Gai Na Yizheng Japanese Publicity Art Exhibition and 2 1 Conference

After World War II, Japanese graphic design mainly focused on poster publicity. 195 1 year (twenty-six years of Showa, Japan), due to the establishment of "Japan Revitalization Art Exhibition", a large number of design talents emerged, and Japanese graphic design was also built on this cornerstone. Later, photography and illustration promoted the rise of image style and made the field of graphic design more diversified.

Mr. Gai Na joined Kansai Daiwa Textile in the 1950' s after Japan Art Exhibition and the establishment of Tokyo ADC. At that time, the advertising design environment was not as professional as it is now, and all the work was monopolized by one person. Because Gai Na specialized in sculpture when he was studying at Tokyo University of the Arts, his design knowledge was completely lacking, mainly relying on his subjective idea of image. After that, through Press Art magazine, I had to communicate with designers living in Osaka, such as Ichigo Tanaka, Tsutombo Kimura and Li Hong Katayama, and set up an "A Club". From 65438 to 0958, under the proposal of Kangping Sugura, Kamekura Yusaku-centered young designers such as Kangping Sugura, Su Jinjie, Fukuda, Mitsui Katsuo, Uematsu, Uno Yasuhiro, Ren and Shirai.

Zheng Zhi, Zhongfu Zhengfang, Nishiya, Murakami, etc., together with Gaia Zheng, Tanaka Ichigo, Kimura Tsunehiro and others of the "A Society" in Osaka, expanded to "2 1 meeting" (regular meeting of 2 1 every month). Attending this meeting will not only make justice in Gai Na feel fresh and excited.

Mr. Gai Na's early design accomplishment mainly centered on "Japanese Art Exhibition", which is an important symbol of Japanese graphic design history. The 16 session of Gao Qiao Masao, Hayakawa Yoshio, and Gaia Yizheng all won membership awards, and the 17 session was won by Hoshino. Although after the 19 exhibition of 1966, they came to an abrupt end in cynicism such as "peeping at the beauty of Japan", "reflecting on the beauty of Japan", "losing their individuality" and "posters can be discarded", but these core designers who were keen on graphic design at that time were based on,,, and Kono.