Traditional Culture Encyclopedia - Photography major - Analysis of Selected Plots of Japanese Film Surabaya Knife
Analysis of Selected Plots of Japanese Film Surabaya Knife
Lead: In the nearly two-hour film, the director took the audience to watch a long MV. At the beginning, boys and girls met at the seaside, and the sea under the sun was beautiful. If they are unlucky enough to sleep for two hours, they will wake up at last and find that nothing has actually been missed. The last scene is still fixed here-they rode away from the seaside in the sunset. Today, I would like to recommend some selected stories to you. Let's have a look.
Analysis 1
Why is the movie called "Drowning Knife"? Watching and thinking about this question, I gradually got a vague answer.
There was no knife in front of the movie until the heroine Xia Ya was sexually assaulted and alienated from the hero Emirates. After entering high school, Emirates often stayed with gangsters and carried a knife with him, which made me understand the meaning of a knife. Knife is a symbol of the chieftain's weakness and stubbornness. When the hostess was sexually assaulted at the first Town Fire Festival, Emirates tried to save her, but it was helpless to the abnormal suitors, watching his beloved Xia Ya defiled. He hates perverted suitors, but what he hates more is himself and his weaknesses. As the heir of the theological family, he thought he had everything here, but in fact he just "thought". He said he was too fragile to protect his beloved girl. What I once believed in suddenly found out that it didn't exist at all, so my belief collapsed and Emirates fell into self-doubt and denial. I remember in The Legend of the Sword and the Chivalrous Man, Li Xiaoyao once asked the Nine Sword Immortals why they didn't bring their swords. He said, "I am a sword." . Real martial arts masters don't need swords. Emirates' knife shows his inner fear and cowardice, which is a psychological comfort for self-protection. On the boat, his knife can't scare even the hostess Xia Ya, let alone others.
On the second Fire Festival, the hostess met a perverted suitor again. I'm a little confused about this paragraph. This man seems to be divided. One danced with a torch on the Zhenhuo Festival, and the other fought to the death with a pervert pursuer in the cabin. I don't know which is true and which is a dream. But I prefer to believe that Emirates is here to save mistress. This time, he killed the perverted suitor with a knife, but what can he do? If the hostess goes to Tokyo to step into the entertainment circle, even if he can protect her this time, he can't protect her for life. What Emirates can do is to bless her from a distance, not to hinder her from pursuing her dreams, and to be the eternal god in her heart. That's why there was a scene in the film later, when the knife sank into the water, accompanied by the last stubbornness of Emirates.
"Drowning Knife" is an alternative youth film I have seen, which always gives me a profound and meaningful feeling. For example, except for the scene where Xia Ya filmed in Tokyo at first, there was no drama in Tokyo later, but there was always a conflict between the city and the countryside: Xia Ya's mother and father angrily said that they would return to Tokyo to live with Xia Ya, and Judas also said that he wanted to leave the village when asked about his future plans. Finally, Xia Ya also returned to Tokyo for development. Tokyo is no longer that specific city, but has become a symbol, a symbol about distance. It is far away, but it has infinite attraction and temptation for young people.
Unlike most movies about youth and pure love, most of the plots of Knife of the surging waves are set in relatively dark environments, such as Woods, wooden houses and batting fields. These dark scenes just set off an atmosphere of restlessness and depression, which is undoubtedly in line with the theme of the film-youth has not only a bright and lively side, but also a dark and hidden side.
Nana Komatsu's performance in the film surprised me. In my impression, she is as grounded as a fairy-although her long hair is fluttering, her dress is fluttering, and she is dusty, but under her world-weary face, there is a fiery emotion hidden. For example, she stamped her feet on the boat and questioned Emirates, and sat in the back seat of Emirates' motorcycle and shouted, all of which were extremely vivid and had a smart aesthetic feeling. Compared with ordinary girls, she is just a little more beautiful, and the expression of an ordinary girl will appear on her world-weary face. As for soda, I'm sorry I never got his handsome point. I can only say that he is wearing a kimono with white hair and no sense of disobedience. If he is Yan, I really can't appreciate it.
Analysis 2
On a lazy summer afternoon, I happened to see this movie-Surabaya Knife, a Japanese teenage movie. I wanted to spend a boring afternoon with the movie, but I was fascinated by it. Aside from those vulgar youth movies, the Japanese style of the whole movie is really great.
Surabaya Knife tells the story of Wang Ya, a popular model, who moved to Fuyun Town far from Tokyo in the summer of 15. In this boring town, Xia Ya met the teenager Hasegawa Hangichiro. Like the beginning of all beautiful stories, Xia Ya and the United Arab Emirates met beautifully. When they first met in the forbidden sea, the young girls were attracted to each other and fell in love. But young girls are proud of each other. "Anyway, they have been eliminated, so there are many beautiful models." A vicious and hurtful word, but I hope you notice me. I am at an unyielding age, challenging each other but attracting each other. When Xia Ya was taking a photo album in the forest, he said, "This mountain and this sea are mine, and she is mine." The chief is the god in Xia Ya's heart. In the forest, at the seaside, they chased each other, laughed easily, drank beer and kissed. Youth is really beautiful.
But the conventional plot is inevitable. The chief is the god in Xia Ya's heart and can do anything. However, when Xia Ya was in danger, the UAE failed to protect Xia Ya. After all, they are all too young. "The mountains and rivers are mine and you are mine" can't protect your girl. "Sorry" is better. The god in Xia Ya's heart was broken, and the ending of the story was a little regrettable.
Once, I didn't understand the meaning of the film title Surabaya Knife, until I saw such a sentence, a knife is a knife, and drowning won't reduce its sharpness, but the most attractive thing about the film is not the plot, but the small fresh style of the Japanese girl movie in the whole film.
The beer stopped in Na Pianhai and was guarded by a roadside bus.
That attic and that night, you were a shining teenager, and you had a shining sword.
You still shine in the water. You are a knife that can protect her.
Have you ever thought of drowning in Na Pianhai with Xia Ya?
Submerged in an apology to Xia Ya.
You will always be her god, guarding her behind you.
"You are the god of mountains and rivers.
And I am a girl who shines because I am intertwined with God. "
"This mountain this sea is the emirate.
I am from the United Arab Emirates, too. "
"You, you don't have to worry about what happened here. As long as you win the world for me with your own weapons, I will always look at you. "
The ending of this film is not perfect. Finally, Xia Ya left the country town, Emirates, and entered the entertainment circle, realizing Xia Ya's dream of being an actress, and imagined the hero in the final award-winning movie as her and Emirates, and Xia Ya sat behind the car of Emirates, just as they looked so beautiful at first.
I always remember the sentence "My lover is a hero in the world, and one day he will step on colorful clouds to marry me." Yes, Emirates is also a hero in Xia Ya's heart. The teenager I love decided to spend my life with mountains, rivers, lakes and seas, become my god, and let me move forward with peace of mind.
Analysis 3
Hangjiang may smell like a silver mountain spring.
First of all, I will definitely say that this is a smelly video girl magazine. The sweetness of candy in the studio is mixed with the salty taste of pine trees and waves in the seaside wind in the summer countryside. The smell of water when the blond boy is dragged into the water may also smell of hair dye. Under the dry light of the school classroom, the dust is mixed with the sweat of boys and the green (cinnamon) spring of girls' hair oil. The smell of burning torches in the town, the damp smell of camellia in the river, and the smell of struggling soil in a lonely nightmare on a moonlit night overflow from every picture and occupy my senses. As a male owner, Hangjiang is the son of Ming, the patron saint of the village for generations. He swears that this mountain, this wind, all this is his, even the summer buds are his. His confidence made me think that he already had the blue of this mountain, even the blue outside the mountain. He is fearless in the world, so he should be the flower of Gaoling, but he is by no means a typical flower of Gaoling. He is too wild and rude, like unruly wind, but he is at a loss, like swirling water. I think over and over again that he is the smell of silver spring, arrogant, like the former, carrying the power of trees, grass and stones from forests, lakes and oceans, but after being hit, he went deeper into the faint forest covered with water vapor and finally disappeared into the fog. Take off the coat of the son of God and embrace the world gently. Of course, it's my guess that the film didn't come out. It is said that it seems that this is the ending in the original book. Summer bud is a flower that can only bloom at dawn. Her long night seems to have finally passed. In addition to the smell, the composition of the whole movie is also fresh and beautiful. Feel free to choose two pictures I like.
Hometown of summer buds and blooming camellia.
In addition, the director's editing is really a stream of consciousness, and occasionally there are inexplicable moments that are miraculously connected (I think it is probably because of the smell). Some of the hand-held shots remind me of the fear dominated by everything about Lily Week in middle school. I really feel dizzy without glasses ... finally, this should be regarded as a relatively long short comment.
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