[Appreciation of Landscape Cases] Space-time Pavilion-Dialogue with the past and collection of the future; Jintaitang 6 18

Cross-era Interpretation of Contemporary Symbols in the Context of the Tang Dynasty

Looking for the source of beauty from history

Complement each other with the Millennium Temple Shenglong II.

And construct its translation into a sensible life aesthetics at present.

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order

foreword

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Xi'an

Jintaitang 6 18 is located next to Qingyuan Temple, an important cultural space in the ancient capital Xi. Leyuan Scenic Area has been a royal tourist attraction since ancient times, and it is also known as the Ninth Five-Year Plan, which is the far-reaching rhyme of the prosperous Tang Dynasty. Ancient and modern echo each other, and tradition and innovation complement each other. We are well aware of the cultural power of this land, committed to revitalizing its cultural vitality, and trying to find a brand-new way of dialogue with time and space.

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Modern art is form+Tang Wenhua is spiritual core.

In the general layout of the project, the Buddhist concept of "smoke and auspicious clouds" was introduced, and the cigarettes overflowing from the incense burner of Qingliu Temple formed a auspicious cloud-like curve that shuttled eastward. While conveying the meaning of auspiciousness and promotion, the winding modern curve aesthetics is integrated into the design aesthetics, and the flexibility and tension of life are freehand.

The design reinterprets the traditional and cultural connotations through contemporary methods, combines urban culture with Qingliu site, and integrates architectural marks such as the Imperial Capital Tang Wenhua, Qingliu furnace smoke arc, blooming cherry blossoms, Buddhist Seven Trees and Qibaochi into community design, creating a cultural and artistic exhibition hall that can talk about time and space and bring unique aesthetic experience.

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The structure of the city wall bears witness to history.

Witness history

Every city has its own wall, enclosing a world and building a cross-century civilization. As early as Xi or Chang 'an, the city wall has been the standard of people's life. For thousands of years, the city wall has been crowded inside and outside, and the city gate is located by the latitude and longitude of the passage and roadway. They make people look up and feel at ease. They are the thread of Xi people's daily life.

The entrance is designed as a cultural and artistic exhibition hall, and the Xi 'an city wall is designed as the cultural texture of the facade, with the highest point of10m. Looking up, it seems that I have returned to the early Tang Dynasty. The design takes Xi 'an culture as the core, bearing the cultural memory left by Chang 'an City in Tang Dynasty, cultivating an urban culture in the city wall, and showing the first impression of the project.

Creating the cultural atmosphere of the art exhibition hall is the starting point of design. Based on the core concept of "innovation", it can calm people down and make them more vivid, dynamic and valuable.

02

Infinite field of thought

Ideological field

The buildings in the Tang Dynasty, with cornices and arches, are elegant, dignified and elegant, showing the great country style and luxurious atmosphere of the Tang Dynasty. The design also integrates the cornices of the Tang Dynasty into the modeling design of the second-level entrance porch. The entrance passage on one side is made of bamboo, which means that the bamboo path is used to wash dust and the winding path is secluded, creating a sense of boundlessness in ancient and modern space.

From secluded and narrow to open Shu Lang, there are nearly 10,000 bamboo forests accompanied by insects and birds. Bamboo from Sichuan is magnificent and surrounded by passages. Two moist bands of light extend forward, indicating the entrance direction. Welcome] is also a quotation.

The entrance structure adopts modern design language, combined with cornices and arch shapes of buildings in Tang Dynasty. The arc gate of more than 20 meters is beautiful, exquisite and light. The thin decorative columns that shuttle through it combine the elegant waterscape, with delicate texture, rich layers and majestic atmosphere, which is in line with the identity of the residents, thus constructing the courtesy of returning home.

03

Time staggered tunnel

Time? tunnel

The design takes the famous cherry blossom scenery in Qingliu City next to the site as the highlight element, and the cherry trees planted on both sides echo the prosperous cherry blossoms in Qingliu City. The sculpture of cherry blossom petals falls lightly aside, and the embellishment of cherry blossoms injects a trace of temperature and sensibility into the space.

Inspired by Seiryuji's "furnace smoke", the shape of the rolling bridge is abstracted as an expressive "arc" in the design. As the main design element, the simple and atmospheric white undulating landscape bridge is dotted with curved lines and full of poetic and dynamic ripples, which also reflects the unique modernity and artistic beauty.

Under the entrance frame, the two lanes crisscross and pass through the connecting lanes, just like shuttling through a canyon. The neat lines and natural scenery are full of gentle power, which brings fluidity and obvious directionality to the space, guides people's sight and behavior, and the dynamics and tension are extended here.

04

Extract the poetry of texture.

Poetic structure

The promenade seems to have come out from the depths of history, from the "cloister" in Epang Palace's Fu to the "four tones of high gallery, sitting in a pavilion" in Sima Xiangru's Shanglin Fu. This is the highest place for leisure and elegant collection. The corridor is designed as an arc, and every seven columns are designed as a group (in Buddhism, "seven" is not a number, which means perfection).

The end of the corridor is cut by light, and the movement of the line is not limited by light. With the light and shadow layout of wallboard and ceiling, space appears as a flowing and static existence in front of people.

As a welcome node, the parking area is designed on this seven-fold treasure tree to convey auspicious meaning to people. The mentor of the Tang Dynasty pointed out that the Seven Treasures are not seven precious trees, but a tree with the roots of gold, purple and gold, silver, agate, coral, white jade and pearl, even Guo Hua.

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Aesthetic concept of curve

Aesthetic concept

The design takes Seiryuji's "furnace smoke arc" as the artistic conception, and turns it into a curve, creating a seven-level retreat pool, that is, Qibao Pool (the pool's "four-sided platform", the platform is the platform, and the road is the road, all of which are "synthesized" by seven treasures such as "gold, silver, colored glaze and glass").

All waterscapes are curved. In order to create the expected effect of the scheme, the combination of arc stone coping and painted wall is adopted, which has a stronger overall feeling. At the same time, in order to ensure that the paint of the side wall can be separated from water, stainless steel side bands are added at the lower end of the side wall along the waterscape for enclosure, which keeps the material to the maximum extent.

Create a layered landscape through exit, and create an infinitely compound three-dimensional landscape space. The waterfall under the landscape platform falls into the water, adding natural sounds to the open space and narrowing the sense of distance.

Cascading steps form a water curtain, accompanied by hazy fog, faint Yun Biao and scattered green islands. Being in it, there is a sense of lightness and freedom like walking in the clouds. Jintaitang 6 18 retired from the desktop landscape, not only considering the coexistence of man and nature, but also deeply thinking about the relationship between man and city, people and culture, culture and life.

06

Enjoy the high and low mountain scenery quietly.

Mountain landscape

The project adopts the usual methods of mountain landscape sinking design, and creates the echo of overlooking, virtual view and real view, internal view and external view through height difference, internal and external borrowing, solid and other methods. Blues International is good at creating mountain landscapes, and the design embraces natural and human landscapes to a limited extent, which not only delights the vision, but also washes the mind and temperament of the residents.

On the functional level, by sinking the space, the light and scenery are skillfully introduced into the negative area, which invigorates the space imagination, and as the transition of indoor and outdoor space, it also carries the function of indoor and outdoor communication lines; On the aesthetic level, this completely sunken garden system connects the sky, the ground and the underground through sunken courtyards and landscape covered bridges, bringing immersive aesthetic luxury.

The design takes gardening in the basin as the concept, creates the spatial philosophy of the plot, redefines the rich landscape experience with high and low levels, and changes the rhythm of waterscape from gentle to intense, from quiet to graceful to shocking, thus shaping the "hanging garden" that urbanites want. Cascading steps form a water curtain, accompanied by hazy fog, faint Yun Biao and scattered green islands. Being in it, there is a sense of lightness and freedom like walking in the clouds.

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Wei Hui Art Sculpture Time

Art carving time

Poets in the Tang Dynasty all have a longing for the moon. Li Bai, a poet, wrote a poem: "A bright moon hangs high in the capital, and it is tempered." The full moon symbolizes reunion and happiness. As the last node of returning home, the design combines the lifestyle of the Tang Dynasty with modern functions to create a full moon meditation box. The top of the box is made of corrugated stainless steel, which creates a reflective feeling of the full moon, allowing you to look at the moon, think about the moon and see a complete life with light.

The design outlines the shape of the "full moon" with a few simple lines, and creates a meditation box with very modern methods; When people enter the internal space, the external road and the adjacent external environment can't be seen in an instant. We didn't change their surroundings, but let them become a part of the surroundings, so as to blend in with nature and create a truly continuous space.

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final result

Natural advantage life

Dominant? Life?

Jintaitang 6 18 endows the whole design with a pure tone as the background, Tang Wenhua as the spiritual core, and a minimalist poetic aesthetic posture to highlight the collision between modernity and nature, creating a space-time exhibition hall for dialogue with the past. In the design, the Tang Wenhua scene is introduced into the restrained and soft curve zone, and then modern innovative techniques are used to abandon the complicated elements at present, so as to create a house with spiritual value in a pure and bold way.

Jintaitang 6 18 keeps looking back, endows life with unique enjoyment and new leading power with continuous surpassing and lasting design and natural life concept, talks about human settlement imagination in the new era in continuous growth, and shapes yearning for ideal life with permanence.

lethal dose

-Project information-

Project name Jin Jintaitang 6 18

The project address is next to Xi 'an Qingliu Temple.

Owner: Jintai Hengye Qinglong Real Estate

Design Unit 3 Blues International Zhengzhou Company

Construction unit Shaanxi Tianrunfeng Landscape Architecture Construction Engineering Co., Ltd.

What is a landscape area? 2 1 169.47? ㎡

Completion time: March, 20021year

Photography? triangular prism

Note: The article part.