Traditional Culture Encyclopedia - Photography major - Famous sayings of classic photographers
Famous sayings of classic photographers
2. martin parr-When you take pictures of others, the closer you are, the better.
3. martin parr-Choose a suitable shooting environment, I mean a shooting environment only suitable for the subject.
4. martin parr-Well, don't make them laugh. This is the biggest misunderstanding of amateur photographers.
5. martin parr-As long as you persevere, the goddess of luck will always come.
6. Peter Turner-Looking back, good photo printing quality is very important if you want to be noticed.
7. Pete Turner-Shoot what you really like. This passion is usually expressed in works.
8. Peter Turner-When you go out to shoot, you often look back.
9. Peter Turner-stick to a lens with a focal length, and you will improve a lot.
10, Peter Turner-Before becoming a master, he kept learning lighting and shooting angles.
1 1, john rankin-never think that the camera is the most important. He's just your tool. Hold your hand tightly.
12, john rankin-experiment and adventurous spirit are very important, just like our magazine-at a loss &; Confused like early appreciate other people's works, but refused to copy!
13, john rankin-always pay attention to the change of light. Photography is the art of light, whether it is sunlight, candlelight or light produced by computer screen.
14, john rankin-Deeply understand your shooting theme and let the people in front of your camera participate. Eyes can't keep staring at the frame, photographers and models should build more trust and communication, and finally, press the shutter.
15, helmut newton —— Intellectuals are keen to discuss the significance of photography, so photographers are more and more hesitant to press the shutter. This situation may lead to polarization of photography, leaving only two kinds of people: news photographers and philosophers. I don't consider myself an intellectual or philosopher, I just observe.
16, kode ka- I'm not interested in photography philosophy, I'm interested in limits. I always shoot the same people and the same scenes. Because I want to know these people, these situations, and my own limits, whether it is the first success, the fifth success, or even the tenth success.
17, Kafka-People take pictures to drive things away from their hearts. My story is a way to close your eyes.
Ralph Gibson-I don't care how the camera looks at things. I hope it can look at the world the way I look at the world.
19, Eugene Smith-People who always call me romantic, because they are cynical and frustrated, so they can't trust anything. And when I stick to my beliefs, they call me romanticism.
20, Mark Lyu3 bu4-Dreams and discipline do not conflict, they are two sides of the same body. Just like music, it is based on the accuracy of mathematics, but it touches us from the feeling and mind. Skill and sensibility are inseparable.
2 1, Edward Bubba-A photographer knows that there are sufferings all over the world behind the flowers. Through this flower, he can touch other things.
22. Edward Bubba-The photographer is actually the one who has got nothing, but he always keeps hope until the last moment. This hope inspired him to persevere. Photographers can stay young because they want to take successful photos until the last moment. Andre Cortez-The camera is my tool, through which I give a reason to everything around me.
William klein-Why does photography have to bear the burden of testifying for the real world? Bresson ordered the wide-angle lens to distort the facts. Only a standard lens of 50 cm is normal vision, and photographers of the whole era take this as the standard. In my opinion, a wide-angle lens is more normal than a standard lens. You can even say that from a limited point of view, 50 cm is a punishment. We are looking at the world with two eyes, and the camera has only one eye. No matter what lens we use, any photo is a distortion of what our eyes see.
25. Diane Arbus-I am often impressed by the photography skills, but I don't like this temple very much. I was moved by it because really good skills only obey the mysterious inner world.
Diane Arbus-The way I take pictures is clumsy. I don't arrange dates. I stood in front of them. I don't arrange them. I'll arrange it myself.
27. Bresson-For me, the camera is a sketch book, a tool to capture instant inspiration. You have to ask questions and make decisions about everything you see in an instant, and explain to people what is happening in this world through a limited viewfinder. This is the simplest and most direct expression, but it also requires you to pay attention, be well-trained, be sensitive and have the aesthetic feeling of geometric composition.
28. Bresson-What I want most is to grasp the whole essence of a situation unfolding before my eyes. I'm sure that only one photo is enough.
29. sarah moon-I have always understood that you should close your eyes before opening them. When I choose, my eyes are not entirely mine. It has no age limit, because it is the first time to look at it and unconsciously discover what is known in the soul. I have always understood that I don't know what I am looking for, and exploration has surpassed my income and pushed me forward.
30. Susan Sontag)—— Photography implies that we can understand the world with the images recorded by the camera, and such understanding runs counter to' knowing', because the real' knowing' must never start from seeing the world with appearances. So, I think strictly speaking, we have never been able to really understand anything through a photo.
3 1, Alfred eisenstat-keep it simple.
32. Stiglitz, Alfred-you can take pictures when there is light.
A technically perfect photo may be the most boring photo in the world. A good photo is a successful combination of technology and art. Unless the scenery interests me, I will skip shooting and save my film to shoot something better.
34. ansel adams-You don't take pictures, you take pictures. There are only good photos, but there are no rules for good photos. Not everyone believes in painting, but people believe in photography. It is a good harvest to have 12 meaningful photos in any year.
35. Arnold Newman-The photographer must be part of the photo.
Barbara Morgan-Wright gave me creative shapes and scripts, which is why I became a photographer.
People say that photos don't lie, but my photos do.
38. dorothea Lange-A camera is a teaching aid that teaches people how to see the world without a camera.
39, David Layfield-not the investment in the camera, but the camera's perspective.
As a photographer, the most difficult thing is that you have to shoot.
4 1, Emily Zola-In my opinion, you can't say what you saw until you filmed it.
Edward Thompson-Don't tell me the photos you didn't take, just show me the good photos you took.
43. Fred Pique-The truth in the eyes of photographers is what their photos show.
44. Freeman Patterson-A roll of 36 photos is a satisfactory exposure, which means that the photographer has no new attempts.
45. Photography is my second language.
Gandhi-I believe everything is equal to everyone except journalists and photographers.
47. irving penn-Making a cake can also be a work of art. ..
48. Real photographers are as rare as real poets or painters.
John Zakovsky-Luck is the best teacher for a serious photographer.
50. mary ellen mark-Finding the most suitable one is the hardest.
5 1, Mark Twain-Imagination is out of focus and eyesight is unreliable.
Neil Rever-You have to be prepared for luck. Sometimes the simplest photos are the hardest to take.
Orson Willis-If the camera is not an eye on the poet's head, the film inside is useless.
54. Percy Harris's photographic skills were acquired through hard work rather than spending money.
55. For great photos, what matters is the depth of emotion, not the depth of field.
56. Pablo Picasso-The two most lost careers are dentists and photographers: dentists want to be doctors and photographers want to be painters.
Ronald Reagan-I like photographers because you don't ask questions.
Robert Doisneau-If I know how to take good photos, I will always take good photos.
Sam Abel-My best works are often unconscious and beyond my comprehension.
60. Terrence Norman-The problem for amateurs is that there is no reason to take pictures.
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