Do you have any tips for directing photography?

First, get as close to each photo as possible. You might as well get close to the subject to get better photos. Making the theme almost full of your photos can help your audience better understand and appreciate your photos. Moreover, the details are usually more interesting than the panorama. Move as far as possible to your subject until you are sure that your photo can successfully represent your subject.

Second, speed up the shooting.

If your subject may move, run, fly away, stop smiling or just feel tired while waiting for you to shoot, then you should shoot immediately. Practice hard to achieve faster shooting speed.

Don't worry about taking too many photos. When you are sure that everything is ready, don't hesitate to take pictures.

Third, carefully compose your photos, even if you don't want to sell them, you should carefully compose them to make them look more balanced and beautiful. In any case, people will appreciate those photos with balanced parts. Use obvious lines or shapes to attract your eyes to the most interesting place in the photo: 1. Keep the level. 2. Delete the unnecessary parts that you are not interested in. 3. Consciously put the subject in the best position, not where it appears. 4. Make good use of perspective to make all lines form patterns, or lead the viewer's eyes to the subject. 5. Use the "three-point principle". ?

Fourth, know what you are really interested in selectively, and then try your best to shoot it well, whether it is still life, your kitten, your puppy, a friend, a family, a mood, a place or a custom. Pay attention to anything outside the photo that is easy to cause interference, just like ansel adams did, and remove all unnecessary parts. The best way is to look at the edge-the edge of the scene seen through the camera viewfinder. If you find an inappropriate telephone line, an old soda bottle, an interference sign, your finger, or a rope on the camera in front of your photo, you should re-compose it. It's hard to shoot the cable car in San Francisco without a disturbing wire, but even if it's very difficult, you still have many choices. Yes: 1. Taking a close-up will definitely explain the whole problem. 2. Move the lens back, forth, left and right to make the wires appear neatly in the picture or on the subject. 3. Use translation to make the cable car become the focus, while the background becomes blurred.