Promo shooting work plan

Time flies so fast that people are caught off guard. I believe everyone is full of expectations for the upcoming work and life! Let's learn to write a work plan together. But what kind of work plan suits you? The following is my promotional film shooting work plan, hoping to help everyone.

In the early stage of corporate promotional film shooting, after the script is completed, it is necessary to compile shooting procedures and plans to estimate, classify, analyze and manage all scenes (interior, exterior, sun, night, dusk and early morning), characters, props, main actors, stunts, sounds, atmosphere, extras, shooting time and related issues in corporate promotional films. In particular, manage the projects directly related to shooting, and modify and adjust the shooting plan in time.

1, shoot the exterior first, then the interior.

The necessary seasons and climate in the film, such as the green in spring, the rain in summer, the lush colors in autumn and the snow in winter, will be compensated when shooting the scene. After the scene selection and setting in the preparatory period, before the official shooting, the producer and the art department should first select and make the real scene.

2. Easy first, then difficult.

Directors, photographers and actors all need a familiar process. Shooting scenes first, then shooting scenes that are not the main characters and scenes that don't need much preparation are conducive to the' running-in' within the crew, which is also a factor that needs to be considered in the plan.

Take pictures.

Scenery refers to the scenes built inside and outside the studio. It is also built by combining indoor and outdoor scenes. Nowadays, many photography bases shoot according to the scenery. Scene shooting can create a good creative environment for actors, reduce and eliminate all kinds of noisy troubles, and help actors achieve the best creative state. If it is necessary to shoot scenery, especially complex and time-consuming scenes, you must make arrangements first.

Most directors will have a general grasp of the lens concept of their works in advance. Before entering the film length, there is no prior conception and setting for the lens and shooting method. Only by feeling the atmosphere of the scene and the activities of the actors can we stimulate their creative desire and inspiration, and we can improvise the camera and arrange the actors.