, some are square and heavy, some are outstanding in the brushwork of seal script, some are full of cursive script, some are well-defined, some are wave-free, some are horizontal and flat, some are good at being broad and flat, and some are vertical and winning. As Wang Shu, a calligrapher in Qing Dynasty, commented? Li Fa takes Han as the pole, and each monument is unique. Are there any similarities? . The conditions for contemporary calligraphers to learn calligraphy are much better than those of the ancients. Many newly unearthed cliff stone carvings and bamboo slips and silk books have never been seen by ancient calligraphers, and they are fully qualified to broaden their horizons, write things that the ancients have not written and create things that the ancients have not created. Over the years, there has been a preconceived phenomenon in learning calligraphy, that is, when it comes to Wei Bei, it is "Zhang Menglong Monument" and "Zhang Hei Nv Epitaph"; Tang Kai is called Jiuchenggong Monument, Yan Monument and Mysterious Pagoda Monument. Speaking of official script, it is Shi Chenbei, Yingbei and Ode to Shimen. For example, when writing official script, some people think that it is the orthodox official script to have obvious ups and downs and write smoothly and elegantly. Actually, it is not. There were no obvious waves in the official script of Qin and Western Han Dynasties in history. As Mr Hu Xiaoshi wrote in one of his official plays? The pen is also wave-free? . Of course, these works are undoubtedly masterpieces in the history of calligraphy, but they cannot represent the whole history and tradition of calligraphy, nor can they represent many distinctive works, that is, a remnant stone, a remnant tile, an epitaph and a bamboo slip. As long as it has characteristics and merits, it is worth learning and learning from calligraphers.